Write Yer Ane Zine

Words about DIY punk; records, shows, interviews, whatever.

Tag: Andy Chainsaw

“As Autumn Falls” or Other Such Capers

photo (2)

August is always a busy month and, all in, I’d say it has been a pretty decent summer. Last month we hosted four shows featuring 15 acts from across the spectrum of punk rock and each show has had it’s own unique energy and atmosphere. The last minute scramble at the start at the month ended up with an absolute banger of a show at Kage on August 10th with Shatterhand, Get It Together, First Step To Failure, young Glasgow punks Veto and myself taking to the floor at a gig that highlighted camaraderie and togetherness that was both heartening and inspiring. It’s all too easy, at times, to let the head drop and question why you do what you do, whatever it is you do. After both the headliners and main support had to pull, it would’ve been easy to cancel the show and stay home. Thankfully I’m not the only one who’s having none of that caper and I applaud the spirit and tenacity of everyone who buckled down and made shit happen. To paraphrase Tosh from Shatterhand; “punk rock might now change the world but it sure as fuck makes it a better place to be for a couple of hours”. Wise words, spiderman!

The Jeffrey Lewis and The Jrams show the following week was sublime. Not only did the band play for well over an hour and pack the house on a dreary Tuesday night in Dundee, but they were also impeccable house guests. I’ve been listening to my newly acquired copy of “Em Are I” almost daily for the better part of the last three weeks and there’s always something new to discover on there. Jeffrey is an engaging character; wry, thoughtful and very funny on top of being one of the most influential musicians of his (our) generation. Seth Faergolzia and Heck Yup were certainly one of the more musically challenging acts that I’ve ever attempted to “do sound” for, mixing up all kinds of interesting instrumentation on top of loopers, synths, flutes, electric cello and multi-layered vocals; a hypnotic and engaging performance that was unlike anything I’ve seen before. The lovely Esperi opened proceedings and treated us to some older classics alongside fresh cuts from his new album “Seasons” that was released yesterday. Thank you to everyone who came out to the show; it seemed like there were a number of MTAT show “first-timers” so hopefully those that were new to our approach found it a positive experience!

Friday night saw the “official” launch of “Thick Letters To Friends”, the incredible new LP from Kaddish and it was one of the most intense shows that I’ve ever been a part of. Kage was absolutely rammed and it was roasting in there. Even so, as I stood at the side watching the band destroy for the thick end of 40 minutes, I had shivers up my spine. The journey to the release of this album has been a long one, more so for the band and producer Ross Middlemiss than anyone, and to see the lid finally bursting off the pot was something that I’ll carry with me for a long time; pure, raw, unfiltered catharsis. I could go on at length about how important and necessary I believe this record to be but I’ll stop myself short and say that it is a vital LP that is best experienced at high volume with full engagement. Thank you to the band for allowing me to be involved in something that is so personal and to Black Lake Records, Boslevan Records and The Ghost Is Clear Records (USA) for helping release the record. Special thanks also to Karol at Idioteq.com for his dedication, insight and support in exposing this record and the band themselves to a much wider audience. Please do take the time to read Karol’s illuminating interview with Dom here.

The show itself was amazing. Stonethrower (featuring the aforementioned Mr. Middlemiss and Cal Sutherland, the man responsible for the album art) kicked things off in suitably impassioned chaotic fashion with 25 minutes of driving yet intricate discordant noisy post-hardcore that seems to grow in power with each live performance. Keep your eyes peeled for their first release as it is guaranteed to be a banger. Next up were Glasgow indie/emo punks The Sinking Feeling who stepped in at the last minute to replace the sadly-missed Bonehouse, who were forced to withdraw on health grounds (get well soon GW!). The perfect replacement, TSF more than held their own and charmed everyone present with their super-infectious youthful grunge/indie/pop jamz, all harmonic yelps, three-way vocals, scorched riffs and fuzz-driven bass. Struggletown Records are just about to drop their new 12″ featuring new EP “Ugly” on side A and last year’s “Old Friends” EP on the flipside, so make sure and pick a copy up.

The masterful Carson Wells then took to the floor and once again demonstrated why they are one of Scotland’s finest musical exports, regardless of genre or geography. They treated us to the prime cuts from “Wonderkid” as well as a peppering of new songs from their forthcoming second LP and a track from their split 7″ with Human Hands. Carson Wells are a band that makes this whole playing music thing look effortless and are three of the most charming gentlemen that you’re likely to meet also. They are currently in the midst of recording with Ross Middlemiss and it’s no exaggeration to state that the album will be another hulking slice of angular angst indie/emo rock goodness. Undoubtedly one of the most powerful three piece bands on this hunk of rock, Carson Wells are a band worthy of your love that absolutely knock the piss out of most commercial rocks acts currently masquerading as emo.

photo(1)

Kaddish then took to the floor in a dimly-lit room at 10pm and proceeded to blast us all away and leave jaws on the floor, as they also do. There are few bands that play with as much conviction as Kaddish; the way that Chris attacks drums and plays with his whole being is something that I’ll never tire of seeing, while John underpins the chaos with his Fugazi-esque elastic basslines. Dom has presence; he radiates intensity. He also plays guitar in a way that I will never understand. I think that this may have been the longest set that the band have ever played and they delivered their near 40-minute set with exactly the same intensity as they would a standard 20 minute set. Not only did they play the majority of the “Thick Letters To Friends” album but they also dipped into their back catalogue with songs from the first album as well as their split 7″ with Battle of Wolf 359. In short, it was a mesmerising, compelling and memorable performance that had everyone engaged from beginning to end. Kaddish are one of our most treasured bands. There are few bands that make me feel as though hyperbole is not nearly sufficient to express their greatness. Kaddish are one of those bands. I am proud to call these fine gentlemen friends and am proud to have played a small role in bringing this masterpiece of a record to life. I honestly cannot recommend this record highly enough. Please buy a copy, your life will be instantly enhanced for the experience of listening to it.

MAP

Huge thanks to everyone who picked up a copy of the record at the show, those who pre-ordered and everyone who has purchased a copy since the launch show. Massive thanks to everyone who came and packed Kage out too; thanks to your attendance and support we were able to raise and donate £280 to Medical Aid for Palestinians. Thanks also to Alana at Minimal Media for filming the whole show and to Ross Middlemiss and Huw of Carson Wells for recording audio on. This documentation will be present in the forthcoming months as an exciting little project, full details of which will emerge soon. Cheers to all who came out to the show too, you may well have made it onto a live record!

The weekend (and the month) was rounded out with our first ever 16+ Sunday Matinee Show at Non-Zero’s in Dundee. Unfortunately, local kids Palida Mors had to cancel the night before due to injury but the show rolled on with the four bands. Elk Gang are a new band of familiar faces from Edinburgh who are comprised of ex/current members of Shields Up and Taking Chase. They play full throttle hardcore punk rock coming over like a cross between Rise Against/Touche Amore/Strung Out with plenty of hooks and heads-down riffage on display. Bassist Craig is moving to Berlin next month so it’s likely that this will be their only Dundee show with this line-up, but hopefully they’ll get a replacement in before too long as these jamz are top quality and Scotland needs another fine DIY punk band of this pedigree. These dudes are also the brains and brawn behind Anti-Manifesto, so you know this shit is on point.

Glasgow punkers Sink Alaska were up next and took to the stage in good cheer as we celebrated the “official” launch of their new Double A-Side 7″ single. “The Path of Least Resistance” / “Among The Wretched” is exactly what is says on the tin; two tracks of razor-sharp upbeat melodic punk rock bangers that melds the speed and energy of 90s Epi/Fat skate punk with the wry wit and passion of late 80s/early 90s UK punk, coming over like Lagwagon and Ten Foot Pole covering Leatherface and Snuff songs. A band of a high calibre, these troops have been playing punk rock since before some of the kids at the show were born and that experience shined through as they whizzed their way through a half hour set of refined punk rock bangers, including their tracks from the ROASTER split and last year’s demo. The 7″ is out now and is strictly limited to 100 copies worldwide. The record comes with a download code, lyric sheet and full colour artwork as designed by Mark Bell of Mug. Again, thanks to everyone who has bought one thus far and thanks to DyingScene.com for hosting the exclusive stream last week.

Rope Spasm are another compelling proposition and a much under-rated band from our area I feel. While people may feel the have them dialled on account of their previous bands (MAFAFI, Torturo Nervosa, Drug Couple amongst them), there is infinitely more depth there than just your average powerviolence/hardcore band; there are elements of hip-hop and hardcore as well as a more refined “classic” punk sound, on account of Rossko’s deceptively deft guitar playing and Steve’s stomping distorted bass. Front man Sam is another character altogether; a tortured writhing mess of pained cries and contortions in performance, softly spoken and eloquent between songs. They may be close to the bone and primal, but they’d argue that that’s your problem, not theirs. I’d be inclined to agree. Top notch noise here.

certain death

The last act wrapping up a weekend of delectable Scottish hardcore/punk was Kirkcaldy thrash punk’n’roll legends Certain Death, who arrived at Non-Zero’s fresh from obliterating the elder Steedo’s Harley. These hardened road warriors never fail to deliver and scream out the same impassionaed antagonistic noise whether it’s a Sunday matinee in front of 40 folk or the Masters of Rock festival in front of 10,000 German metalheads and are undoubtedly one of the most consistently devastating live bands around. With stomp and swagger aplenty, you know from the word go what you’re getting with these troops and Sunday was no exception as they rattled through their cacophonous set at breakneck pace whilst inviting us to check out the Certain Death Ice Bong Challenge. Check that shit out on YouTube!

Thanks to Dave and Simon at Non-Zero’s for having us and to Scotty Russell for doing the sound. I think it was a quality show and certainly a worthwhile endeavour, so I hope that we’ll be doing another one in the near future. While there are no firm plans in place yet, this is something that we’ll definitely be getting to work on. Cheers also to the youngsters who came down and had their first MTAT experience and to everyone who picked up some records from the distro. Getting home in time for tea before heading back out was an added bonus.

There’s no rest for the wicked, so the saying goes, and it seems there’s no rest for those who try to steer clear of the wickedness also. We’re straight back on the horse this coming Friday when we host SPILL YER GUTS #3 at Cerberus Bar, Dundee with the inimitable Chris Clavin of Ghost Mice/Plan-It-X Records infamy. Chris will be performing live and reading extracts from his essential punk memoir “Free Pizza For Life” and will be regaling us with tales of a life lived immersed in US DIY punk rock culture and more. Chris is an interesting character with stories to tell who has been an influence of countless punkers the world over so having an opportunity to see him perform and speak in the intimacy of Cerberus should be a unique experience. Chris is joined on his travels by the piano-wielding Turtle Lamone who shall be playing his first Dundee show since his victorious performance at Book Yer Ane Fest VII. Andy Chainsaw will be bringing his none-more-gruff Andrew Jackson Jihad influenced acoustic punk gravel to the party and I shall be hosting things and compering for the evening. I’d love if y’all came to join us for an evening of refinement and culture. Doors are at half 7 and entry will be by donations please!

chris clavin dundee

At the end of the month, we will be welcoming back our friends Arliss Nancy from Colorado for what is an EXCLUSIVE SCOTTISH SHOW and one of only four dates in the UK. They’ll be joined by some of the finest local acts in the form of Robot Doctors (last seen on home turf at their album launch show at Dae Yer Ane Club I), our own emotive punk rockers Lachance and the wonderful fiddle-driven folk/punk stylings of Broken Stories on Saturday 27th September at Kage. Advanced e-tickets are available for a fiver here and physical tickets are available at Groucho’s, Dundee (who featured on the Top 10 indie record stores in the world feature from The Guardian).

arliss nancy

Finally, some news as pertains Book Yer Ane Fest VIII; September 30th will be your absolute last chance to get yourself a Super Earlybird Weekend Ticket for £20. Having one of these e-tickets is the only way to ensure your entry to all 7 BYAF shows, including the pre and post shows in Glasgow and Edinburgh respectively and the two morning shows at Cerberus Bar on the Saturday and Sunday of BYAF itself. Cerberus is tiny and we’ll be running full band shows in there for the first time (including “The Menzingers” on the Sunday morning) so priority entry will go to Super Earlybird Weekend Ticket holders, after which it will be first-come, first-served. This is also the cheapest way to support the weekend and is not only a bargain but also cost-efficient. If you’re planning on coming along, get on that shit now!

BYAF Eyes peeledWe shall be announcing the rest of the bands, all of the acts for the acoustic stage, day splits, etc over the next month over on the MTAT facebook page so keep your eyes peeled over there and on the event page itself for updates as and when they happen. We aim to have everything announced, the final line-up confirmed, satellite events sorted, poster on point blahblahblah by the end of the month and hope to have all of this information available to you by the start of October. We’ll get to October soon enough though!

Thanks for everything.

Cheers,

Derrick

“Where You Been, Bro?” / “What’s Happnin’ Bro?”

Things have been busy, as ever, since the last time I blogged here. In a MTAT capacity, we hosted the European Tour kick off for The Murderburgers and they’ve since been announced as both the tour support for the forthcoming Alkaline Trio / Bayside UK tour as well as for Fest 13 in Gainesville and pre-Fest in Ybor City, Florida. Asian Man Records have also announced the second pressing of the amazing new album “These Are Only Problems”, so make sure and pick one up if you haven’t got one already. We were also part of the release of “To Live and Die in West Central Scotland”, the incredible debut full length from The Kimberly Steaks, although we missed the actual release show at the sold-out Stuck In Springtime Fest as we were away in Ireland with Uniforms (check out Jonny Domino’s blog for a full report!). The first pressing of the album is nearly sold out already, but we have ten copies in the MTAT distro, so I’d encourage you to pick one up while you can.

photo

SPILL YER GUTS #2 featuring Mark McCabe, Greg Rekus (CAN) and Oxygen Thief happened at Cerberus Bar last Wednesday and was another cracking little acoustic show. Abbie and I (finally!) moved to Dundee the previous day and I was straight back to work, so once again Jonny picked up my slack and ran the show. I did arrive very late in the game and saw Mark perform his last chorus. Cheers to everyone who came out and donated pennies for the punx and sorry to the guys who played for missing them. Special thanks to the dude in the metal band who drank all night but knocked Jonny back tho 😉

Last Friday saw our Welsh brethren Question The Mark join us in Dundee alongside Terrafraid, The Walking Targets and our own band of big emo kids Lachance, who stepped in to replace The Kimberly Steaks. This was only Lachance’s second show and they performed with a lot more confidence than their first show. Barry in particular seems all the more comfortable, getting back into the role of frontman for the first time in a decade or so. The songs are brilliant too and have that Latterman-type basement punk positivity to them. There is absolutely no doubt how much the music means and it’s heart-warming to see the passion on full display. Bullshit free punk rock for sure. The Walking Targets continue to develop and destroy. I know that I say it so often that it’s likely hyperbolic by now, but there is absolutely no doubt in my mind that they are the best young punk band in the UK. I’ve had the privilege of hearing their forthcoming full length and it is incredible. They’ve also been announced for Fest and I can’t think of a band who deserve it more. Once the Americans get into these troops, they’ll be offski. Destiny awaits boys!

In a move that seems to becoming somewhat of a tradition, the QTM troops travelled up to Scotland without a bass player. They played the Glasgow show the night before as a three piece before Big Ade drunkenly agreed to play bass at the Dundee show. The boy has the mad skillz and learned the entire set in less than a day and stepped up and killed it. I spent most of the set down in front of Yogi’s mic as he cranked out his insane guitar pyrotechnics. There are a few guitarists that I just stand there in awe of; Papa Gain being one of them (along with Bobby Simpson) and Yogi. He’s fucking amazing, flamboyant yet tasteful. Subtlety isn’t usually something I’d associate with these boys, but the subtlety is there adding depth and nuance to the gruff punk bangers.

Terrafraid have just released their first album “Despondent” and it’s an absolute jaw-dropper of a record. An album of great depth, there are layers upon layers of things going on, both musically and lyrically, echoing the finest in both US emo and Scottish indie with a punk rock heart and epic delivery. The album is journey and a magnificent achievement that is more than worthy of your affections; a strong contender for record of the year so far. They rounded out the show and were a riot; less subtle  and considered than on record, playing with fire in bellies and ad-libbing through gear problems (a talent in itself). A band of weel kent pusses, the atmosphere was amazing and it was a fine way to wrap up a reaffirming evening of goodness. Double bonus for me is that I only had a five minute walk home rather than bailing for the last bus/train. I’d call that a home win.

Talking of releases, my pal Andy Chainsaw recently released his new EP and it’s available for download now. It’s called “Do Androids Dream of Electric Cigarettes” and it contains five introspective dark solocore punk ballads. Recorded by Chris of Esperi fame, I think this is by far Andy’s best (bleakest) work to date. Ye can get that here.

failures union april

Our next show is this coming Tuesday at Kage, Dundee and is going to be another banger. Failures’ Union are from Buffalo, NY, feature ex-members of Lemuria and play premier league impassioned American indie/emo punk rock that sounds something like The Lemonheads drinking red wine with The Weakerthans, to my mind. They’ve just released their new record “Tethering” through Dead Broke Rekerds and I’m very much looking forward to picking up a copy of the LP at the show. The band are joined on their EU tour by South Wales indie/punk veterans Bedford Falls, who hit the sweet spot before 80s hardcore and 90s emo. This will be the first time in Dundee for both bands and it should be a treat for a Tuesday night. They’ll be joined by Dundee punks Frown, who are playing their first show at Kage, and Glasgow skramz three piece Lost Limbs, featuring the guitar wizardry of the aforementioned Bobby Simpson, who also play their first Dundee show.

movie premiere

The next night, Kage will host an event that I am equally parts excited by and mortified at the prospect of; the world premiere of Film Yer Ane; The Book Yer Ane Fest Documentary. I haven’t seen the film but there is no doubt  in my mind that Adam Morrow will have made a wonderful film, that it is all beautifully shot and put together, and I find it truly humbling that there is sufficient interest in something that we brought life to that someone would even contemplate making a film about. It’s truly boggling to my mind. What I’m mortified about is sitting in a room full of friends and peers watching myself talk bullshit on a screen, especially as I have no idea what Adam will or won’t have used. That’s my own shit to deal with though and it should certainly make for a very memorable evening. Broken Stories will be kicking the evening off with a fully unplugged performance in the bar at Kage then the film will get its very first public airing, followed by a Q+A of some description. We’ll also be hosting a super-cheap merch sale, so please bring along some pennies and peruse the collection. Entry is free with the doors opening at 8pm. We’ll also be announcing the first batch of bands for BOOK YER ANE FEST VIII the very same night.

The next MTAT shows after that both take place on Saturday 26th April and  are part of the Bangers / Uniforms Scottish weekender. We’ll be playing four shows together over the course of that weekend. We’re playing with some awesome bands across the three days including our friends Get It Together, Sink Alaska and The Shithawks as well as highly rated London emo punks Doe. Should be a top quality weekend all round. For more information on the individual shows, click the link on the flyer.

Edinburgh;

edinburgh

Perth; ALL AGES MATINEE!!!

matinee

Dundee; with KAGEMANIA Club night!!!

bangers

Glasgow; Half-Dayer w/ Elway (USA) / Joe McMahon + more!!!

glasgow half dayer

These shows will likely be our last before we get our new 7″ out in preparation for our first European tour. We’re going to be in Europe for three weeks in June/July and we’re going to be visiting loads of countries in that time; France, Switzerland, Germany, Austria, Czech Republic, Slovakia, Poland, Luxembourg, Belgium, The Netherlands and more. Rest assured, once the full details emerge you’ll be sorry I ever mentioned it as I’ll be sure to let you know! On the subject of 7″s, there is only one copy of our split with Loaded 45 left in the MTAT distro so if you want a copy, act fast before it disappears. There may well be some copies kicking about in record stores throughout the country (Love Music in Glasgow being one), but it’s the very last one we have in stock. Huge thanks to everyone who has picked one up. The songs themselves are available for free/pay-what-you-want download.

There are a heap more quality shows in Dundee happening over the next couple of months, many of which are being put on by Owen and the dudes from the Rusty Hip Collective, including Thin Privilege on their album launch tour alongside Kaddish and Indica at Kage on Friday 18th April, Doe / Bonehouse / Algernon Doll at Kage on April 23rd, Garrett Klahn from Texas Is The Reason at Tin Roof on April 25 and Solemn League from Germany on April 30th.

Coming up in May we have a couple of righteous bangers;

caulfield cult show

The Caulfield Cult will be in the middle of their European tour and will be the first band from Singapore that we’ve ever put on. Their new album “Things Can Only Get Worse From Here” picks up where the genre classic “Leaving Cemetery Junction” left off and is out now.  They are joined on their tour by English post-hardcore kids Godard and local support is Last Of Us and Lung Season from Aberdeen who play their second Dundee show and first at Kage. Then a couple of nights later is the Robot Doctors album launch / Maxwell’s Dead tenth anniversary party and the first ever DAE YER ANE CLUB NIGHT. It truly is all go, and that’s before we’ve even mentioned the forthcoming Kaddish LP, the Jeffrey Lewis and The Jrams show in August or the three reunion bands for BYAF VIII…

dae yer ane club night

Right, that’s quite enough from me for now. If ye want to keep up to date with everything that’s happening, noise us up online or drop me an email. Cheers!

Live; Nothington (USA) / Bonehouse / Shatterhand / Andy Chainsaw – Edinburgh

Nothington in Edinburgh

Walk The Plank Promotions hosted their second show of a very busy weekend on Sunday night at The Banshee Labyrinth, Edinburgh which saw San Francisco punks Nothington return to Scotland for the first time in over three years. “Borrowed Time”, their last LP, is one of my very favourite punk records thus far this decade and I hadn’t seen them since Fest 10, so I was very excited. Papa D and Jonny Domino picked Abbie and I up around half 5 and we made our way to the capital. We met up with Jamie and found our recommended-by-Boab falafel shop closed, so settled on the old favourite that is The City Cafe; always a good choice for pre-show scran. Once finished, we headed round to The Banshee (my mozzarella, tomato and basil bloomer was excellent btw).

Our good friend Andy Chainsaw opened the show playing purely acoustic on the floor to the side of the stage and had (I think) already played a couple of songs before we appeared, but we arrived in time to catch the majority of his set. Andy was in full voice and belted out his grizzled punk tales of woe with ever-present passion and gusto that seems to grow with each performance. Nervousness may masquerade as self-deprecating humour at times and ending on a new song then forgetting how it goes isn’t the ideal, but Andy pulled it off with his usual charm and provided a warm, fitting opening to a mixed bill in the cosy confines of The Banshee. Andy will be touring later in the year so keep yo peepers peeled. You can get the “High Windows and Low Tides” EP for free from here.

Next up were those nutters in Shatterhand who were wrapping up a weekender after playing with No Contest and Sink Alaska in Stirling on Friday night then running the first all-ages matinee show in Falkirk on Saturday (check out Tub Thumper Promotions) and they were on fire. Seriously, Shatterhand exhibit more passion and energy than most bands half their age, marrying gobby snarled punk rock with incredible guitar-work and some of the wildest, hardest drumming you’re ear likely to see. Honestly, Brian “Big Baby” Hastings is an absolute beast on the kit, sitting in tight with the thumping running bass underpinning the whole thing. In between booze-fuelled bangers like “Brewdog Nights” and “The Tenpercenters”, Shatterhand are also a fiercely independent yet thoughtful entity, something often missed, as evidenced by the discussion and subsequent reaction to the song “Paradigm Shift”. Rather than regurgitate or paraphrase, here’s what the guys had to say about it (from their facebook);

shatterhand tattoo

“Mike’s Tattoo – The words are from our song “Paradigm Shift” which was written with a genuine positive intent and to show support with a friend struggling with suicide issues. It is intended to reach people in kindness and we hope that people can talk openly about the subject without judgement and know that they are not alone when they are at their darkest moments. If you’re at one of our gigs and we try to start a discussion about suicide before playing this song it is in no way intended to upset or offend, but rather to bring it into the open and to just talk about it like rational human beings who all have failings, limitations and face their demons every day and we hope it gives the song some context. Respect and Unity!”

A punk rock show isn’t a class room just as a stage or floor isn’t a pulpit, but I guess the ideal is that the best parts of punk rock are about the open exchange of ideas, safe spaces for all and tolerance. The key word there is “ideal”; if you’re going to be tolerant of ideas that you support, you have to be prepared to be tolerant of those ideas that you don’t support. Freedom of expression means freedom of expression for all. Punk rock should mean freedom across the board. I don’t know exactly what I’m getting at (well, I do, I’m just not articulating my thoughts very well), but I can only describe my perception of an atmosphere; there were some WEIRD VIBES BRO. Regardless, Shatterhand were rocking and Dave is a wizard of a guitarist and was playing slide with a Brewdog bottle at one point. Rare!

The Banshee was getting progressively busier as the evening rolled on and the place was pretty much packed by the time Bonehouse hit the floor. While they may have initially seemed a strange choice of support for a gruff punk show, there is no denying that Bonehouse are one of the finest bands in the country and their blend of intricate guitar work, soaring harmonies and paint-stripping screamo vocals really hit the spot, as always. Vocalist Dave was apologetic about his vocals, complaining of a sore throat (full sympathy from this guy) but he needn’t have been; the band were tight (as always), with drummer Iain laying the strongest foundation you could hope for with his solid, technical and progressive style. He makes it look so easy too. This was another exemplary performance from the lads and watching Sean writhe and wriggle whilst the band belt out the three-way vocals is always a treat. A whole room singing along with “The Bonehouse Summer Jam” and it’s hook of “In spite of it all she’s unable to tell the time” is always a goosebumps-inducing moment, this night being no exception. The crowd was increasing in rowdiness by the end of their set and I’d say it was a solid victory across the board.

Bonehouse are heading out on tour in Europe this summer with Brighter Arrows from Chicago this summer and will also be dropping a four-way split with Canadian punks Polina and Todos Caeran and Dundee heroes Kaddish, so keep your eyes peeled for that dropping on various labels in the next couple of months.

The place was rammed by the time Nothington arrived to blast us with their road-worn tales of loneliness, isolation, heartbreak and hope with a bunch of excited punks congregating at the front (okay; Jonny, Jamie and I on our side!) and certain members of the crowd were more drunk than others. Nothington have been in Europe for almost a month now and the band have that special “tour tightness” and didn’t miss a beat, although it was clear that the guys were a little road weary and are on the home stretch of tour. You couldn’t tell in their performance though as they ripped through their set with the same drive and enthusiasm of a band that has toured the world over and played the main stage at Groezrock a couple of weeks ago. It’s that kind of dedication that is inspiring; it doesn’t matter if it’s in front of thousands of people at a festival or a dark room in Edinburgh in front of sixty people on a Sunday night; the delivery is the same. That ethic is something a lot of people could learn from. Anyway, I spent the first half of the set pretty much screaming along with Chris and pumping my fist in his face as the band belted through the likes of “The Escapist” (a very close personal favourite song of mine) “I Should Stay” and the banger that is “Where I Stand” with it’s incredible woah’s and Leatherface-esque riffage from their debut LP “All In”. I’m pretty bad at remembering set lists as I’m usually singing along, this case being no exception.

The band played a good mix of material from their discography and were inspiring sing-a-longs and fists in the air from the start. The crowd were getting pretty rowdy and there was plenty of dancing, rocking out and pushing and shoving going on. I moved to the back as I wanted to film a little bit although it’s so dark in The Banshee at times that’s it’s difficult to see a thing at times. It also wasn’t ideal that the lights kept cutting out at various moments. Still, it all added to the atmosphere and the rowdiness, which soon got a little bit out of hand. Obviously everyone wants to have the best time at shows and enjoy themselves, but people also need to posses some self-awareness. I’m not going to tell people how to act and how to behave, but people need to be accountable for their own actions; there were a lot of elbows being thrown around at the front with some people acting like roasters and at one point it all kicked off and a pull apart happened, with people being knocked over, pushed around and escorted to the doors. Abbie got stomped on by some roaster and covered in beer and I had to pick two folk up off the floor at the door; not exactly what you’re looking for when watching one of your favourite bands. As I mentioned before, punk rock is not a church or a primary school, but there’s a line when it comes to acceptable behaviour and levels of drunken roasterism at shows. Far be it for me to call anybody on this as I’ve been that dick many times, but it was an unfortunate end to what had been an amazing show. It’s also not the first time that this has happened with these particular individuals. Between the rukus in the crowd and people getting up in the band’s collective faces, there was definitely a bit of an unsavoury atmosphere and this was reflected when the band stopped playing during the fracas at the front/at the door. Still, these things happen and it shouldn’t be allowed to tarnish the night as a whole, even if it did take the shine off things a little bit.

After the show was over, we spent some time catching up with our friends Ryan Weber of Spanish Gamble / Boneshakers fame who was doing merch on the tour and Adam Bilboa who was driving. I acquired the new Nothington / Paper Arms 7″ which is a little cracker released on Cargo Records in Europe and features a particularly amusing answering machine message from a certain Ryan Young of Off With Their Heads. I also managed to blag a shirt with the last of the money in my pocket before we packed up and hit the road. It was good to see so many people venturing out late on a Sunday, even if more than half of the crowd were Dundee cowpunks. Thanks to Raph for putting the show together. Raph, under his Turtle Lamone guise, is touring the UK next month and is also putting on some killer shows across the summer, the next of which being Spoonboy with Delay, Martha, Joe Listen and Turtle Lamone (record release show!) on June 5th. All in, this was a great show with a fair few talking points and, while perhaps not the greatest display of togetherness and unity our little scene has ever exhibited, it’s good to know that there are still some things that can stoke the fires of passion and discontent; something to which Nothington are pretty much the perfect soundtrack.

Make-That-A-Take Shows – 2012 in Review

First, apologies for the lack of ramblings recently. I haven’t been at my most prodigious due to being up to my eyeballs with everything else, much like everyone else. I’ve been working like fuck since BYAF, including eight days straight over Christmas, and have been working away trying to get things sorted for the upcoming UNIFORMS tour and releases. You know, the fun stuff! However, none of that is of concern for this blog.

What I want to do is have a look back at the shows that the Make-That-A-Take collective put on this year. Personally, I think they’ve been some of our best yet and that the year as a whole has been pretty incredible. I’d like to thank Neil, Barry, Gain, Kenny, Jonny, Jamie, Abbie and Dave from Cerberus for all the hard work that they’ve put in this year. This whole cavalcade of idiocy wouldn’t happen if it wasn’t for us all pulling together. “Scenes” can be fragile and fickle beasts, but none if it would happen if it wasn’t for the people who share the same passions for punk rock and DIY as we do; the bands that play, the people who come out to the shows, love the music, buy the merch, etc. That sense of togetherness is, to my mind, what makes it all worthwhile.

Our first show of 2012 was actually in Perth, at The Green Room. It was the only show that we put on there this year, but it was a pretty fucking good one with Bonehouse, UNIFORMS and the sadly now defunct Drug Couple. We’re putting on another show in Perth on Saturday 9th February 2012 at The Corinna. There’ll be noise made about that one in the very near future.

Next up was Dead To Me in Dundee. This was something that we were all very much looking forward to as they are a band that we all collectively love and, as silly as it may be, we were all very excited to be hosting our first ever Fat Wreck Chords band. It also helps that Chicken, Sam and the boys are amongst the nicest fellas that we’ve ever met in punk rock and they tore Kage apart. It’s a pretty rare thing to see so many bodies in one place going absolutely mental, and it was a rare old treat indeed. The Human Project from Leeds smashed it, and we roasters in Uniforms played reasonably. Maxwell’s Dead were quality as well and this was probably the show that made me want to work with them more. Such a good show and massive thanks to everyone who came out to the show. We could have suffered badly if this show had been a disaster, so huge credit to the good taste of the Scottish punks!

We then threw together a somewhat last minute show for our friends in ONSIND at what was only one of a few acoustic shows we put on in 2012, and the only show that we did at Drouthy Neebors. ONSIND are a wonderful band and it was a pleasure to have them back up here and they were joined by the equally charming Eric Ayotte, who definitely made a solid impression and more than a few friends. Davey Nolan was his usual impeccable self and treated us to his charismatic blend of rootsy folk and rocky goodness, while I played a silly set and the marvellous Andy Chainsaw (two-pint) growled at people in the most charming way imaginable. Unfortunately, this is one of a few shows this year where I forgot my camera!

onsind

Two days after that, it was The Murderburgers, we roasters in Uniforms, the now deceased The Day I Snapped and the first Dundee show in around five years from The Kimberly Steaks. This show reminded me of the good old days of the “Pre-Entropy Punk Show” where a whole bunch of like-minded idiots would get together at The Balcony before heading along to Kage for Entropy, except this time round the show was in the club and the club night thereafter was Warped! Still, it’s not often that we put on “all local” (ie, non-touring) shows these days, so it’s always a nice little change of pace. That and the fact that all the bands rule, right? I was mostly likely pretty steaming before I had to bolt for the last train home.

mick4th

Our next show was supposed to be more of a celebration of Uniforms releasing our EP and heading out on tour with Cobra Skulls. Instead it took more of the form of a wake, as it was the first time that I’d seen all of my friends in one place after the death of my father and the first time that we’d played together as a band since his death. We decided that we wouldn’t film any of the bands playing out of respect, but I can say with all sincerity that this was one of the most emotional and heartfelt shows that I’ve ever been involved in. It means so much to me that my friends in The Shithawks and Drug Couple were willing to play at such an important event, and even more so that Barry and Gain played what was one of the most heartbreaking 15 Minutes sets that I’ve ever seen. With my sister and mother in attendance along with 100 or so friends, I struggled to keep my shit together. I think I pulled it off. Thank you to each and every person that came out that night, it means more than you could know.

Next up was Direct Hit! and The Priceduifkes from Belgium with support from Maxwell’s Dead and Third Floor Incident. I think we were somewhere in California at this time, so obviously none of the Uniforms Roaster Originals were present, but the other guys did a great job of making everything ran smoothly in our absence. To say that we were gutted to have missed Direct Hit would be somewhat of an understatement, but them’s the breaks and we can’t really complain as we were losing our minds of the west coast. Thankfully, some video evidence of this event remains, thanks to Graham of No Aims, No Desires.

Our first show after getting back from America was the magnificent All Eyes West from Chicago. We had met these guys at Crash Doubt Festival in Lincoln the previous week although we didn’t get to see them play, so we were excited to finally get a chance to do so. They certainly didn’t disappoint and delivered a powerful set of Husker Du inspired fuzzy nostalgic noisy discordant pop-punk and were one of my favourite bands I saw this year. They were supported by the always gargantuan titans that are Kaddish, who just seem to get more and more intense with every show that they place. Min Diesel from Aberdeen brought their twisted noise pop and The Kimberly Steaks rattled through approximately fifteen minutes of grizzled punk rock anthems to open the show. As far as coherent bills go, I reckon this was one of our finest line-ups of the year.

In July, we hosted our Summer Punk Rock party, which came about as we had two tours crossing over on the same night. Six band bills are usually a bit much for my liking, but Kenny was happy to let us have the run of Kage once again, and for that we are most grateful. Our new pals MüG from London opened the show and treated us to their rapid Descendents/Bad Religion-esque SoCal style punk rock, with their uniquely dry English sense of humour. They are a great bunch of guys and one of those bands that passionately wear their influences on their sleeves. I’d definitely recommend checking them out. The Day I Snapped were up next and this ended up being the last MTAT show that they’d play, as they broke up not long after their UK tour with MüG.

Bear Trade then proved why they are one of the finest bands in UK punk rock. It’d be really difficult for these guys to be anything less than amazing considering the pedigree of their previous bands, including the likes of Blocko and The Mercury League. Plus they feature the mighty Lloyd Chambers and arguably the nicest man in punk rock in the form of Greg Robson. A great band for sure and well worth keeping an eye on. They’ll be on tour with Iron Chic next year so keep your eyes peeled. We played next and rattled through everything far too fast, something we tend to do when playing in Dundee, for reasons I’ve yet to fathom. It probably has something to do with running the shows, getting drunk and playing. There’s never a reason not to party, right?

Fights and Fires from Worcester then took the stage and ripped it up in their Cancer Bats/The Bronx style. These guys are one of the hardest working bands in the UK and have travelled all over Europe this year and it showed in their tightness that they’d just returned from a mammoth tour. Wrapping things up was our brothers in Shields Up. We’ve hosted Shields many times but looking back on it, there is a twinge of sadness about this show as it turned out to be the last show that they’d played for us before their untimely demise in December this year. Whatever the reasons for their break up, it’s a fact that Scotland has lost one of her finest hardcore bands and they will be sorely missed. I just wish that we’d managed to do one more show together. Check out the final EP here as it’s fucking incredible. RIP Shields Up.

August saw the collective host the inimitable Franz Nicolay, supported by the wonderful Algernon Doll, Billy Liar and Davey Nolan. Jamie and I, however, made the decision that we simply had to go and see Social Distortion play Scotland for the first time ever on the same night at The Garage in Glasgow. Abbie had bought the tickets for us long before we had booked Franz and I didn’t realise my error until just a couple of weeks before. Whether or not we made the correct decision is a subject for debate, but I have to confess that I fulfilled one of my lifetime’s ambitions by doing so. By all accounts the Franz show was something pretty special and I’m pretty gutted that we missed it, but we make our decisions and we stand by them! Hopefully we’ll have Franz back over soon and I can explain my choice to him in person. I’m confident that he’ll understand.

Two days after that, we hosted what was expected to be another tight squeeze of a six band bill, but unfortunately Defiance, Ohio were denied entry to Europe for visa reasons so didn’t get to play any of their scheduled tour dates, which is undeniably a massive bummer. However, the show must go on and we played host to a joint effort with GW and welcomed Everyone Everywhere from Pennsylvania alongside their touring buddies Chalk Talk from Massachusetts, ably supported by Kaddish, Bonehouse and us roasters from Uniforms who opened the show. This show was filmed for a forthcoming documentary by Pet Piranha Records, so I didn’t get any live footage from the show, but Abbie did film a new Uniforms song on her mobile phone. All the bands were amazing but I have to say that I think Chalk Talk stole the show. This was another busy night in Kage and once again I’d like to thank everyone for their support as there’s no way that we could do these sort of shows if people weren’t willing to come out, take a punt and put their faith in us to put on a good show, so thanks again everyone!

Another last minute acoustic show followed in September when we played host to Jeff Rowe from Boston. We had originally been in talks to bring Jeff up to Dundee but then it appeared that the routing of the tour just wouldn’t allow for a visit. Unfortunately (or fortunately, depending on how you look at it), a bunch of Jeff’s scheduled tour dates fell through and we ended up hooking up at pretty much the very last minute. I’m so thankful that we did as the show at Cerberus was one of the most special and intimate of the year. I opened the show in my Tragical History Tour guise, one of the very few acoustic shows that I played this year, and was followed by the supremely talented Mark McCabe and Grant George of The Barents Sea. It’s always a pleasure to have such a talented group of musicians and such a quiet and attentive audience in the cosy confines of any venue, although being at Cerberus seems to make these occasions all the sweeter. Jeff is one of the nicest guys you could possibly hope to meet and any night that you get to spend in the company of Gunner Records‘ tour manager Christian is always going to be a special treat. Hurry back guys, we can’t wait to see you again.

Ten days after the Jeff Rowe show we hosted what was probably Abbie’s favourite show of the year in the form of The Blacklist Royals from Nashville, Tennessee. These southern boys play gritty country-inflected melodic punk rock not a million miles removed from the likes of The Gaslight Anthem and Riverboat Gamblers. They were also some of the most polite boys that we’ve ever put on and had impeccable manners when they came to stay in our little flat in Perth after the show. Once again, Maxwell’s Dead provided the main support and were absolutely hilarious as Russell was clearly burst and is one funny motherfucker. The Shithawks let it all hang loose and blew everyone’s minds whilst The Kimberly Steaks once again dropped in briefly to say hello. This time they were even kind enough to drop in a Jawbreaker cover. I love those boys. Abbie was especially stoked when we got home and Blacklist’s merch man Bryson started dropping stories about how he used to date Taylor Swift in high school. I was more interested in the story of how her father bought one hundred thousand copies of her debut record in order to secure her record deal. I’m also a party pooper as I sent everyone to bed at 3am. To be fair, there is nothing more punk rock than feeding Americans green tea in the early hours. Blacklist also furnished us with heaps of merch including a 7″ flexi-disc that is quite possibly the most bizarre piece of vinyl that I own.

Our final “show” show of the year was another emotional one (seems to have been a few of those this year) from Elway. We’ve met the guys in Elway before whilst over at Fest in Gainesville and they’d experienced some particularly harsh luck whilst on their European tour. Not only were they detained by corrupt police in Russia, they also had over three thousand dollars worth of merch stolen in Germany. Why anyone would want to steal the merch of an obscure punk band, I have no idea but that’s exactly what happened. As such, Barry The Kydd instigated a donation campaign and thanks to the generosity of our community and the hard work of The Doctor at TeesOnTap.com, we were able to donate a sizeable amount of shirts for the guys to sell as they made their way back through Europe before going home.

Trails from England opened the show as they needed to fill in a tour date and I’m very glad that they did as not only did they fucking rip with their groove-laden tech-punk madness, frontman Sam also bailed me out with a ready half-a-step-down-tuned guitar when I broke a string during our frenetic Uniforms set. Leagues Apart were on tour with Elway and it was great to finally get those guys up in Dundee after crossing paths in various ways, shapes and forms across the years. They are a great band and an even nicer bunch of guys. It seems they especially enjoyed getting acquainted with Buckfast, something which is pretty much mandatory when accommodating travelling bands who have never been up this way before. Elway were absolutely incredible and play the kind of classic American sing-a-long punk rock that is impossible not to fall in love with. Unfortunately again I forgot my camera so there’s nothing filmed for posterity, but that’s what we’ve got hearts and minds for.

colour poster

Last but by no means least was the madness that was the weekend of Book Yer Ane Fest VI. It kicked off on the Thursday night with a pre-BYAF show at the Tin Roof art studio in Dundee and was one of the coolest (not to mention coldest) shows that I’ve ever played. Our brothers in Question The Mark had van trouble so Dundee art rockers Playground Tactics stepped in at the last minute to open the show. We then played our first live set in over two months, including all of our new songs from our upcoming split records, and had an absolute blast of a time. Then it was the turn of The Shithawks who, in their natural habitat, were absolutely incredible. They’ve grown so much as a band over the past year and I can’t thank Dan Faichney enough for going to bat for us and sorting out the pre-show. MTAT will be releasing something from those guys in the not-too distant future, so keep your eyes and ears peeled for that one.

The Friday night of BYAF was complete madness, much like every other day of BYAF. The Jackhammers set the tone with their dirty punk before Shatterhand went off like they always do. Big Baby on the drums is one scary looking fucker, let me tell you. Drive By Audio then left jaws on the floor like always and had everybody pissing themselves laughing, with the possible exception of those who were offended. Then Slaves came on and absolutely blew everyone’s minds. For a two-piece, they make a lot of noise but more importantly than that, they have such presence and a strong message. Provocative dark punk at it’s finest. From The Cradle To The Rave were absolutely insane with their drum’n’bass riot-core ska-punk madness before Wonk Unit were just absolutely insane (new album “Muffy” is a work of twisted genius). To bring the curtain down on the Friday night was punk legends Oi Polloi who absolutely destroyed before Vic Galloway provided the soundtrack into the early hours and was told by some roaster that Fugazi are not punk. I was long asleep by this point, on my hotel room floor.

BYAF is always madness so please forgive me if a few of these details are wrong! The Depressants opened the show with their sleazy pop-punk before FUCK! (It’s Pronounced Shit!) annihilated everyone with ten minutes of anxious melodic hardcore madness. The Walking Targets then took to the stage and blew everyone away with their youthful good looks and downright ridiculously good-not-just-for-their-age gruff melodic punk. They were joined by Raph of Turtle Lamone fame for a rip through Hot Water Music’s “Jack Of All Trades” that felt like something approaching a very special moment. Next up, The Hostiles brought with them their usual chirpy ska-punk charm and had everyone skanking away before The Kimberly Steaks once again proved that they are undeniably one of the best punk bands going just now. Check out the “Terminal Boredom” EP as it’s one of this year’s most essential pop-punk EPs. Aberdeen’s screamo juggernaut Cavlacades were next and I was happy to finally have them play a show for us as they are pretty much right up my street. I finally managed to get my hands on a copy of their “Coping” EP on vinyl. I have to say though that I find only using one side of a 12″ a little strange. Still, the music fucking jamz.

Cleavers were next at what was also their first show for us and they were nothing short of magnificent. They’ve been championed by a lot of the more mainstream music personalities in the country as well as by DA PUNX as they are fucking brilliant and play with passion, exactly the way it should be. After them it was more northern bleakness in the form of Prelude To The Hunt who were just devastating on every front. I felt like my brain was caving in, they were that fearsome. Unfortunately, Crusades from Glasgow had to pull out at the last minute so we decided to take a half hour break so folk could get food, chill out, etc before Question The Mark took things up a notch. Such a good band and I can’t wait to hit Europe with these guys in 2013. It’ll be rare. We played next at what was yet another highly emotional show for us, playing a new song called “Father’s Day” live for the first time. That song will be on our split with QTM coming out in March on Team Beard Records.

The mighty Clocked Out then absolutely ripped the place apart. Seriously, these boys are one of the finest bands in the UK and I’ve rarely seen any frontman with as much energy and passion as Crawford. Yes, he’s my friend but he also has one of the most magnetic presences I’ve seen fronting a hardcore band in a very long time. You have to see Clocked Out live to fully appreciate their brilliance. I am confident that we’ll have them back up in Dundee before too long. Next up is what I can only say was perhaps the most fun I’ve had at a punk show in my entire life. I don’t think it’s hyperbolic to state that there aren’t really words to describe the set from The Murderburgers other than sheer madness. Those guys have had an absolutely incredible year and this was almost the perfect way for them to wrap things up. And, just when you thought things couldn’t get any more intense, Kaddish rock up and absolutely devastate everything that has come before them with the kind of emotive hardcore love-in that makes nights like this so special.

The Sunday of BYAF is always a testing one; you get the people who have gone too big on either the Friday or the Saturday and everyone seems to be suffering a little, especially as things kick off. I opened proceedings with a quiet yet somewhat amusing Tragical History Tour set before Ross Middlemiss played his very first show under his Little Anchors guise and hooked us all in with his introspective lo-fi. The Shithawks got the main stage rolling and hung loose once again, teasing our forthcoming plans before cowpunk lifer Andy Chainsaw serenaded us once more. I must give the due love to Chainsaw and say that I am truly humbled that he was the first person to scar himself for life with his beautiful MTAT tattoo!

MTAT tattooThe Barents Sea followed up with their first east coast performance with their new line-up and were exquisite as usual. They’ll be back with us supporting Arliss Nancy from Fort Collins, Colorado on Sunday 17th February. Kevin Thomson then made us swoon with his first set since returning from Canada and he brought with him his new fiddle player Gillian, who adds a layer of depth to the already emotive stylings of the young man from Alyth. We’ll be putting out some sort of release with Kevin in 2013 also, so it’s shaping up to be an exciting year. Algernon Doll then took to the main stage and showed us exactly while his LP “Camomile” is one of this year’s finest new records and just how far Ewan has come as a songwriter and a performer of the past year. Truly awe-inspiring stuff that is only going to get better with time. Carson Wells then closed out a year that has seen them release their critically acclaimed and really rather wonderful debut full length in the form of “Wonderkid” and their Sunday afternoon set was nothing short of triumphant before Davey Nolan nearly reduced me to tears with his searingly honest and soaring songwriting.

Drug Couple then played what has turned out to be their final show for now at least as guitarist Jordan is heading to Copenhagen, and they were suitably nuts as one may expect. Gone Wishing, the alter-ego of Bonehouse’s Owen McLaughlin, then played his first ever acoustic show and wowed us with his intricate and weaving storytelling before Sunset Squad devastated absolutely everything in their path with their first show since January, after the return of drummer Kev from Australia. These guys haven’t missed a beat and will likely be tearing it up throughout 2013.  The delectable Mark McCabe then enchanted us with his wisdom and touching songs before Fat Goth absolutely destroyed. Their new record “Stud” drops in January and is likely to have a big impact, so it was a treat to see them in Non-Zero’s at the height of their powers. They won’t be playing Fests like ours for too much longer I don’t think!

John Harcus then played the acoustic stage and concluded his set with what I think is the best song that he’s ever written in the form of “Falling In Love With Strangers”. Check it out if you haven’t already done so. Billy Liar then played what I think is one of the best sets that I’ve ever seen him perform. Billy is one of my closest friends in music and it’s been a pleasure and a privilege to watch him grow from a gobby yet ambitious young punk into a flourishing, articulate artist with the power to transfix an audience using only his acoustic guitar, his flowing and poetic storytelling and his charm-you-to-the bar wit and patter. By this time, things were running a little late and Vasa took to the stage and tripped everyone out with their swaying, hypnotic post-rock/hxc instrumentals. They are a band on the rise for sure and their “Never Have Dreams” EP is a slice of wonderment. Hopefully we’ll have these guys up once again some time in the new year. The wonderful Turtle Lamone then wrapped up his acoustic stage with his bitter-sweet piano-based punk rock balladry before Bonehouse put everything to bed with what may have been one of their finest performances of the year.

All in all, 2012 has been an incredible year. We’re keeping the BYAF compilation online for download for £1 donation until January 1st and it can be found here.

All download donations to the MTAT Bandcamp page in December will be added to the total raised during the weekend of Book Yer Ane Fest. The full total raised will be announced some time during the first week of January.

You can also buy a range of MTAT merch from our shop page including a 2 x CD pot luck sale!

Once again, thank you so much to everyone who has supported us throughout the year and those that continue to do so. We couldn’t do the things that we do without the cooperation and understanding of our community. We know that things can be difficult for us all but nothing makes things seem more worthwhile than when we are all together sharing something that we love. That has been the over-riding theme for me personally this year; that love will see us through anything and everything that is thrown in our way.

Thanking you for everything.

For love, always.