Write Yer Ane Zine

Words about DIY punk; records, shows, interviews, whatever.

Tag: DIY

CONROY’S BASEMENT; BOOKING – TERMS & CONDITIONS

***Reposted from makethatatakerecords.com***

As ye may well be aware, things have changed at Conroy’s Basement over the summer. We at Make That A Take have seized the means and are now in full control of the diary and the book. Evolution is part of our human experience, the only true constant being change. The previous “The Summer of Our Discontent” blog discusses these changes in greater detail, but we’re through the worst of the transition period now.

We thought it prudent to publish these terms and conditions, both in the interests of transparency and to have an online reference point. That MTAT formed in 2006 is no secret, but the pre-history of our collective stretches back well over twenty years. In the first instance, we were mentored by the folk music scene in rural Perthshire; Wedge took us into his practice room to watch his band rehearse. We learned by observation before being invited to play ourselves, by full immersion in the experience; learning by doing informed our principles and formed the foundations of our collective – ye do what ye can with what ye got. Ye can read all this back story stuff on Write Yer Ane Zine. We acknowledge our privilege; we were very lucky.

Collectively, we have spent most of our lives learning and growing, thousands of hours of labour; being in terrible bands, playing shows, touring, doing sound, hosting bands, booking tours, sleeping in vans, playing to nobody, being in decent bands, lending gear, building PA systems, badgering pals, losing money, making money, losing gear, being mugged, being banned, making friends, losing friends; making all the mistakes that it’s possible to make, like Sisyphus pushing the rock. We’re pulling for ALL artists, we want your band to rule. I want Goodbye Blue Monday to be bigger than Blink 182. If a lesson learned in Joey T can help our friends today, then it should be passed on. Rome wasn’t built in a day, but it burned in six.

Basically what I’m saying is that these “rules” don’t exist because we’re assholes (we’re assholes for entirely separate reasons), these “rules” exist because we have lived and learned experience. We don’t claim to have all the answers, things ALWAYS work better in the spirit of collaboration, when a sense of shared purpose brings people together. We are living in times of desperate alienation, just today the local press has talked of another decade of austerity while millions are being made in the private sector. We believe that by working together to create a better space, we can begin to create a better world. Sure, a punk basement isn’t the world but it is a start. To quote Dom Kaddish, we “resolve to be socially responsible and just citizens in a time of spectres“.

While ye are here, there’s 20% off our 100+ release digital discography on our Bandcamp page and a summer sale happening over at BigCartel. Simple though it may be, the best way to support independent art of any kind is to buy it, share it, talk about it, TELL ALL YOUR FRIENDS; come to shows, buy records, buy merch, get involved. You have so much more power than you know.

Together, we can conquer anything.

CONROY’S BASEMENT, DUNDEE – TERMS AND CONDITIONS.

Conroy’s Basement is an independent live music space operated by Make That A Take Records (MTAT). The venue space is available for hire by independent promoters, bands and collectives to promote live music. The venue space is also available to hire for club nights and special events.

MTAT aims to foster a positive environment free from all forms of discrimination. Anti-social behaviour will be not be tolerated. Please see the MTAT “House Rules” attached at the end of this document. MTAT reserves the right to refuse or cancel bookings. These terms and conditions will be updated periodically, as required.

Contact email; conroysbasement@gmail.com

 

Hire prices

 

Standard Gig booking fee; £100

– This covers venue/PA hire + sound engineer.

– We encourage all bookers to bring their own backline.

– Gear shares between bands are also encouraged.

– If this is not possible, some gear belonging to the collective may be available for a small fee (£25)

 

Standard Club Night booking fee; £150

– This covers venue/PA/security hire

– Club night hours are strictly 11pm-2.30am

– Club night hires are only available on Friday/Saturday, at this time

 

All bookings include access to the basement bar.

Deposit; bookings will be confirmed upon receipt of a £50 non-refundable deposit, payable by bank transfer or cash. Deposits are also payable by Paypal but are £55, to cover fees (sorry!).

The remaining balance must be paid in full before doors on the night of your booking.

Paypal address; makethatatakerecords@gmail.com

Friday and Saturday nights are by far and away the most popular and get booked up quickly, so please be aware that your desired date may not always be available.

No bookings will be confirmed until deposits are paid and terms and conditions agreed to.

We will do our very best to work with you to make your event as successful as possible. In the spirit of collaboration, we believe that in working together we can host the best possible events in a positive and safe environment. MTAT is an anti-bigotry, anti-fascist, anti-sexist, anti-racist, anti-homophobic, anti-transphobic collective.

For more information pertaining MTAT policies and history, please read this FAQ.

 

 

The Venue

 

Conroy’s Basement is a venue conceived by artists for artists. It’s a basement space with a DIY-built PA system, constructed by two of the east coast’s finest sound engineers with decades of collective experience. We’ve been running this space for over three years, hosting over 300 shows in that time, and our system has evolved over time. It will continue to do so.

PA is a 2.5kw rig with 16-channel mixer.

It’s loud. Earplugs are recommended.

– Venue capacity is 100.

– No more than 100 tickets can be sold.

– There is no “green room”.

– There is no allocated seating.

– There is parking around the back of the building

– Load in the side entrance of the building

– Gear must be stored in the corner to stage-right

– Gear cannot be stored in the venue over night

– We have no Wi-Fi

– There is a bar serving drinks.

– Strictly no drinks outside.

– Do not bring your own drinks (refillable water bottles excepted)

– We will provide all mics stands, mics, PA cables, etc.

 

 

Gig itinerary

Load in – 5pm onwards.

Soundcheck – 5pm-7pm

Doors open – 7pm/7.30pm

Sunday-Thursday must be finished by 10.30pm.

ALL gear and humans loaded out by 11pm.

Friday/Saturday shows must finished by 11.30pm at the absolute latest.

ALL gear/humans out by midnight. There will be no exceptions.

Your show will be assigned a representative from the MTAT collective and a sound engineer.

Access to the venue is available from 5pm. In exceptional circumstances, please advise of any requirements outside these hours at least two weeks in advance.

Club Nights; 11pm-2.30am

– DJs must provide their own equipment (vinyl/CD decks, laptop, etc).

– A MTAT representative will be present for load-in/set-up

PLEASE NOTE: If you are organizing a gig with more than 3 acts please let us know in advance.

 

 

Your Responsibilities

 

Promotion; it is your responsibility to promote the show.

– A Facebook event page alone does not count as gig promotion.

– Please make Conroy’s Basement a co-host on any event page that you make.

– Please make sure we have POSTERS for your show at the venue at least FOUR WEEKS prior.

– Please email all online promotional materials to Conroy’s Basement.

– We will include your event in all of Conroy’s Basement’s gig listings

– It is your responsibility to sell tickets for your events. We recommend Groucho’s Music in Dundee.

 

In advance; knowledge is power!

– Please provide full-tech spec and running order, including set times.

– Please make sure that FULL BACKLINE arrangements have been made.

– It is your responsibility to fulfill any/all contractual obligations to artists booked

– You must let us know of any RIDERS that may need be brought in. These are your responsibility.

– Any ALCOHOL on riders must be stored in the fridge behind the bar. Drinks tickets will then be allocated which can then be exchanged for rider drinks from the bar. There can be no exceptions.

– It is the responsibility of the promoter to provide all riders and information pertaining them.

– We have no cooking/re-heating facilities at this time.

– Let us know if there are any problems we can help resolve.

 

On the night; it is your responsibility to run the show.

– Booking fees must be paid in full before doors open. If this is a problem, please advise.

– You must provide your own door person to take tickets/entry. We will provide a £50 float.

– It is your responsibility to make sure all artists are informed of venue rules/set times/etc.

– You must provide your sound engineer with set times.

– Headline bands will soundcheck first. Opening bands will then set up. Line-checks for others.

– It is your responsibility to pay acts.

– Anyone found bringing in their own alcohol will be asked to leave and banned.

– Drinks in the venue are cheap.

– Loading out must be completed by the agreed times. No gear can be stored in the venue.

 

 

The MTAT collective was established in 2006 and we’ve been involved in thousands of shows and events since then. Run by punks for punks, we’ve been involved in the musical community for over twenty years and aim to foster an atmosphere of positivity, inclusion and collaboration.

We aim to treat everyone with dignity and respect, and would hope for the same in return. We are more than happy to discuss any issues or concerns that anyone may have about the operation of the space. Please don’t hesitate to contact us with any and all questions/enquiries.

Be radical, spread joy.

– MTAT

http://www.makethatatakerecords.com

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BOOK YER ANE FEST XII

Make That A Take Records presents…

BOOK YER ANE FEST XII
Friday 30th November – Sunday 2nd December 2018
Abertay Student Centre + Conroy’s Basement
Dundee, Scotland

Weekend tickets; http://bit.ly/2HwP6wm
FAQ; http://bit.ly/2vVHW23
FB Event; http://bit.ly/2Mc3bom
2017 film; http://bit.ly/2BOBA3L
2018 Promo; http://bit.ly/2ABxnmc
Spotify playlist; http://spoti.fi/2Sydd3t

This year has been insane and, as such, it’s crazy to think we’re just over a month away from BOOK YER ANE FEST XII. Crazy, but true. This year marks ten years of Book Yer Ane Fest and we’d like to take this opportunity to thank everyone for their support over the last ten years.

The inaugural Book Yer Ane Fest was held on November 15th 2008 in the back room of Mucky Mulligan’s in Perth with a Joey Terrifying and a whole bunch of our friends. To think that things have evolved to the point where it is a five-day, three-city celebration of DIY punk culture in solidarity with some of our community’s most vitally-needed services is something that continually blows our collective minds and, personally, isn’t something that I care to dwell on for too long, for fear of being overwhelmed by it all.

We as a collective always endeavour to do our best to bring interested, compelling and satisfying line-ups to Book Yer Ane Fest. While acknowledging that we fall short of our ideals every day, through our collective action we aim to promote positive engagement, critical analysis and good times. While perhaps naive, our aim really is to spread joy. We hope that we manage to achieve this and that everyone has the best of times over Book Yer Ane Fest weekend. This is something that we spend our whole year working towards, our Wrestlemania, and, given how busy things have been this year, both “professionally” and “personally’, we’re looking forward to this year as much if not more than we have done in previous years.

Abertay Student Centre is fully accessible with lift access to all levels and gender neutral bathrooms. It is with regret that Conroy’s Basement is not fully accessible due to the stairs and being situated in a basement. We apologise to our friends for whom this may provide difficulties, however, our bathrooms are gender-neutral. We thank Abertay Student Centre for their support in this endeavour.

It’s been some ride. Thank you all for everything.

This year, we’re very proud to be working in solidarity with the following groups;

ADDACTION DUNDEE
http://www.addaction.org.uk/

DUNDEE FOODBANK
http://dundee.foodbank.org.uk/

DUNDEE REFUGEE SUPPORT
http://www.dundeethecaringcity.co.uk/

ROYAL LIFE SAVING SOCIETY
http://www.rlss.org.uk/

YOUNG MINDS UK
http://youngminds.org.uk/

We are also very pleased to welcome our friends to the PUNK ROCK FLEA MARKET; Food Not Bombs Dundee, Artificial Womb. C. Gull, Leftfest, Vegan Actions North East, Sustrans, Debauchery Lee Designs, Radical Rebel DIY, Palestinian Solidarity Campaign, TNS Records, Roaming Vegan Baker, Team Beard Records, Gordon MacKenzie Photography, Samaritans, Shout Louder, The Curator Podcast and loads more, including the world famous BOOK YER ANE TOMBOLA.

We’d also like to extend our deepest thanks to our friends Audiowave Soundhire, Dundee Music Studios and Rainbow Music for their support and graft in providing PA equipment, backline and labour over the weekend, we couldn’t do this without you. Much love and respect!

http://www.audiowave.co.uk/
http://www.facebook.com/DundeeMusicStudios/
http://rainbowmusicstore.co.uk/

DAY SPLITS

Please be aware that the actual timetable of sets won’t be published until Book Yer Ane Fest weekend itself. We’d encourage everyone to get down early and support all of the bands. We promise you won’t be disappointed!

Thursday 29th November 2018
PRE-BOOK YER ANE FEST
BLOC, GLASGOW.
8.30pm, free entry

CANADIAN RIFLE
Rad Chicago punk rock on Dead Broke Rekerds
http://canadianrifle1.bandcamp.com/

THE AFFECT HEURISTIC
Quality international melodic skate punk
http://www.facebook.com/theaffectheuristic/

MEAN CAESAR
Nae messin’ gruff melodic punk from London on Little Rocket Records
http://meancaesarlrr.bandcamp.com/

QUESTION THE MARK
Welsh gravel punks fresh back from Fest to rip it up.
http://questionthemark.bandcamp.com/

Friday 30th November 2018
REGISTRATION / WEEKEND TICKET COLLECTION at CONROY’S BASEMENT.
Featuring SPECIAL GUESTS.
4-6pm, 18+. Grab your weekend wristbands and get pumped.

MAIN SHOW at ABERTAY STUDENT CENTRE.
Doors at 6pm.
£10 single day tickets on doors.
£6 unwaged single day tickets on doors.
£15 single day solidarity tickets available on doors.
14+ w/ adult.

CANADIAN RIFLE;
Rad Chicago punk rock on Dead Broke Rekerds
http://canadianrifle1.bandcamp.com/

DEAD OR AMERICAN (Reunion)
First Dundee show in over a decade
http://deadoramerican.bandcamp.com/

UNIFORMS
The Dead Prez of East Coast Cowpunk bring Reasons To Breathe
http://uniforms.bandcamp.com/

THE TWISTETTES
Radical electro-punk dance party guaranteed to bring the grooves
http://thetwistettes.bandcamp.com/

QUESTION THE MARK
Welsh gravel punks fresh back from Fest to rip it up
http://questionthemark.bandcamp.com/

PAPER RIFLES
Righteous fury-filled skyscraping indie punk rock from Edinburgh
http://paper-rifles.bandcamp.com/

THE OVERBITES
The shape of latter-day cowpunk to come
http://www.facebook.com/theoverbitesband/

HOUDINI SAID NO
Bombastic high-energy metallic punk rock party machine
http://www.facebook.com/houdinisaidno

THE BLOOD RED MOON
Disturbing cinematic orchestral instrumental post-rock

LATE SHOW at CONROY’S BASEMENT
Featuring ?????????
Doors at midnight, 18+.
Guaranteed entry with Earlybird Weekend Ticket.
Capacity is 100. One in, one out thereafter.

Saturday 1st December 2018
HARDCORE ZEN at CONROY’S BASEMENT
Guided meditation and hardcore punk.
Doors at 11am, 18+.

MAIN SHOW at ABERTAY STUDENT CENTRE
Doors at 12 noon, 14+ w/ adult.
£15 single day tickets available on doors.
£10 unwaged single day tickets available.
£20 single day solidarity donations tickets also available on doors.

CHEWING ON TINFOIL
Our oldest Irish punk pals play their first ever Book Yer Ane Fest!
http://chewingontinfoil.bandcamp.com/

AUSTIN LUCAS
Americana/country legend plays EXCLUSIVE SCOTTISH SHOW of EU Tour
http://www.austinlucas.com/

FOREVER UNCLEAN
Well-heeled Danish melodic punks return for big-time sing-a-longs
http://foreverunclean.bandcamp.com/

REVENGE OF THE PSYCHOTRONIC MAN
DIY punks play their last ever Scottish show
http://revengeofthepsychotronicman.bandcamp.com/

BRATAKUS
Highland anarcho-punk riot bring the noise and vegan straight-edge fury
http://bratakus.bandcamp.com/

GET IT TOGETHER
Posi melodic hardcore crew return to bring the ruckus
http://getittogether.bandcamp.com/

THE BURNT TAPES
Greek punks from London return with their regret punk anthems
http://burnttapes.bandcamp.com/

THE CUNDEEZ
None-more-oary Dundee legends bring legendary stomp to their first BYAF
http://www.facebook.com/Thecundeez/

MEAN CAESAR
Nae messin’ gruff melodic punk from London on Little Rocket Records
http://meancaesarlrr.bandcamp.com/

BABY CHAOS
Reunited 90s Glasgow alt-rockers’ first Dundee show in almost 20 years
http://www.babychaos.com/

WARSHY
Crazy Arm frontman brings solo project out on the road with Austin Lucas
http://www.facebook.com/Warshymusic/

QUEEQUEG’S COFFIN
Stomping soul-punk from newest members of MTAT family
http://www.facebook.com/QueequegsCoffin.official/

FRAGILE (Reunion)
Fife melodic punks reunite to play first show and BYAF in ten years

GOODBYE BLUE MONDAY
Misery punk might ruin your life but improve your fest
http://goodbye-blue-monday-1.bandcamp.com/

AVAS
None-more-posi melodic hardcore PMA punk rock jamz to soothe your soul
http://avas.bandcamp.com/

PLEASE, BELIEVE
Intense east coast ecossemo celebrating ‘…In Potential”
http://pleasebelieve.bandcamp.com/releases

THE AFFECT HEURISTIC
Quality international melodic skate punk
http://www.facebook.com/theaffectheuristic/

NICOLA MADILL
Majestic goth/neo-folk romanticism from one of Dundee’s finest talents
http://www.facebook.com/missnicolamadill/

HOLY SNAKES
Acoustic soul/blues/punk from inspirational MTAT crew comrade
http://www.facebook.com/holysnakesrules/

BIKE NOTES
Life-affirming smart melodic pop-punk from Walking Targets troops
http://bikenotes.bandcamp.com/

REBECCA RADICAL
Fresh acoustic anarcho-pop-punk from newly-gig-active Fife punker

TIM HOLEHOUSE
Deep-south mutant hardcore blues road warrior
http://www.facebook.com/RebeccaRadical/

LOVERS TURN TO MONSTERS
Wistful lo-fi indie-pop daydreams and romantic poetry
http://loversturntomonsters.bandcamp.com/

Film; SO, WHICH BAND IS YOUR BOYFRIEND IN?
https://youtu.be/_3kPqcBh6vU

LATE SHOW at CONROY’S BASEMENT
KADDISH; “What World Was Still?” LP Release Show
Dundee ecossemo legends celebrate the release of their third LP.. A MTAT + Black Lake Records joint
http://kaddishuk.bandcamp.com/
Pre-order; http://bit.ly/2O5zaHS

With special guests

BOAK
The gnarliest grind band in all of UK hardcore return to decimate the basement
http://boak.bandcamp.com/

Doors at midnight, 18+.
Guaranteed entry with Earlybird Weekend Ticket.
Capacity is 100. One in, one out thereafter.

Sunday 2nd December 2018

MAIN SHOW at ABERTAY STUDENT CENTRE
Doors at 12 noon, 14+ w/ adult.
£15 single day tickets available on doors.
£10 unwaged single day tickets available.
£20 single day solidarity donations tickets also available on doors.

ROUGHNECK RIOT
Full-blast Celtic punk legends play last Scottish show before hiatus
http://theroughneckriot.bandcamp.com/

DREAM NAILS
London feminist punk witches destroy everything at first Scottish show
http://dreamnails.bandcamp.com/

BABAR LUCK
The One World Warrior brings the spiritual soul to the punk rock party
http://babarluck.bandcamp.com/

FAIR DO’S
Brain-mangling melodic tech/skate/hardcore shredding the “Leopards” LP
http://www.facebook.com/fairdosband/

TRAGICAL HISTORY TOUR BAND
Scottish country dancing on the “Aphorisms” trail
http://tragicalhistorytour.bandcamp.com/

STONETHROWER
East coast ecossemo monoliths shake the foundations
http://stonethroweruk.bandcamp.com/

FISTYMUFFS
Patriarchy-smashing anarcho-riot-grrl noise from Edinburgh
http://www.facebook.com/Fistymuffs/

DIVIDE
Glasgow Hardcore legends celebrating over 20 years of mosh-based ruckus
http://divideghc.bandcamp.com/

CHERYM
Danceable radical indie pop-punk savageness from returning bittersweet Derry
http://cherym.bandcamp.com/releases

THE CAIRNGORMS YOUNG TEAM;
Lo-fi trip-hop existentialist blues exorcisms
http://thecairngormsyoungteam.bandcamp.com/

TIM LOUD
Peripatetic country/folk/punk/pop genius on the road to “Salvation”
http://timloud.bandcamp.com/track/salvation-single

BILLY LIAR
Fresh back from a party in the USA, Scotland’s angriest returns
http://officialbillyliar.bandcamp.com/

FIGHTS AND FIRES
Reunited midlands hardcore rock’n’roll punks back in Dundee
http://fightsandfires.bandcamp.com/

LOST AVENUE
Little Rocket punks putting “Fears” touring to rest after a year of graft
http://lostavenuelrr.bandcamp.com/

SEAS, STARRY
Introspective experimental post-rock majesty from Aberdoom
http://seasstarry.bandcamp.com/

DELINQUENTS
Bell Street’s favourite indie punk band wrap a crazy year
http://delinquentsdundee.bandcamp.com/

IRON SYSTEM
Old school melodic hardcore fae Fife like yer granny used to make
http://ironsystem.bandcamp.com/

LOU MCLEAN
Nae messin’ acoustic folk-pop jamz from Edinburgh’s sharpest tongue
http://loumcleanmusic.bandcamp.com/

BED OF WASPS
Raging slabs of blackened hardcore from the east coast’s gnarliest
http://bedofwasps.bandcamp.com/

GAY PANIC DEFENCE
Rabid powerviolence/grindcore/skramz from Fife’s sickest
http://gaypanicdefence.bandcamp.com/

VOLCANO X
Sunday Satanic rituals worshiping at the alter of the gods of heavy metal
http://www.facebook.com/volcanoxmetal/

HAYSTACK MONOLITH
Sci-fi lo-fi euphoric dance-poetry to celebrate our future glory
http://haystackmonolith.bandcamp.com/

AJ SIMMONDS
Bracing honest raw acoustic punk from the deep south of England
http://www.facebook.com/AJ.Simmonds1984

DRAWS CREATURE MASK
Cinematic celestial post-hardcore/post-rock soundscapes.
http://drawscreaturemask.bandcamp.com/

Film; FOOLISH OPTIMISM
http://www.foolishoptimism.org/

Monday 3rd December 2018

POST-BOOK YER ANE FEST
LEITH DEPOT, EDINBURGH
Doors at 7.30pm. Fiver tax.

DREAM NAILS
London feminist punk witches burn down the capital
http://dreamnails.bandcamp.com/

PAPER RIFLES
Righteous fury-filled skyscraping indie punk rockers slay their hometown
http://paper-rifles.bandcamp.com/

FISTYMUFFS
Hometown patriarchy-smashing anarcho-riot-grrl noise
http://www.facebook.com/Fistymuffs/

TIM HOLEHOUSE
Deep-south mutant hardcore road warrior blues shamanism
http://timholehouse.com/

PLEASE NOTE; CARD SUBJECT TO CHANGE.
Timetables will be published at BOOK YER ANE FEST.

BE RADICAL, SPREAD JOY.

2016; My Favourite Records of the Year

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2016 was an incredible year for music. Anyone who says otherwise is either ill-informed or just plain ignorant. The same could be said of those who constantly bemoan the “death of the album”. Yes, while the mainstream may be consuming music in an ever more disposable fashion, the case has always been thus and when have we cared about what’s happening there anyways?

Records and albums never died or went anywhere, for those who’ve always bought music and supported the artists they enjoy, there is no “vinyl revival”, just a lot of over-expensive major label re-releases and longer waiting times at pressing plants. I could bang on about this shit at length but shall refrain from doing so in an effort to maintain the positive nature of this piece, which is to talk about my favourite records of the year.

I should establish some ground rules here; I’m going to talk about my favourite records of the year that I own in its physical format, thus disqualifying digital exclusives/streams and the like. So yeah, we’re talking physical vinyl records of all kinds here, not exclusively albums. The list will be alphabetical as opposed to ranked by preference. I think it’d also be imprudent to include any of the MTAT releases this year, although it goes without saying that I love them all, as that is pretty much the entire condition of whether we put something out or not.

That said, “Held In Merciful Light” by Clearer The Sky is a stunning record and one I’ve spent a lot of time with. Also, “ScreamerSongwriter” by Stoj Snak is just next level incredible; a folk punk record that transcends the genre’s often limiting boundaries, creating a kind of “stadium folk punk” sound as I described it to someone at the indie label market in Aberdeen earlier this year. Ye can check out MTAT 2016; A Year in Review here.

AJJ – “The Bible 2” LP (Side One Dummy)

America’s greatest living rock band have produced what I believe to be their masterwork with “The Bible 2”. Everything about this record speaks to me of the contemporary frustrated American experience as we transition into times of heightened political violence and paranoia. I have long admired Sean Bonnette as a lyricist and songwriter and truly believe that, great as “Christmas Island” was, this is his greatest work yet. Everyone should listen to this record.

Anxiety – S/T LP (La Vida Es Un Mus)

I’d read about these Glasgow punks a fair bit before I finally got a chance to see them play at the last Clocked Out show at Nice N Sleazy earlier this year and I was blown away, their intensity matched only be the uncontrollable rage that is Crawford and the troops. This eight track mini-LP is absolutely incredible; a convulsing nightmare-ish soundscape like Joy Division/Dead Kennedys/Butthole Surfers self-abusing in an anarcho punk squat. A thrilling, unsettling and unnerving experience, tremendous.

Boak – II 7″ (SuperFi Records / GrindPromotion)

I fucking love Boak and their set in The Firefly at BYAF X just absolutely stripped the paint from my face. This second seven inch (I got a blue one) manages to take everything that was awesome about the first one; the precision, intensity, rage; and hone it to even sharper perfection with four nuclear blasts of intelligent and articulate grindcore/powerviolence. I must’ve played this record fifty times over before something knocked it off the turntable. Absolutely essential, truly one of Scotland’s greatest bands.

The Cut Ups – “The Nerves” LP (Banquet Records)

Jon Shoe is one of my favourite people in punk rock and I’ve been a huge fan of The Cut Ups for over a decade now, so it’s no great surprise that their fourth record makes my list. “The Nerves” is arguably their most politically focussed album yet, a rallying cry reflected in the loving gravelly embrace of their finest collection of songs to date. Driving and anthemic, featuring keys from Franz Nicolay, this is The Cut Ups at their determined best. “Stay Obscure” may be closing track of the year too, tugged away on the old heartstrings. This record is a beacon of hope in an ever-expanding shit-storm of misery, isolation and exasperation; a reassuring cuddle from an old friend.

Dead To Me – “I Wanna Die In Los Angeles” 7″ (Fat Wreck)

Besides simply being an awesome collection of three songs on a seven inch, I feel this is an important record in a few different ways. Purely musically, this is solid Dead To Me gold (there was a gold pressing, I have the black) and we’ve waited eight years for new songs featuring both Jack Dalrymple and Chicken, but more importantly, this is a record that may have just saved a life. Alcohol and drug addiction is something people in the punk scene seem reluctant to talk about at times, despite the fact that it’s killed so many of our friends, in both punk and wider society. This record is about hitting rock bottom and recovery, with “Comforting the Disturbed and Disturbing the Comfortable” being one of the most beautiful articulations of recovery I’ve ever identified with, in so many different ways. This 7″ also directly inspired me to start Sober Punks Supper Club. Thank you Dead To Me, stay strong troops.

Descendents – “Hypercaffium Spazzinate” (Epitaph)

Descendents are a band that I’ve loved for almost twenty years so there’s no way I wasn’t going to be stoked about their new record. Ever the pessimist, however, I didn’t have sky-high hopes but am thankful to be proven wrong as I think this is definitely up there amongst their strongest work, streets ahead of “Cool To Be You”, which itself contained some bangers. There ain’t a huge number of older punk bands who’ve released new records that rivals that of their back catalogue this year but this one is up there in my book. As for the controversy surrounding the title, I don’t think it’s a great title but listen to the fucking record and the picture will become a little clearer I’d hope.

Fall Of Messiah – “Empty Colors” 12″ EP (Holy Roar / I.Corrupt.Records)

Utterly stunning, expansive and harrowing yet serene post-rock/screamo from France. I was lucky enough that Shitgripper played with these troops in Edinburgh in April of this year and I was completely blown away by their dynamics, intensity and power. Largely instrumental but with infrequent intense outbursts of screaming, this EP is a deep weaved texture of math-rock meets brooding hardcore intensity. One of the records I found myself coming back to again and again over the year, finding more to love in it with every listen.

The Hotelier – “Goodness” LP (Tiny Engines)

This is probably overall my favourite record of the year and definitely the album I’ve listened to most in 2016, at least once a day since I put the download on my phone. I connect viscerally and emotionally with The Hotelier in a way that I don’t with the vast majority of modern emo/pop punk bands, in ways that I can’t fully explain, but this record is a testament to what I understand to be their experimental progressive worldview, like therapy expressed through poetry. The aforementioned who mourn the death of the album would do well to listen to the narrative of this record, each song a chapter. Their show in the church at Restless Natives Fest was as close I’ve come to religious observance this year, truly spellbinding stuff.

Hot Mass – “Nervous Tension” LP (Brassneck Records)

Glorious squally and noisy heads-down punk rock’n’roll goodness from these well-traveled punks from Swansea who blasted out their first full-length and reminded me of everything that is awesome about straight up UK DIY punk rock. These dudes have been in the game for a long time, in essential Welsh bands like Dividers and The Arteries, and this record exemplifies the lessons learned and lives shaped by those experiences. I grabbed this record from Jenks when they opened for The Menzingers earlier this year and I very much hope we’ll have them in the basement at some point in the new year. Great stuff, super smart coke-bottle clear vinyl too.

Medictation – “Warm Places” LP (Little Rocket)

With such pedigree, this record was always going to be something special but considering the fact that this is the final recorded work of the legendary Dickie Hammond, this album takes on an extra layer of emotional weight. Featuring members of Leatherface and The Sainte Catherines, “Warm Places” was always going to be a great punk album but knowing that Dickie is gone, his presence is felt with greater gravity, his loss with extra depth. When Dickie takes on the vocal for “Stalingrad”, it’s a difficult listen as he sings about having no hope left and drinking to oblivion, especially knowing the circumstances under which he died. It’s a testament to the greatness and fragility of the man himself and the friendship of his band mates and extended family that this record serves as fitting epitaph. The release was a labour of love from Little Rocket Records, a label formed specifically to release this LP. A beautiful, moving monument.

Muncie Girls – “From Caplan To Belsize” LP (Specialist Subject)

This Exeter three piece have absolutely knocked it out the park with their first full-length LP on Specialist Subject Records. With a title taken from Sylvia Plath, there are few ambiguities pertaining the feminist politics of this record, serving as an indictment of our current cultural situation. This is no mere soapbox politics, however; this record talks of basic human decency and action in times where many people lack these things. Indeed, it was in reference to this record, specifically the “Respect” video, that I had one of my more interesting interactions of the year with the “alt-right”. Without putting too fine a point on it, fuck that shit, this is an important and, sadly, required record, on top of being a mighty fine melodic rock/pop punk banger in and of itself.

The Murderburgers – “The 12 Habits of Highly Defective People” (Asian Man / Round Dog Records)

Once again raising the bar for Scottish punk rock, Fraser Murderburger has crafted his greatest piece of work to date and created what is undoubtedly one of the finest UK pop punk records ever released. Fraser and I have been friends for a long time now and I know exactly how much this record, and indeed the band, means to him. I couldn’t be more proud to see this record getting the love it so richly deserves. Progressing far beyond the bubblegum Ramonescore template of yore, this fourth LP sharpens the knives for a thrilling narrative ride of lacerating self-analysis with cinematic sound and minor chords tucked in amongst the hooks and sing-a-long choruses. While perhaps less immediate than previous work, the cuts are far deeper and this record fulfills the promises made on “These Are Only Problems”, is a more cohesive piece of work and their absolute best yet. Proud of you, pal.

Pears – “Green Star” (Fat Wreck)

This record is just a straight-up hardcore punk rock juggernaut from front to back, a relentless storm of energy and aggression laden with insidious hooks, a fuck-you-fight-me southern charm and a refreshing blast of punk rock noise that looks forward rather than wallowing I n nostalgia, as punk is often inclined to do. For me, Pears absolutely blew Bouncing Souls off the stage when they played at Stereo in Glasgow earlier this year, one of the most energetic and engaging shows I’ve seen on a bigger stage in some time. Super nice dudes too, although twenty quid for an LP is taking the piss a little I’d suggest (no slight on the band, I know how these things go). One of my favourite Fat Wreck releases in recent years.

Sheer Mag – III 7″ EP (Static Shock)

I confess I had never listened to Sheer Mag before this year but once I did so, I immediately ordered all three EPs from Static Shock Records. This band are fucking great, a classic soul-powered rock’n’roll band that transcends time and genre classification, political without being divisive and subversive without being alienating. Plus, most importantly, just plain fucking rocking, like The Bellrays/Thin Lizzy/Dirtbombs, these are some of the catchiest, most perfectly written rock songs you’re ever likely to hear. Few bands this year have got me as hyped up and hooked as Sheer Mag.

Wonk Unit – “Mr. Splashy” LP (TNS)

If the AJJ LP is the soundtrack of the death of the American Dream, then it logically follows to my mind that “Mr. Splashy” is the sound of dystopian London, and by extension the United Kingdom, in full collapse. Wonk Unit may be the premier clown princes of UK punk rock, but don’t let the black humour and abundant laughter fool you, there is deep intelligence and political anger contained within the poetry, art and channeled chaos that follows the Wonk family. “Mr. Splashy” is an engaging tale that follows a narrative story arc through the increasing bitterness of British life in which we are both increasingly lumped together (as “lefties”, as “punks”, as “radicals”, whatever the case may be) and further isolation from one another. When we look back in twenty years time, this will be one of the records we reflect upon when considering the state of UK punk in 2016. I was lucky enough to score one of the one hundred green copies too!

So there we go, there are my fifteen favourite records of the year. There have been loads of other great records released this year and I want to shout out Revenge of the Psychotronic Man, The Bennies, Kamikaze Girls, Womps, Departures, Pale Angels, G.L.O.S.S and Direct Hit! and Human Hands, all of whom released top quality records this year, plus the Asthenia/Akallabeth split 7″ that absolutely tore my face off (the Asthenia show was probably, at a push, my favourite MTAT show of the year too).

Can’t wait to see what’s coming in 2017, plus we’ll finally get the long-awaited Tragical History Tour LP. Bring it on!

 

 

 

REFLECTIONS; Time, Growth, Evolution and Redefinition.

As alluded to in the zine, it’s impossible for me to discuss Book Yer Ane Fest from any real perspective other than my own. I’m far too closely involved to be truly objective, try as I might, and in the ten years we’ve been doing this label, I’ve learned to accept and understand that there are things over which I have no control. Book Yer Ane Fest seems to mean many different things to many different people, all with their own unique experiences, worlds within worlds. This is a truly beautiful thing.

Book Yer Ane Fest X last weekend was remarkable in many, many ways and even a week later I’m still struggling to fully digest it all. Thoughts and memories come back at me in waves, out of nowhere, and I remember fragments of conversations that I had with people who I see all too seldom. I’ll admit to being pretty nervous about the whole thing, especially in lieu of the the takeover of Buskers and all the fallout from that, and the weight of my own anxiety about hitting the ten year milestone. It’s no trade secret that I was considering that perhaps this year may be the last Book Yer Ane Fest.

Nostalgia unnerves me and life has changed so much since 2006, not just for me but for everyone I know, our entire culture and society. This is the only way it can possibly be, everything is impermanent. However, the older and more experienced I become, the more I value reflection and taking stock as important, not to wallow in perceived past glories and accomplishments but to remember exactly why it is you do what you do in the first place, to give thanks for the path that you’ve traveled and those who’ve supported you along the way. Does the flame of mid-thirties burn as bright as the flame of youth?

Ten years of supporting Safe-Tay, ten years of cowpunk and ten Book Yer Ane Fests seems like the perfect narrative ending; to round things out at a tidy decade and call it job done. I’d be lying if I said it didn’t appeal to part of me, mostly my nihilistic streak, and it is something that I wrestle with. No doubt there’s plenty of ego bullshit in there too. Going into this year, I didn’t know where my own head was at in this regard and didn’t have any answers, in the greatest MTAT tradition of the best plan being no plan at all, which you can never plan for. Sometimes it takes someone to ask the question before you know the answer.

It has been an honour to support Safe-Tay and the causes they support over these last ten years and we thank them for their vital work as they wind up operations, leaving behind an important and impressive legacy of safety education and awareness-raising. I had a conversation ten minutes before my Tragical History Tour set on Sunday evening that floored me and in that moment I knew that what we do is greater than me or any one individual, that we are all part of something so much bigger than ourselves. This was reaffirmed in the conversations I had with friends, some of whom I hadn’t seen in years and some whom I was meeting for the very first time. I felt it when I played, punk rock my meditative space.

It’s a long weekend for everyone involved and I did all eleven shows across the five days including playing three times, getting home at 3am on Tuesday after dropping Josh at the airport, then going straight back to work until yesterday. I’m still exhausted and only now is the comedown fully kicking in. Having the opportunity to play with Uniforms one last time before the birth of Matthew Fraser McGinty was a privilege and playing with Joey T again was just indescribable. Ben is my oldest friend, Gain and I have been in this since day one and being in that band was an education like no other. It was like slipping back into the mask and pulling a Springboard Frankendeeker; a total Wrestlemania moment for me.

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Photo by Bev at Hold My Pint Photography. http://www.facebook.com/holdmypintphotography/

I would like to personally thank each and every person that participated in making Book Yer Ane Fest X a success. It was undoubtedly our most ambitious attempt yet and it would not have been possible without the herculean efforts of so many people. Thank you so much to all of the amazing acts who performed over the weekend and every single person who came from all over the world to enjoy them and participate in the festival; to all the BYAF Crew and extended MTAT family and volunteers who opened up their homes and hearts for the weekend, helped with sound, manned the merch booths, ran errands, loaded/loaned gear, cooked food, provided physical and emotional support, we can’t thank you enough. You are all amazing humans.

Much love and thanks to Roseanne, Dave and all the staff at The Firefly Dundee, including Mark for his tireless work with sound and chefs Alex and Sean for going above and beyond the call of duty; Lee and Simon of the excellent sound crew at Buskers for their indefatigable graft over the weekend to support us and Buskers and for allowing us use of the space; all at Bloc+, Conroy’s Basement, Groucho’s and The Banshee Labyrinth; Dundee Music Studios for providing us with backline for the weekend; Rainbow Music for their continued support and endless patience; Mitch and all the crew at Audiowave, all at Sanctuary Tattoo Dundee for Book Yer Ane Flash and all the punks who got BYAF tattoos (pics plz!); Catholic Guilt, No One Knows Records, Black Lake Records, Umlaut Records, TNSrecords, Round Dog Records, Anti-Manifesto and everyone who donated prizes to the tombola; Hold My Pint Photography; GGM Photography; Adam Morrow for all the help with the A Fat Wreck screening; Urban Print; IDIOTEQ.com, Punktastic, TheCourier.co.uk and everyone who covered BYAF in the press and to anyone we may have forgotten; thank you!

We haven’t yet got our final total as we’re having a merch sale and will donate 100% of proceeds from the leftover “Still Joey Terrifying” shirts and the “Complete Collection” CD sales for December to the BYAF total to be donated to Insight Counselling, Tayside Mountain Rescue and The Royal Life Saving Society. Here’s hoping we can beat last year’s total. Check out my friend Graham’s awesome playlist of live videos too, think he’s got most bands from across the weekend. While there may be a few (mostly personal) dissatisfactions from the weekend, there’s no point in belabouring issues, perpetuating beef or throwing people under a bus, and all parties already know the score anyways, so that’s all the vague details I’ll go into. In the finest Paul Heyman tradition, if booked right nobody’d ever know, right? If we don’t learn, we don’t evolve and if we don’t evolve, we stagnate and die.

As with everything, Book Yer Ane Fest must evolve and MTAT along with it. As we embark upon our second decade as a collective and in the current cultural climate, I believe that the DIY punk rock community is of greater importance than ever before. I believe we are at a pivotal point in our evolution, Brexit and Trump the latest twisted manifestations of globalised nuclear capitalism and the echo chamber. We now live in a world where simply being “anti” is not nearly enough, where words and information are weapons. It is what we DO that it is important, beyond rhetoric.

It’s good to engage in discourse, to be challenged, and accept valid constructive criticism and advice; to develop reflective practice, if you will. We will always be an anti-sexist, anti-fascist, anti-racist, anti-homophobic, anti-transphobic collective, but how can we grow beyond defining ourselves by what we are not in a world of perpetual change and unprecedented evolution? If we define ourselves in negative terms, it logically follows that generating positivity becomes a greater struggle. The world will beat you down and “other” you, we need not unnecessarily “other” ourselves.

As such, for the first time, I have redefined our “mission statement”;

We are a progressive secular DIY punk collective and independent record label based on the east coast of Scotland. We aim to contribute positively to our community and believe in the equality of and equity for all humans regardless of gender, race, religion, nationality, class, status or any other perceived identifier.

Our collective/label formed at a house party show in 2006 and has evolved over the last decade into something we never anticipated. We are very grateful for the increased level of interest we’ve been receiving recently and are very excited about the possibilities that the future may hold.

We have a fairly wide understanding of what constitutes “punk”.

For all MTAT enquiries, please email info@makethatatakerecords.com

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The answer to the question is yes, there will be a Book Yer Ane Fest XI. Where it will be and what form it will take remains to be seen but things will continue to evolve as they’ve always done. Thank you to all involved, for everything.

The job ain’t fucking done yet.

 

BOOK YER ANE FEST X; THE ZINE

This is the upload of the zine I put together for Book Yer Ane Fest X.

There were 150 of them made, printed by the workhorse that is Big Mick’s old HP printer that lives in our living room and collated by my own sossij-fingered hands. I felt it was an important thing to do and I’d like to thank everyone who contributed to it.

I am humbled by the response to Book Yer Ane Fest X and have not yet had the mental space to process everything, memories and moments coming back to me in flashes. The story is also truly not exclusively my own; none of this could be done without the contribution of the many wonderful humans I have the privilege to call friends and the participation of the wider DIY punk rock family. That story will be told in time.

Everyone has their own Book Yer Ane Fest experience. That is a beautiful thing.

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“What’s the craic with Conroy’s Basement?”

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So what’s the craic with Conroy’s Basement? Good question, for which I shall endeavour to provide the answer right now!

Basically, it’s been almost a year since MTAT hosted our first show there (okay, eight months) and since then it’s been both an entertaining challenge and learning experience for us all. With every new idea comes new challenges and, as we’ve never been ones to shy away from such things, we have poured our blood, sweat and tears into trying to make things work. Personally, all I’ve ever wanted is a basement space to put on shows so, in effect, that dream has come true (pity I don’t have a functional punk rock band, right?!?).

Firstly, we’d very much like to thank everyone who has supported us thus far with this endeavour; it takes a crew of people to make ideas work and put concepts into action. We are very grateful for all of the hard work and graft the extended crew has put into making things work and it must be known that we wouldn’t be in the position that we are without the support of our friends and colleagues. Y’all know who ye are.

We must also thank our landlords at Conroy’s for their welcome, understanding and patience with us as we worked through the teething problems. We are under no illusions that we are very lucky to be in the position that we are and cannot overstate how grateful we are. While things may not have been perfect since the get-go, I strongly believe that what we are doing is important and that it directly relates to many of the discussions that have been had throughout Dundee’s musical community of late. Hell, The Skinny just published a piece I wrote the other day (check out “Venues, Scenes and Spaces“) that addresses this exact issue.

Conjecture and debate is one thing, action is another. Without resorting to Minor Threat quotes, if ye want to get something done the best thing to do is to it yourself (DIY, ken?). As such, the craic with Conroy’s Basement is thus; we are now open for third party bookings.

Basically, Kenny G and I have formed a new company called Burst Cow. We have invested in a new PA for the basement and will be running the bookings independently of MTAT, for both logistical reasons and so as to avoid any potential conflicts of interest. We have begun taking limited third party gig and private function bookings, with a bunch of shows happening in November, and will be looking to gradually expand things once Book Yer Ane Fest X is in the bag.

Terms and conditions for all bookings apply, of course, but ultimately we aim to help nourish the scene that has helped nourish us so greatly for so many years. To us, DIY need not be a byword for “slack” or “shitty”.

Kenny G will be the go-to dude for all third party bookings and should be contacted at conroysbasement@gmail.com

I (Derrick) shall remain the “face” of MTAT and, as such, any and all MTAT related emails/enquiries/vegan recipies should be sent to info@makethatatakerecords.com

So yeah, it seems Conroy’s Basement is open for business!

Write Yer Ane Mini-Zine; Issue One

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Write Yer Ane Mini-Zine; Issue One

Click the link to devour. Please feel free to read and share.

I’ve uploaded the PDF in its original form, with no hyperlinks, etc. All the bands/records are easy to find so go have a swatch!

Make That A Take Records; Label FAQ

Preface; We are a small independent DIY label based on the east coast of Scotland. Our label formed at a house party show in 2006 and has evolved over the last decade into something we never anticipated. We are very grateful for the increased level of interest we’ve been receiving recently and are very excited about the possibilities that the future may hold.

However, the volume of emails and inquiries we are receiving has increased massively from even where we were a couple of years ago and we are getting to the point where it’s very difficult to reply to all messages in a constructive manner. Everyone in our collective works full-time jobs and have personal responsibilities and lives that need taking care of. We are not part of “the music industry” and we can’t do anything to “make you famous”. There are many other labels out there who may be able to do these things for you, however that label is not Make That A Take.

The absolute best way to get involved is to come down to a show and introduce yourself. Those who participate in the local music community and support the wider scene will always take precedence over bands/artists who merely see the DIY scene as a stepping stone to “better” things or to further their “career”. That’s not to say that we’re anti-career as such, many good friends of ours have gone onto great things in the music industry, but that has been as a result of years of hard work, not in spite of it. We are always keen to hear from more local bands and to grow our community. This is best achieved in person at shows.

This FAQ will be augmented, added to and expanded upon as required and is by no means exhaustive, although may be a little boring for some. As stated, this isn’t something that we’ve been desperate to put together but given their sheer volume of correspondence of late, it’s something that we feel is necessary. Apologies and thanks in advance for understanding.

We are a progressive secular anti-fascist, anti-racist, anti-sexist, anti-homo/transphobic DIY punk collective. If you have any issue with any of these things, please do not contact us.

How do I get in touch?

For all enquiries pertaining MTAT bands, gigs, bookings, merch, distro, trades or antyhing else related to the label/collective, please email info@makethatatakerecords.com

For all enquries relating to Conroy’s Basement and the third party use thereof, please email kenny@makethatatakerecords.com

Please send all enquiries by email only.

Please DO NOT send messages to our Facebook page as these are very easy to miss and a response is by no means guaranteed. Also, please DO NOT message or add our personal FB profiles looking for shows. This is something that has become unmanageable recently and any breach of this request will be counter-productive. We realise this may seem harsh but you are far more likely to receive a reply in you contact us via email.

Can we get a show?

Possibly. Again, please email info@makethatatakerecords.com

Some general points; we get many gig enquiries and while we do our best to respond to each one, we cannot guarantee getting back to all bands at all times.

We DO NOT put on “showcase” gigs and are not particularly interested in “growing the audience” or “conquering new markets”. We have very little interest in demographics or creating rock stars and/or mainstream “successes”. There are plenty of avenues for this type of thing, we are not one of them.

If you are a small UK band, we think it’s highly unlikely that you actually need a booking agent. While some bands may feel that they do (to “lighten the load” or whatever), we much prefer to deal with bands directly. Your booking agent may want what’s best for your band but he/she also wants their 10/15%. Some of the “biggest” bands you know still book their own shows, you should too. However, that decision is yours alone.

International touring bands are different; we prefer to work with bookers/agents that we know and trust. However, we also like to keep an open mind so if you’re looking for a potential tour date, please do get in touch. We while do what we can but can make no promises.

Bands who support and contribute to the local music community will always be offered support slots with touring bands first. Don’t expect to be offered shows with “bigger” bands if you never come out to the “small” shows.

Do you accept demos?

Yes. We accept physical demos at shows and are happy to get them in the mail too. If you wish to send physical demos, please email us first (info@makethatatakerecords.com) and we’ll be happy to pass you an address.

We also accept LINKS to demos via email. We don’t need a thousand word biography of your band, just a short and simple introduction and a link to some recordings is fine.

Please DO NOT send mp3 or WAV files, videos, large attachments or promo photos as these take up huge amounts of space and will be discarded.

We love hearing new music of all kinds but are fundamentally a DIY punk rock label, so please take a moment to consider whether your band and our label are complimentary. Recently we’ve had enquries from everything from an American Christian pop-rock band to a Chilean right-wing black metal band. Safe to say that we’ll be working with neither so please be mindful of this before emailing so as not to waste your time or ours.

Will you put our record out?

Being honest, probably not. Most of the records we release are by bands/artists that we know and love, who we’ve worked with for years and who have been part of our wider musical community. We always have a variety of projects in the pipeline and are always keeping an eye out for what our next release may be.

While we are not restricted geographically, the artists from further afield with whom we work are those with whom we have already developed relationships in one form or another. While we do love hearing from new bands, the likelihood of us putting out a 7” EP for a French punk band we’ve never met or heard of before is very, very slim.

While not being overly harsh taskmasters, if we do put your record out, we’d expect you to do some touring and help spread the word. Putting a record together can be an expensive and time-consuming enterprise so if we were interested in vanity projects, we’d probably start with one of our own.

We’re a new band and have never toured before; can you give us all your contacts?

Yes and no. We are always keen to help support new bands, especially those who are getting out on the road for the first time, but there are many things that new bands can do for themselves. We are happy to try and provide guidance and assistance but many of our contacts are friends who may or may not appreciate bands getting in touch.

We’ve spent almost 20 years playing in bands and toured before the internet was as key a tool for tour booking as it is today; do some of the groundwork yourself and it’ll be far more rewarding. That said, if you’re a hard working and dedicated band, word gets around and people in the punk scene will know about you. We are happy to help where we can, especially for local bands, but there are limits to what we can do.

Your own hard graft will bring its own rewards!

Do you trade records? Can I carry your records in our distro?

Yes. Please email info@makethatatakerecords.com with your enquries and trade lists.

Will you carry our records in your distro?

Possibly. Please email info@makethatatakerecords.com with any/all trade suggestions and/or wholesale prices.

Can I have a promo copy of the (insert band) LP/7” for review purposes?

Highly unlikely. Records are very expensive to produce so I’m afraid we are unable to send vinyl records for promo purposes. If you’d like a digital promo copy of any release for review/blog/radio/whatever purposes, please email us and we can hook you up.

Anyone who would like added to our mailing list, please just email.

I work for XYZ major label/magazine/blog/radio station; can I get into your show for free?

No.

I work for XYZ music industry/web optimization/financial services/whatever; would you be interested in working with (being exploited by) us?

Highly unlikely but if you’re genuinely interested in working with us/something we do, feel free to fire us an email. A response cannot be guaranteed.

Who does your artwork?

Most gig posters are done by Jamie with the cut’n’paste jobs being done by Derrick. We are happy to help with artwork if we can, although by no means are we professionals or take commissions. That said, please fire us an email if you feel you need our services.

Can I get your music on iTunes/Spotify/etc?

Yes and no. All of our releases are available for streaming and download from our Bandcamp page. However, distribution to digital services are handled by the individual bands/artists as there is no uniform view on these matters, so we leave those decisions in the hands of the acts we work with. This may change in future but for now all releases can be found on Bandcamp.

Will the “Thick Letters To Friends” LP by Kaddish be re-pressed?

Possibly in future but not right now. There’s a new LP on the way.

Where can I buy your music/merch online?

All releases are available for streaming/download (the majority are free/pay-what-you-want) from http://makethatatakerecords.bandcamp.com/

All records/distro/merch/e-tickets are available from http://makethatatakerecords.bigcartel.com/

Why is Derrick so grumpy?

He’s getting long in the tooth, there aren’t enough hours in the day and he dislikes writing FAQs.

Conroy’s Basement; Mini-Zine I

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2016; Ten Years of Cowpunk (Mailshot!)

This is a copy of the Tuesday 19th January email newsletter to the MTAT mailing list. Sign up here.

We at MTAT hope that everyone had a good time over the festive period and is looking forward to what the new year brings. 2016 marks ten years since MTAT put on our first show as a collective and we are very excited to be kicking off Ten Years of Cowpunk with another step in our evolution; we have a new HQ!

We have come to an agreement with the good people at Conroy’s in Dundee and will now be hosting shows in the basement of the pub. Conroy’s used to be The Beat Bar/Satchmo’s/The Saltire in years gone by and was one of the first venues we ever used back in Dundee, first hosting Frank Turner and Even In Blackouts there on November 15th 2006. An intimate basement space in the city centre, it’s pretty much perfect for small DIY shows and we’re very excited about the possibilities this arrangement may afford us.

february 27th

The inaugural show at Conroy’s Basement will happen on Friday 27th February and is a collaboration with Oh No! Not Another Wild Goat that brings together Bear Arms, Get It Together, Robot Doctors, Lachance and Polar Bears In Purgatory to kick things off with a bang. We shall then be celebrating the tenth anniversary of our first show on Saturday 12th March, ten years removed from hosting Glass and Ashes / I-Farm at Dexter’s with The Try Hards and 15 Minutes. Full details of the birthday show will emerge soon.

Some other show dates for the diary;

show dates

Book Yer Ane Fest X will take place at Buskers, Dundee from Friday 2nd through Sunday 4th December. The original BYAF took place in 2008 and we did two in 2009, hence why the years don’t align, so it’s serendipitous that in coincides with our tenth anniversary. We’ve already got some plans in place and we look forward to seeing what develops over the course of the year!

Before then, we are very proud to be part of the forthcoming split single release from Billy Liar and Paper Rifles in support of Refugee Survival Trust. A collaborative project alongside Anti-Manifesto and Struck Dum Records, the split single will be released on CD and as a digital download accompanied by a series of short films by Steve Cardno documenting the project.

refugee single launch

The single will be launched at a benefit show at The Southside Social in Edinburgh on Saturday 30th January featuring a host of multi-discipline talent. The RST was set up in 1996 as a reaction to the problem of refugees and asylum claimants being made destitute in Scotland. Grants made by the RST either alleviate poverty and destitution, or help refugees and asylum claimants to overcome obstacles in accessing educational and employment opportunities. We are proud to show solidarity in this endeavour. Thanks also to For The Love Of Punk for covering the story.

To help in the combat against the winter blues (and to help us clear some space for new stuff), we are keeping our End Of Year Sale going until the end of January. We’ve got loads of cool stuff from as little as three quid, although we are down to our last one or two copies on a many records, so please do act fast if there’s something specific you’re looking for!

Season Ticket

2016 MTAT Season Tickets are also currently available for £100 and are limited in numbers. A Season Ticket gives for entry to ALL SHOWS (including BYAF X) and physical/digital copies of ALL RELEASES this year, plus a welcome pack with a MTAT HXC shirt and cool free shit. Knowing some of the plans we have in the works, it’s the bargain of the year for sure!

cover

Cheers to everyone who has picked up a copy of the excellent “Swells/Repels” EP by Stonethrower thus far. The EP was released on the Sunday of BYAF IX and we still have some copies left. We’d recommend checking out Minimal Media for a series of tremendous live videos from the weekend too. For our full recap of all things BYAF-related, check this story. Keep your eyes for new videos on Cowpunk TV too!

Right, that’s enough banging on for now. There is much to look forward to this year and loads of incredible new music coming your way. Thanks to everyone who has bought records/season tickets recently and everyone that continues to support what we do. The last ten years have been a continual evolution and we look forward to seeing how things develop further in 2016.

Thanks for the continued support, as always!
Make-That-A-Take Records