Write Yer Ane Zine

Words about DIY punk; records, shows, interviews, whatever.

Tag: Dundee

BOOK YER ANE FEST XII

Make That A Take Records presents…

BOOK YER ANE FEST XII
Friday 30th November – Sunday 2nd December 2018
Abertay Student Centre + Conroy’s Basement
Dundee, Scotland

Weekend tickets; http://bit.ly/2HwP6wm
FAQ; http://bit.ly/2vVHW23
FB Event; http://bit.ly/2Mc3bom
2017 film; http://bit.ly/2BOBA3L
2018 Promo; http://bit.ly/2ABxnmc
Spotify playlist; http://spoti.fi/2Sydd3t

This year has been insane and, as such, it’s crazy to think we’re just over a month away from BOOK YER ANE FEST XII. Crazy, but true. This year marks ten years of Book Yer Ane Fest and we’d like to take this opportunity to thank everyone for their support over the last ten years.

The inaugural Book Yer Ane Fest was held on November 15th 2008 in the back room of Mucky Mulligan’s in Perth with a Joey Terrifying and a whole bunch of our friends. To think that things have evolved to the point where it is a five-day, three-city celebration of DIY punk culture in solidarity with some of our community’s most vitally-needed services is something that continually blows our collective minds and, personally, isn’t something that I care to dwell on for too long, for fear of being overwhelmed by it all.

We as a collective always endeavour to do our best to bring interested, compelling and satisfying line-ups to Book Yer Ane Fest. While acknowledging that we fall short of our ideals every day, through our collective action we aim to promote positive engagement, critical analysis and good times. While perhaps naive, our aim really is to spread joy. We hope that we manage to achieve this and that everyone has the best of times over Book Yer Ane Fest weekend. This is something that we spend our whole year working towards, our Wrestlemania, and, given how busy things have been this year, both “professionally” and “personally’, we’re looking forward to this year as much if not more than we have done in previous years.

Abertay Student Centre is fully accessible with lift access to all levels and gender neutral bathrooms. It is with regret that Conroy’s Basement is not fully accessible due to the stairs and being situated in a basement. We apologise to our friends for whom this may provide difficulties, however, our bathrooms are gender-neutral. We thank Abertay Student Centre for their support in this endeavour.

It’s been some ride. Thank you all for everything.

This year, we’re very proud to be working in solidarity with the following groups;

ADDACTION DUNDEE
http://www.addaction.org.uk/

DUNDEE FOODBANK
http://dundee.foodbank.org.uk/

DUNDEE REFUGEE SUPPORT
http://www.dundeethecaringcity.co.uk/

ROYAL LIFE SAVING SOCIETY
http://www.rlss.org.uk/

YOUNG MINDS UK
http://youngminds.org.uk/

We are also very pleased to welcome our friends to the PUNK ROCK FLEA MARKET; Food Not Bombs Dundee, Artificial Womb. C. Gull, Leftfest, Vegan Actions North East, Sustrans, Debauchery Lee Designs, Radical Rebel DIY, Palestinian Solidarity Campaign, TNS Records, Roaming Vegan Baker, Team Beard Records, Gordon MacKenzie Photography, Samaritans, Shout Louder, The Curator Podcast and loads more, including the world famous BOOK YER ANE TOMBOLA.

We’d also like to extend our deepest thanks to our friends Audiowave Soundhire, Dundee Music Studios and Rainbow Music for their support and graft in providing PA equipment, backline and labour over the weekend, we couldn’t do this without you. Much love and respect!

http://www.audiowave.co.uk/
http://www.facebook.com/DundeeMusicStudios/
http://rainbowmusicstore.co.uk/

DAY SPLITS

Please be aware that the actual timetable of sets won’t be published until Book Yer Ane Fest weekend itself. We’d encourage everyone to get down early and support all of the bands. We promise you won’t be disappointed!

Thursday 29th November 2018
PRE-BOOK YER ANE FEST
BLOC, GLASGOW.
8.30pm, free entry

CANADIAN RIFLE
Rad Chicago punk rock on Dead Broke Rekerds
http://canadianrifle1.bandcamp.com/

THE AFFECT HEURISTIC
Quality international melodic skate punk
http://www.facebook.com/theaffectheuristic/

MEAN CAESAR
Nae messin’ gruff melodic punk from London on Little Rocket Records
http://meancaesarlrr.bandcamp.com/

QUESTION THE MARK
Welsh gravel punks fresh back from Fest to rip it up.
http://questionthemark.bandcamp.com/

Friday 30th November 2018
REGISTRATION / WEEKEND TICKET COLLECTION at CONROY’S BASEMENT.
Featuring SPECIAL GUESTS.
4-6pm, 18+. Grab your weekend wristbands and get pumped.

MAIN SHOW at ABERTAY STUDENT CENTRE.
Doors at 6pm.
£10 single day tickets on doors.
£6 unwaged single day tickets on doors.
£15 single day solidarity tickets available on doors.
14+ w/ adult.

CANADIAN RIFLE;
Rad Chicago punk rock on Dead Broke Rekerds
http://canadianrifle1.bandcamp.com/

DEAD OR AMERICAN (Reunion)
First Dundee show in over a decade
http://deadoramerican.bandcamp.com/

UNIFORMS
The Dead Prez of East Coast Cowpunk bring Reasons To Breathe
http://uniforms.bandcamp.com/

THE TWISTETTES
Radical electro-punk dance party guaranteed to bring the grooves
http://thetwistettes.bandcamp.com/

QUESTION THE MARK
Welsh gravel punks fresh back from Fest to rip it up
http://questionthemark.bandcamp.com/

PAPER RIFLES
Righteous fury-filled skyscraping indie punk rock from Edinburgh
http://paper-rifles.bandcamp.com/

THE OVERBITES
The shape of latter-day cowpunk to come
http://www.facebook.com/theoverbitesband/

HOUDINI SAID NO
Bombastic high-energy metallic punk rock party machine
http://www.facebook.com/houdinisaidno

THE BLOOD RED MOON
Disturbing cinematic orchestral instrumental post-rock

LATE SHOW at CONROY’S BASEMENT
Featuring ?????????
Doors at midnight, 18+.
Guaranteed entry with Earlybird Weekend Ticket.
Capacity is 100. One in, one out thereafter.

Saturday 1st December 2018
HARDCORE ZEN at CONROY’S BASEMENT
Guided meditation and hardcore punk.
Doors at 11am, 18+.

MAIN SHOW at ABERTAY STUDENT CENTRE
Doors at 12 noon, 14+ w/ adult.
£15 single day tickets available on doors.
£10 unwaged single day tickets available.
£20 single day solidarity donations tickets also available on doors.

CHEWING ON TINFOIL
Our oldest Irish punk pals play their first ever Book Yer Ane Fest!
http://chewingontinfoil.bandcamp.com/

AUSTIN LUCAS
Americana/country legend plays EXCLUSIVE SCOTTISH SHOW of EU Tour
http://www.austinlucas.com/

FOREVER UNCLEAN
Well-heeled Danish melodic punks return for big-time sing-a-longs
http://foreverunclean.bandcamp.com/

REVENGE OF THE PSYCHOTRONIC MAN
DIY punks play their last ever Scottish show
http://revengeofthepsychotronicman.bandcamp.com/

BRATAKUS
Highland anarcho-punk riot bring the noise and vegan straight-edge fury
http://bratakus.bandcamp.com/

GET IT TOGETHER
Posi melodic hardcore crew return to bring the ruckus
http://getittogether.bandcamp.com/

THE BURNT TAPES
Greek punks from London return with their regret punk anthems
http://burnttapes.bandcamp.com/

THE CUNDEEZ
None-more-oary Dundee legends bring legendary stomp to their first BYAF
http://www.facebook.com/Thecundeez/

MEAN CAESAR
Nae messin’ gruff melodic punk from London on Little Rocket Records
http://meancaesarlrr.bandcamp.com/

BABY CHAOS
Reunited 90s Glasgow alt-rockers’ first Dundee show in almost 20 years
http://www.babychaos.com/

WARSHY
Crazy Arm frontman brings solo project out on the road with Austin Lucas
http://www.facebook.com/Warshymusic/

QUEEQUEG’S COFFIN
Stomping soul-punk from newest members of MTAT family
http://www.facebook.com/QueequegsCoffin.official/

FRAGILE (Reunion)
Fife melodic punks reunite to play first show and BYAF in ten years

GOODBYE BLUE MONDAY
Misery punk might ruin your life but improve your fest
http://goodbye-blue-monday-1.bandcamp.com/

AVAS
None-more-posi melodic hardcore PMA punk rock jamz to soothe your soul
http://avas.bandcamp.com/

PLEASE, BELIEVE
Intense east coast ecossemo celebrating ‘…In Potential”
http://pleasebelieve.bandcamp.com/releases

THE AFFECT HEURISTIC
Quality international melodic skate punk
http://www.facebook.com/theaffectheuristic/

NICOLA MADILL
Majestic goth/neo-folk romanticism from one of Dundee’s finest talents
http://www.facebook.com/missnicolamadill/

HOLY SNAKES
Acoustic soul/blues/punk from inspirational MTAT crew comrade
http://www.facebook.com/holysnakesrules/

BIKE NOTES
Life-affirming smart melodic pop-punk from Walking Targets troops
http://bikenotes.bandcamp.com/

REBECCA RADICAL
Fresh acoustic anarcho-pop-punk from newly-gig-active Fife punker

TIM HOLEHOUSE
Deep-south mutant hardcore blues road warrior
http://www.facebook.com/RebeccaRadical/

LOVERS TURN TO MONSTERS
Wistful lo-fi indie-pop daydreams and romantic poetry
http://loversturntomonsters.bandcamp.com/

Film; SO, WHICH BAND IS YOUR BOYFRIEND IN?
https://youtu.be/_3kPqcBh6vU

LATE SHOW at CONROY’S BASEMENT
KADDISH; “What World Was Still?” LP Release Show
Dundee ecossemo legends celebrate the release of their third LP.. A MTAT + Black Lake Records joint
http://kaddishuk.bandcamp.com/
Pre-order; http://bit.ly/2O5zaHS

With special guests

BOAK
The gnarliest grind band in all of UK hardcore return to decimate the basement
http://boak.bandcamp.com/

Doors at midnight, 18+.
Guaranteed entry with Earlybird Weekend Ticket.
Capacity is 100. One in, one out thereafter.

Sunday 2nd December 2018

MAIN SHOW at ABERTAY STUDENT CENTRE
Doors at 12 noon, 14+ w/ adult.
£15 single day tickets available on doors.
£10 unwaged single day tickets available.
£20 single day solidarity donations tickets also available on doors.

ROUGHNECK RIOT
Full-blast Celtic punk legends play last Scottish show before hiatus
http://theroughneckriot.bandcamp.com/

DREAM NAILS
London feminist punk witches destroy everything at first Scottish show
http://dreamnails.bandcamp.com/

BABAR LUCK
The One World Warrior brings the spiritual soul to the punk rock party
http://babarluck.bandcamp.com/

FAIR DO’S
Brain-mangling melodic tech/skate/hardcore shredding the “Leopards” LP
http://www.facebook.com/fairdosband/

TRAGICAL HISTORY TOUR BAND
Scottish country dancing on the “Aphorisms” trail
http://tragicalhistorytour.bandcamp.com/

STONETHROWER
East coast ecossemo monoliths shake the foundations
http://stonethroweruk.bandcamp.com/

FISTYMUFFS
Patriarchy-smashing anarcho-riot-grrl noise from Edinburgh
http://www.facebook.com/Fistymuffs/

DIVIDE
Glasgow Hardcore legends celebrating over 20 years of mosh-based ruckus
http://divideghc.bandcamp.com/

CHERYM
Danceable radical indie pop-punk savageness from returning bittersweet Derry
http://cherym.bandcamp.com/releases

THE CAIRNGORMS YOUNG TEAM;
Lo-fi trip-hop existentialist blues exorcisms
http://thecairngormsyoungteam.bandcamp.com/

TIM LOUD
Peripatetic country/folk/punk/pop genius on the road to “Salvation”
http://timloud.bandcamp.com/track/salvation-single

BILLY LIAR
Fresh back from a party in the USA, Scotland’s angriest returns
http://officialbillyliar.bandcamp.com/

FIGHTS AND FIRES
Reunited midlands hardcore rock’n’roll punks back in Dundee
http://fightsandfires.bandcamp.com/

LOST AVENUE
Little Rocket punks putting “Fears” touring to rest after a year of graft
http://lostavenuelrr.bandcamp.com/

SEAS, STARRY
Introspective experimental post-rock majesty from Aberdoom
http://seasstarry.bandcamp.com/

DELINQUENTS
Bell Street’s favourite indie punk band wrap a crazy year
http://delinquentsdundee.bandcamp.com/

IRON SYSTEM
Old school melodic hardcore fae Fife like yer granny used to make
http://ironsystem.bandcamp.com/

LOU MCLEAN
Nae messin’ acoustic folk-pop jamz from Edinburgh’s sharpest tongue
http://loumcleanmusic.bandcamp.com/

BED OF WASPS
Raging slabs of blackened hardcore from the east coast’s gnarliest
http://bedofwasps.bandcamp.com/

GAY PANIC DEFENCE
Rabid powerviolence/grindcore/skramz from Fife’s sickest
http://gaypanicdefence.bandcamp.com/

VOLCANO X
Sunday Satanic rituals worshiping at the alter of the gods of heavy metal
http://www.facebook.com/volcanoxmetal/

HAYSTACK MONOLITH
Sci-fi lo-fi euphoric dance-poetry to celebrate our future glory
http://haystackmonolith.bandcamp.com/

AJ SIMMONDS
Bracing honest raw acoustic punk from the deep south of England
http://www.facebook.com/AJ.Simmonds1984

DRAWS CREATURE MASK
Cinematic celestial post-hardcore/post-rock soundscapes.
http://drawscreaturemask.bandcamp.com/

Film; FOOLISH OPTIMISM
http://www.foolishoptimism.org/

Monday 3rd December 2018

POST-BOOK YER ANE FEST
LEITH DEPOT, EDINBURGH
Doors at 7.30pm. Fiver tax.

DREAM NAILS
London feminist punk witches burn down the capital
http://dreamnails.bandcamp.com/

PAPER RIFLES
Righteous fury-filled skyscraping indie punk rockers slay their hometown
http://paper-rifles.bandcamp.com/

FISTYMUFFS
Hometown patriarchy-smashing anarcho-riot-grrl noise
http://www.facebook.com/Fistymuffs/

TIM HOLEHOUSE
Deep-south mutant hardcore road warrior blues shamanism
http://timholehouse.com/

PLEASE NOTE; CARD SUBJECT TO CHANGE.
Timetables will be published at BOOK YER ANE FEST.

BE RADICAL, SPREAD JOY.

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REFLECTIONS; Time, Growth, Evolution and Redefinition.

As alluded to in the zine, it’s impossible for me to discuss Book Yer Ane Fest from any real perspective other than my own. I’m far too closely involved to be truly objective, try as I might, and in the ten years we’ve been doing this label, I’ve learned to accept and understand that there are things over which I have no control. Book Yer Ane Fest seems to mean many different things to many different people, all with their own unique experiences, worlds within worlds. This is a truly beautiful thing.

Book Yer Ane Fest X last weekend was remarkable in many, many ways and even a week later I’m still struggling to fully digest it all. Thoughts and memories come back at me in waves, out of nowhere, and I remember fragments of conversations that I had with people who I see all too seldom. I’ll admit to being pretty nervous about the whole thing, especially in lieu of the the takeover of Buskers and all the fallout from that, and the weight of my own anxiety about hitting the ten year milestone. It’s no trade secret that I was considering that perhaps this year may be the last Book Yer Ane Fest.

Nostalgia unnerves me and life has changed so much since 2006, not just for me but for everyone I know, our entire culture and society. This is the only way it can possibly be, everything is impermanent. However, the older and more experienced I become, the more I value reflection and taking stock as important, not to wallow in perceived past glories and accomplishments but to remember exactly why it is you do what you do in the first place, to give thanks for the path that you’ve traveled and those who’ve supported you along the way. Does the flame of mid-thirties burn as bright as the flame of youth?

Ten years of supporting Safe-Tay, ten years of cowpunk and ten Book Yer Ane Fests seems like the perfect narrative ending; to round things out at a tidy decade and call it job done. I’d be lying if I said it didn’t appeal to part of me, mostly my nihilistic streak, and it is something that I wrestle with. No doubt there’s plenty of ego bullshit in there too. Going into this year, I didn’t know where my own head was at in this regard and didn’t have any answers, in the greatest MTAT tradition of the best plan being no plan at all, which you can never plan for. Sometimes it takes someone to ask the question before you know the answer.

It has been an honour to support Safe-Tay and the causes they support over these last ten years and we thank them for their vital work as they wind up operations, leaving behind an important and impressive legacy of safety education and awareness-raising. I had a conversation ten minutes before my Tragical History Tour set on Sunday evening that floored me and in that moment I knew that what we do is greater than me or any one individual, that we are all part of something so much bigger than ourselves. This was reaffirmed in the conversations I had with friends, some of whom I hadn’t seen in years and some whom I was meeting for the very first time. I felt it when I played, punk rock my meditative space.

It’s a long weekend for everyone involved and I did all eleven shows across the five days including playing three times, getting home at 3am on Tuesday after dropping Josh at the airport, then going straight back to work until yesterday. I’m still exhausted and only now is the comedown fully kicking in. Having the opportunity to play with Uniforms one last time before the birth of Matthew Fraser McGinty was a privilege and playing with Joey T again was just indescribable. Ben is my oldest friend, Gain and I have been in this since day one and being in that band was an education like no other. It was like slipping back into the mask and pulling a Springboard Frankendeeker; a total Wrestlemania moment for me.

joey-t-go-moich

Photo by Bev at Hold My Pint Photography. http://www.facebook.com/holdmypintphotography/

I would like to personally thank each and every person that participated in making Book Yer Ane Fest X a success. It was undoubtedly our most ambitious attempt yet and it would not have been possible without the herculean efforts of so many people. Thank you so much to all of the amazing acts who performed over the weekend and every single person who came from all over the world to enjoy them and participate in the festival; to all the BYAF Crew and extended MTAT family and volunteers who opened up their homes and hearts for the weekend, helped with sound, manned the merch booths, ran errands, loaded/loaned gear, cooked food, provided physical and emotional support, we can’t thank you enough. You are all amazing humans.

Much love and thanks to Roseanne, Dave and all the staff at The Firefly Dundee, including Mark for his tireless work with sound and chefs Alex and Sean for going above and beyond the call of duty; Lee and Simon of the excellent sound crew at Buskers for their indefatigable graft over the weekend to support us and Buskers and for allowing us use of the space; all at Bloc+, Conroy’s Basement, Groucho’s and The Banshee Labyrinth; Dundee Music Studios for providing us with backline for the weekend; Rainbow Music for their continued support and endless patience; Mitch and all the crew at Audiowave, all at Sanctuary Tattoo Dundee for Book Yer Ane Flash and all the punks who got BYAF tattoos (pics plz!); Catholic Guilt, No One Knows Records, Black Lake Records, Umlaut Records, TNSrecords, Round Dog Records, Anti-Manifesto and everyone who donated prizes to the tombola; Hold My Pint Photography; GGM Photography; Adam Morrow for all the help with the A Fat Wreck screening; Urban Print; IDIOTEQ.com, Punktastic, TheCourier.co.uk and everyone who covered BYAF in the press and to anyone we may have forgotten; thank you!

We haven’t yet got our final total as we’re having a merch sale and will donate 100% of proceeds from the leftover “Still Joey Terrifying” shirts and the “Complete Collection” CD sales for December to the BYAF total to be donated to Insight Counselling, Tayside Mountain Rescue and The Royal Life Saving Society. Here’s hoping we can beat last year’s total. Check out my friend Graham’s awesome playlist of live videos too, think he’s got most bands from across the weekend. While there may be a few (mostly personal) dissatisfactions from the weekend, there’s no point in belabouring issues, perpetuating beef or throwing people under a bus, and all parties already know the score anyways, so that’s all the vague details I’ll go into. In the finest Paul Heyman tradition, if booked right nobody’d ever know, right? If we don’t learn, we don’t evolve and if we don’t evolve, we stagnate and die.

As with everything, Book Yer Ane Fest must evolve and MTAT along with it. As we embark upon our second decade as a collective and in the current cultural climate, I believe that the DIY punk rock community is of greater importance than ever before. I believe we are at a pivotal point in our evolution, Brexit and Trump the latest twisted manifestations of globalised nuclear capitalism and the echo chamber. We now live in a world where simply being “anti” is not nearly enough, where words and information are weapons. It is what we DO that it is important, beyond rhetoric.

It’s good to engage in discourse, to be challenged, and accept valid constructive criticism and advice; to develop reflective practice, if you will. We will always be an anti-sexist, anti-fascist, anti-racist, anti-homophobic, anti-transphobic collective, but how can we grow beyond defining ourselves by what we are not in a world of perpetual change and unprecedented evolution? If we define ourselves in negative terms, it logically follows that generating positivity becomes a greater struggle. The world will beat you down and “other” you, we need not unnecessarily “other” ourselves.

As such, for the first time, I have redefined our “mission statement”;

We are a progressive secular DIY punk collective and independent record label based on the east coast of Scotland. We aim to contribute positively to our community and believe in the equality of and equity for all humans regardless of gender, race, religion, nationality, class, status or any other perceived identifier.

Our collective/label formed at a house party show in 2006 and has evolved over the last decade into something we never anticipated. We are very grateful for the increased level of interest we’ve been receiving recently and are very excited about the possibilities that the future may hold.

We have a fairly wide understanding of what constitutes “punk”.

For all MTAT enquiries, please email info@makethatatakerecords.com

hxc1

The answer to the question is yes, there will be a Book Yer Ane Fest XI. Where it will be and what form it will take remains to be seen but things will continue to evolve as they’ve always done. Thank you to all involved, for everything.

The job ain’t fucking done yet.

 

BOOK YER ANE FEST X; THE ZINE

This is the upload of the zine I put together for Book Yer Ane Fest X.

There were 150 of them made, printed by the workhorse that is Big Mick’s old HP printer that lives in our living room and collated by my own sossij-fingered hands. I felt it was an important thing to do and I’d like to thank everyone who contributed to it.

I am humbled by the response to Book Yer Ane Fest X and have not yet had the mental space to process everything, memories and moments coming back to me in flashes. The story is also truly not exclusively my own; none of this could be done without the contribution of the many wonderful humans I have the privilege to call friends and the participation of the wider DIY punk rock family. That story will be told in time.

Everyone has their own Book Yer Ane Fest experience. That is a beautiful thing.

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“What’s the craic with Conroy’s Basement?”

floor

So what’s the craic with Conroy’s Basement? Good question, for which I shall endeavour to provide the answer right now!

Basically, it’s been almost a year since MTAT hosted our first show there (okay, eight months) and since then it’s been both an entertaining challenge and learning experience for us all. With every new idea comes new challenges and, as we’ve never been ones to shy away from such things, we have poured our blood, sweat and tears into trying to make things work. Personally, all I’ve ever wanted is a basement space to put on shows so, in effect, that dream has come true (pity I don’t have a functional punk rock band, right?!?).

Firstly, we’d very much like to thank everyone who has supported us thus far with this endeavour; it takes a crew of people to make ideas work and put concepts into action. We are very grateful for all of the hard work and graft the extended crew has put into making things work and it must be known that we wouldn’t be in the position that we are without the support of our friends and colleagues. Y’all know who ye are.

We must also thank our landlords at Conroy’s for their welcome, understanding and patience with us as we worked through the teething problems. We are under no illusions that we are very lucky to be in the position that we are and cannot overstate how grateful we are. While things may not have been perfect since the get-go, I strongly believe that what we are doing is important and that it directly relates to many of the discussions that have been had throughout Dundee’s musical community of late. Hell, The Skinny just published a piece I wrote the other day (check out “Venues, Scenes and Spaces“) that addresses this exact issue.

Conjecture and debate is one thing, action is another. Without resorting to Minor Threat quotes, if ye want to get something done the best thing to do is to it yourself (DIY, ken?). As such, the craic with Conroy’s Basement is thus; we are now open for third party bookings.

Basically, Kenny G and I have formed a new company called Burst Cow. We have invested in a new PA for the basement and will be running the bookings independently of MTAT, for both logistical reasons and so as to avoid any potential conflicts of interest. We have begun taking limited third party gig and private function bookings, with a bunch of shows happening in November, and will be looking to gradually expand things once Book Yer Ane Fest X is in the bag.

Terms and conditions for all bookings apply, of course, but ultimately we aim to help nourish the scene that has helped nourish us so greatly for so many years. To us, DIY need not be a byword for “slack” or “shitty”.

Kenny G will be the go-to dude for all third party bookings and should be contacted at conroysbasement@gmail.com

I (Derrick) shall remain the “face” of MTAT and, as such, any and all MTAT related emails/enquiries/vegan recipies should be sent to info@makethatatakerecords.com

So yeah, it seems Conroy’s Basement is open for business!

AGAINST IMMISERATION; An Essay by Dom Kaddish

WYAZ presents the second post-EU referendum essay by Dom Kaddish. Please read, consider, respond and circulate as you deem necessary. Discussion and discourse is actively encouraged.

End, As In Aim.

So picture the gravest fear and dread.
Here hope is the lie that keeps its head.

Say you’ve got a hope.
Say you want an end to fear.

An end to fear.

Say you’ve got a hope.
Say you want an end to fear.

Photo by J. Cumiskey

AGAINST IMMISERATION

What’s the fucking point of playing in a band when your body is ageing and your hearing damaged? What’s the fucking point of going to gigs and chatting, on the level, to people of different ages, genders, colours, cultures, and backgrounds when the media constantly chastens us with images of violence, and enjoins us to hate others and be suspicious of them? What’s the fucking point of voting in a referendum where the crunch matter appears to have come down to an entitled Tory elite masturbating over how to convince one of their female members to reheat the tired ghost of Margaret fucking Thatcher?

Here’s a suggestion: couldn’t it be that the deluded little spaces in which we play, chat, act, think and commit ourselves are more political by a long shot than the black hole at Westminster that awaits the next bunch of careerists perverse enough to get sucked into it? The fucking point, then, would be that our whole conception of politics has to change. For example, what created the current constitutional crisis in the UK was misplaced faith in an out-of-date form of representative government centred on individuals as well-informed agents, capable of making rational choices in their own best interests, and of acting in the best interests of others when presented with a crude either/or choice on an issue of massive complexity. This model was co-opted by greed, self-interest, stupidity, lack of information, and a giant dose of the negative affects of shame, fear and hate. Given the fallout, perhaps it is now time to try to do something paradoxical, different, and more excitingly difficult: to try, at one and the same time, to think and act both above and below the out-of-date model of politics.

By ‘above’, I mean this: we have to aspire to have the courage and the temerity to look the complexity of our world straight in the face. That is, we have to aspire to a culture, not where no-one is an expert (à la Gove), but where everyone is. This would be a culture in which everyone aspires to learn something about such heady things as economics, statistics, as well as big data patterns in demographics and human geography, and where an understanding of the role of nonhuman actors in politics would be encouraged (e.g. the role of such actors in the current UK crisis as mobile computing, agricultural and fishing yields, the English Channel, globalisation, the ecological crisis, etc. etc.). This would not be a culture where knowledge of such things was used to baffle and belittle; rather, since no one single actor could feasibly claim a knowledge of the whole, it would be a culture where everyone takes some responsibility for educating themselves and others, and where each is empowered and encouraged to do.

By ‘below’, I mean this: the UK referendum of 23 June 2016 was a coup for a reactive form of politics that traded on affects and gut reactions, instead of on concepts tied to the out-of-date model of politics mentioned above (e.g. the concept of the transparently well-informed and rational voter; or that of a ‘minister’ who is ‘prime’ in the sense of being the first and most powerful person to look after the needs of all the people in his or her polity, when the then incumbent was exposed by events for an incompetent beholding to the interests of Tory bigots of depressing resilience and longevity). What was far more effective than concepts and reason in swaying the campaigning in this instance was the propagation of the aforesaid negative affects of shame, fear and hate. Faced with these affects, the fatal mistake of left/liberal sections of the media/social media/the Twitterati was a retreat into the echo chamber of fatalistic intellectualism (consider the typical Brexit crisis moves made by these sections of the media: black humour, condescension, introspection and soul searching, cod philosophy, historical musings, irony, droll memes, the attempt at agonised liberal ‘understanding’ of what could have driven the dispossessed and disenfranchised to it, etc., etc.). The result was two modes of political address that comprehensively talked past one another: one employing the ‘post-fact’ logic of icons, hates, and anxieties; the other employing a form of reason that had become too clever and self-reflexive by half.

One solution to this impasse, I am suggesting (the one that goes ‘above’), is to aspire to better education, in terms of better concepts that have a better purchase on the complexities of our interconnected and interdependent world. Here’s another solution for how we might simultaneously get ‘below’ the impasse: first, let’s give up old concepts tied to the values of liberal/humanistic education and grand parliamentary politics; second, let’s avoid propagating negative affects in their place; third, let’s focus instead on the creation and nurturing of positive affects, such as joy, love, and openness. If such an agenda seems liberal, Christian, ‘new agey’ or out of step with what I said above about the necessity of arriving at better concepts, then you have simply missed the point. This is because what is at stake here is not how ‘good’ or ‘wise’ you or I might be, nor how much right we might have to the moral high ground, nor how much we might like the recourse to safe, comfortable, and ultimately hopelessly out of touch old political categories. Rather, what is at stake is what should be termed the ‘ecology’ of our mental health, well-being and fellow feeling, and by ‘our’ here, I mean the mental health of everyone with a stake in the issues of which the current UK constitutional crisis is symptomatic, including everyone else in the world right now, and all future generations.

The ecology of mental health concerns how one’s mindset, mood, and general sense of affect relates to the world in which it finds itself. This ecology has not, we should admit, been in a good way, globally, for some time now, and its problems predate the 2008 financial crisis by some way (in fact, they feed into it as conditions of its possibility). Here’s a suggestion as to what has eroded it: spaces of immiseration. Under this concept, we could group any number of environments that go into shaping the character of the contemporary globalised world, including, but far from limited to: factories in China; Coltan mines in the Congo; sweatshops in Turkey and Bangladesh; battlefields in Iraq, Afghanistan and Syria; Social Security offices and dole queues in any ‘developed’ country; all that urban sprawl that was so ripe for sub-priming in the US pre-2008; open-plan offices; bookies; grey and ill-equipped classrooms; call centres; slaughterhouses; Amazon depots; police cells; and the countless situations in which way too much solitude is frittered away in front of a TV or a computer. Here’s a suggestion as to what might act as the antidote: spaces of possibility. Such spaces, to start from the highly dubious base of idealising what I personally know and esteem, might include: live music spaces; classrooms where participants are encouraged and equipped to learn from all others present and not simply shut their mouths and act as consumers of information spoon fed by the guy mansplaining at the front; parks; wilderness; sports pitches where moments of team creativity emerge; seashores; long walks through places either familiar or unfamiliar, with or without guiding thread; art galleries, studios, and workshops where you might actually stand the chance of speaking and interacting with artists and craftspeople; book shops, record shops and libraries; day centres, drop-in centres, and clinics where you can bump into people all too burned out by the state of it all not to speak themselves honestly, with heart.

I said that it was dubious to start from what I personally know and esteem. You are therefore entirely free to take issue with the list I have just contrived, as too ‘male’, ‘romantic’, ‘liberal’, ‘hipster’ (God forbid), or whatever. This apart, however, let me extend two invitations to you that are centred on the concepts mentioned above, and not on what I have grouped under them. First, to reflect on the spaces of possibility that matter most to you. Second, and far more importantly, to reflect and act on how we might convert spaces of immiseration into spaces of possibility. The first of these tasks, undertaken collectively, would amount to an inventory of our weapons: a stocktake of the spaces that matter to us, and that renew our sense of health and possibility for the living of meaningful lives. The second task would involve using these weapons on the battlefields where the real politics of our lives get fought out (and not in exclusive, outmoded, rarefied political vacuums such as Westminster, where fractions of the battles of our lives get misrepresented and used as pawns in games played by self-serving political cadres).

Fear of the other. Fear of the self. Fear of death. Fear of the unknown. Fear of technology and the pace of change. Fear of not ‘being a man’, whatever that means. Fear of irrelevance and poverty in an age of celebrity and the ‘super rich’. Fear of being fat, stupid, old, or useless. Fear of gun and knife crimes, rape, and hate. ETC. FUCKING ETC. These are the negative affects that spaces of immiseration nurture like cancer. How do we take the love, hope, joy, respect, and sense of other possible worlds and horizons that spaces of possibility involve and use them to bring out the possibilities that spaces of immiseration keep repressed under the increasingly shabby and disingenuous veneer of consensus and polite society? And what makes this struggle both worthwhile and eminently doable, on an everyday basis, and from this very instant?

Consider whether something like the following might work for you (if not, invent your own tactic, as is your right and your want): the next time you realise you are in a space of immiseration (and the gut sinking feeling will be sufficient to establish it), think about how you typically act in a space of possibility, and insinuate one such way of acting into the space of immiseration. The next time after this, insinuate two acts. After that, insinuate three. After that, four. And so on, and so on, until new possibilities have reached such a pitch that they have somehow cracked open the space of immiseration in favour of something better and more liveable. The acts I have in mind here can be crude or sophisticated, and might include: making passionate music, for purposes other than consumption; being playful; thinking tangentially; daydreaming; humour; kindness; openness; interest in others and their stories and fates; acts that are revelatory of self and history without tipping into narcissism; expressions of wonder, weakness, and astonishment; recognitions of limitations and ignorance; the construction of a shared focus or creative goal between you and others that adds some measure of dignity to the space, however small; the vigilant attempt to keep the spectre of the profit motive to a minimum. And so on, and so on, etc., etc.

What’s especially funny about such acts is when they work subliminally – that is, when others within the space recognise that a new possibility has been introduced, but resist it, preferring instead the tendencies of immiseration as a kind of short-term comfy/long-term deadly safety net. Because the roboticisms of immiseration cannot recognise new possibilities, you can rest assured that there will be no immediate explicit reproach for the possibility you have introduced (that is, no shared recognition that the recognition has taken place individually within the separate actors in the space). What there might be, however, is a more or less collective implicit recognition – a seed planted that will grow with time. In this case, the words, actions and affects you use to make spaces of immiseration become spaces of possibility will take on the character of a sort of gentle and subtle guerrilla warfare: a thousand little harrying tactics intended to perplex and provoke others into giving up the dubious safety net of immiseration.

To sum up:
Stop thinking in terms of redundant concepts representative of a bygone age of politics.

Start aspiring to think in terms of the complex concepts that we all know are required to think the world in which we live.

Stop tolerating the poisonous effects of negative affects through inaction and resignation.

Start spreading positive affects in any practicable way you can, because they are sufficient to convert spaces of immiseration, however overwhelming, ubiquitous and monolithic these spaces may seem in the contemporary world, into spaces rich in open and positive possibilities for new forms of life.

***

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Kaddish play Conroy’s Basement in Dundee with Asthenia (Japan), Human Hands (eng) and Arkless (eng) on Wednesday 17th August.

The New Situation; An Essay by Dom Kaddish

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The world we live in is not the world we were born into. The following is an essay written by a man for whom I have the deepest of respect in all capacities; musically, artistically, professionally, as a thinker, as a peer, as a human; and someone I am grateful to call a good friend, Dom Kaddish.

In solidarity and hope, I am humbled to provide WYAZ as a platform.

The New Situation.

[Dear All, the following is overtly, and not allusively political. If you disagree with it in style or substance, come along to, for example, a punk rock show or a University class room and tell us or someone else why. In other words, use every available opportunity to keep up the impetus for a new grass roots progressive politics to emerge in the UK and elsewhere post-23 June 2016. It is necessary but not sufficient for us to discuss such things through the Internet. We also need to make them count in building a better society, through our actions and words in the spaces where we actually commit our bodies].

Yesterday, 1 July 2016, the Conservative party in the UK attempted to assure us that politics in the UK is ‘back to business’ in the wake of Brexit. A Mr. Gove invoked further deluded promises about the NHS, when discretion suggested this was a thing best avoided. A Mrs. May invoked her talents as a hard worker, as well as her gender (this last point being important in the context of the obnoxious ‘boy’s club’ that led to Brexit, but Mrs May’s party is attempting to cash in on it in a way that superficially emulates but actually runs counter to the progressive female strand of politics running through, say, Holyrood).

None of this can stand: we simply cannot allow the elite of the Conservative party to try to convince us that they are operating on the basis of a post-Brexit consensus, and that they have our interests at heart in any way at all. We cannot allow politics to return to a state of unscrutinised Tory-led ‘management’. Doing so will only validate what has always been at the heart of the Tory party: upstairs privilege over downstairs servitude.

Instead of building a consensus and helping the people of the UK, the Conservative party has perpetrated an act of unparalleled violence against the social ontology of the UK in the lead up to, and in the wake of, the referendum of 23 June 2016. That is, they have effected a shift in the way that every entity related to the entity ‘the UK’ relates to every other entity related to this entity. They have done it by instrumentalising a mode of politics (the either/or referendum) that was always too crude to deal with the complexities of this ontology, and the consequence of this is that neighbours, words, glances, embraces, sighs, stares, handshakes, schools, immigrants, jobs, friends, taxis, hopes, fears, pensions, pounds and Euros (etc., etc., ad infinitum) no longer relate in the same way as before.

Given this violence, attempts to move on are appropriate. These include: humour; changing the topic of conversation; smiling a bit more; feeling a bit more driven to think, write or feel something; being warmer and more open to people who don’t look and think like you; wanting to strive for a better and more tolerant society that doesn’t condone or cynically instrumentalise racism, etc., etc. These attempts to move on are not attempts to move backwards. On the contrary, attempts to move backwards are, by definition, ‘conservative’, and if there is one entity that events since 23 June have comprehensively destroyed, it is the party that bears that name.

There can be no ‘business as usual’ on behalf of the Conservative party because there is no Conservative party. Instead, the convulsing psychotic ghost that persists in the wake of that party has no consensus, no mandate, and no real vision at all, and this makes it a deeply dangerous, reactionary, and volatile force (witness May’s party’s instrumentalisation of the female card, one of the few apparently progressive moves that was left to it). That said, it also makes it a potentially weak and waning force, provided we, the progressive and internationalist forces in the game, play our cards right, and cease to be so haunted.

There can be no business as usual in the wake of 23 June, in whatever sense (as resigned, as alienated, as disenfranchised, as relieved, as whatever). We have to lay claim to our changed social ontology and recognise that the Conservative party and the hideous forces they have recently colluded with can have no real part to play in it, provided that we have the courage to exorcise them. We have to do our business differently, by not giving up and accepting Conservative attempts to manage what they have conjured. Much more is possible than that for progressive, tolerant, and socially just reform of all sorts of entities, including, but not limited to: the EU, England, Wales, Northern Ireland, Scotland, the age divide, racism, the North/South divide, the European sense of self and other.

Let’s resolve to be socially responsible and just citizens in a time of spectres.

***

Kaddish released “Thick Letters To Friends” in 2014. Their new LP will be released soon.

Write Yer Ane Mini-Zine; Issue One

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Write Yer Ane Mini-Zine; Issue One

Click the link to devour. Please feel free to read and share.

I’ve uploaded the PDF in its original form, with no hyperlinks, etc. All the bands/records are easy to find so go have a swatch!

Ten Years of Cowpunk; My Top Ten – Jonny Domino

As has been well-documented, 2016 marks Ten Years of Cowpunk. As such, rather than just me banging on about all the stuff that I remember and the cool shit that has come to pass over the last decade, I thought it’d be fun (and more interesting) to ask the troops and close associates of the MTAT family to recall some of their favourite songs/moments in our shared history. It’s always very interesting for me to hear the perspectives of others, as I’m usually so (self?) absorbed with everything that’s going on that oftentimes I forget to take a step back and see the bigger picture.

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We start with the picks of Jonny Domino. It feels as though Jonny and I have known each other forever, certainly since we both started getting more deeply involved in the local music scene at the turn of the century. Jonny is also a total workhorse; he did all the driving on the Uniforms tours, has driven heaps of bands around the UK, does loads of the cooking for visiting bands, has regularly had bands and total strangers kipping on his floor and his wife Michelle even baked the Burst Cow Birthday Cake for the show last Saturday. He’s a good dude with an at-times questionable taste in music and dress, but he’s got a heart of gold and this list is full of some absolute zingers and fond memories.

Joey Terrifying – “Getaway Driver”

The first MTAT release that I personally appeared on, I was part of a bunch of MTAT all-stars that included Kev from Broken Stories that shouted “no school I don’t know!” in the bridge of this in the basement of Seagate Studios.

Billy Liar – “Piss Artist”

Billy Liar is basically my Kaddish when it comes to Book Yer Ane Fest, his streak is getting almost as good as theirs and for some reason every Sunday even though everyone is strung out from 2 days of Festing, there always seems to be a bit more energy getting dug out for Billy’s set.

The Riot Before – “Uncharted Lands”

The Riot Before show in The Balcony stands in my mind as one of the undiscovered gems in MTAT history, just a great night with some genuinely nice dudes and also the first night I met Christian Tollner, who played a much bigger part in the development of MTAT’s touring bands than he probably realises.

Question The Mark – “Bottoms Up!”

By far my favourite thing that I’ve got from 10 years of Make That A Take is some amazing friendships with great people. The chance to see all these people is what makes Book Yer Ane Fest my favourite weekend of the year and the fact that I can go all over the country or in fact the world and never be too far from some of my best friends is not an opportunity that a lot of people will get in a lifetime – QTM are the perfect example of that, I love all these dudes.

Loaded 45 – “Making Enemies Not Memories”

Loaded 45 are genuinely some of the weirdest, most amazing people I’ve ever met in my life. We spent a combined 6 weeks living 8 of us in one van in places that I’d only ever dream of visiting otherwise (and also Rhyl) and we all have a bastardised MTAT HxC cross with the letters MENM after this song tattooed on our stupid bodies to commemorate it, couldn’t leave it off this list!

Franz Nicolay – “Home Is Where They Take You In”

To say I’m proud of what MTAT has achieved in the last 10 years would be a massive understatement and everything about this song is a testament to that. Franz has played in some of my absolute favourite bands of all time so to have this released on our label absolutely blows my mind. The subject matter also speaks to one of the things that I’m most proud of about the MTAT crew, which is the fact that over the past decade we’ve tried extremely hard to be as accommodating as possible to people who have come from all over the world to play for us, and I hope built a solid reputation for that in the process.

The Walking Targets – “Circling The Drain”

Including The Walking Targets on this list is something of a bittersweet experience for me – one of my most vivid BYAF memories was watching these guys play Saturday afternoon, the first time most if not all of us had ever heard of them, with Derrick, Bunky from Question The Mark and Fraser Murderburger and just being blown away. I remember Max winning a bottle of Jager which the QTM guys made him polish off through the course of the day before he vomited all over my house and I remember thinking they were something special. Later that night I still remember the chat being “holy shit did you see that band The Walking Targets?!” and there’s no doubt they got really great, really quick. They’re still my “what could’ve been” moment.

Bangers – “Church Street In Ruins”

Bangers are without doubt my favourite British band, they’re really lovely guys to spend time with – smart, funny and really patient (I know Andrew was one of Derrick’s go-tos for advice in the early days of MTAT as a functioning label and I don’t think I’ve ever said thanks) and they’re a great advert for DIY punk who I’m thankful for a few opportunities to work with. That being said, Uniforms did a few all ages shows with the DIY Rock Shop in Perth and the one time we invited Bangers I remember Roo saying “if I could give you one piece of advice it would be – always say yes to free drugs if someone offers you them, that’s what being a rockstar’s all about”.

Get It Together – “Hole In The Head”

If I was pushed (which I’m not being, but I’m gonna tell you anyway) I’d say this is the best song MTAT has ever released. Get It Together just nail the posi hardcore vibe and their energy and enthusiasm is pretty hard to match. Some of the nicest guys you’ll ever meet they’ve been nothing but a pleasure to be around and this song is pretty much guaranteed to get any room going.

Dear Landlord – “I Live In Hell”

From my favourite song to my favourite show, it’ll be a long time before we pull off anything that compares to hosting Dear Landlord in the basement of Drouthies and it will probably always be my favourite MTAT moment. These guys put on one of the most full on live shows you’ll see and there was sweat (and Guinness) dripping from the ceiling of Drouthies before they finished. Occasionally to this day I still wonder how they ended up there and not in some much bigger venues but I’m also really, really glad they did.

Conroy’s Basement; Mini-Zine I

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2016; Ten Years of Cowpunk (Mailshot!)

This is a copy of the Tuesday 19th January email newsletter to the MTAT mailing list. Sign up here.

We at MTAT hope that everyone had a good time over the festive period and is looking forward to what the new year brings. 2016 marks ten years since MTAT put on our first show as a collective and we are very excited to be kicking off Ten Years of Cowpunk with another step in our evolution; we have a new HQ!

We have come to an agreement with the good people at Conroy’s in Dundee and will now be hosting shows in the basement of the pub. Conroy’s used to be The Beat Bar/Satchmo’s/The Saltire in years gone by and was one of the first venues we ever used back in Dundee, first hosting Frank Turner and Even In Blackouts there on November 15th 2006. An intimate basement space in the city centre, it’s pretty much perfect for small DIY shows and we’re very excited about the possibilities this arrangement may afford us.

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The inaugural show at Conroy’s Basement will happen on Friday 27th February and is a collaboration with Oh No! Not Another Wild Goat that brings together Bear Arms, Get It Together, Robot Doctors, Lachance and Polar Bears In Purgatory to kick things off with a bang. We shall then be celebrating the tenth anniversary of our first show on Saturday 12th March, ten years removed from hosting Glass and Ashes / I-Farm at Dexter’s with The Try Hards and 15 Minutes. Full details of the birthday show will emerge soon.

Some other show dates for the diary;

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Book Yer Ane Fest X will take place at Buskers, Dundee from Friday 2nd through Sunday 4th December. The original BYAF took place in 2008 and we did two in 2009, hence why the years don’t align, so it’s serendipitous that in coincides with our tenth anniversary. We’ve already got some plans in place and we look forward to seeing what develops over the course of the year!

Before then, we are very proud to be part of the forthcoming split single release from Billy Liar and Paper Rifles in support of Refugee Survival Trust. A collaborative project alongside Anti-Manifesto and Struck Dum Records, the split single will be released on CD and as a digital download accompanied by a series of short films by Steve Cardno documenting the project.

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The single will be launched at a benefit show at The Southside Social in Edinburgh on Saturday 30th January featuring a host of multi-discipline talent. The RST was set up in 1996 as a reaction to the problem of refugees and asylum claimants being made destitute in Scotland. Grants made by the RST either alleviate poverty and destitution, or help refugees and asylum claimants to overcome obstacles in accessing educational and employment opportunities. We are proud to show solidarity in this endeavour. Thanks also to For The Love Of Punk for covering the story.

To help in the combat against the winter blues (and to help us clear some space for new stuff), we are keeping our End Of Year Sale going until the end of January. We’ve got loads of cool stuff from as little as three quid, although we are down to our last one or two copies on a many records, so please do act fast if there’s something specific you’re looking for!

Season Ticket

2016 MTAT Season Tickets are also currently available for £100 and are limited in numbers. A Season Ticket gives for entry to ALL SHOWS (including BYAF X) and physical/digital copies of ALL RELEASES this year, plus a welcome pack with a MTAT HXC shirt and cool free shit. Knowing some of the plans we have in the works, it’s the bargain of the year for sure!

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Cheers to everyone who has picked up a copy of the excellent “Swells/Repels” EP by Stonethrower thus far. The EP was released on the Sunday of BYAF IX and we still have some copies left. We’d recommend checking out Minimal Media for a series of tremendous live videos from the weekend too. For our full recap of all things BYAF-related, check this story. Keep your eyes for new videos on Cowpunk TV too!

Right, that’s enough banging on for now. There is much to look forward to this year and loads of incredible new music coming your way. Thanks to everyone who has bought records/season tickets recently and everyone that continues to support what we do. The last ten years have been a continual evolution and we look forward to seeing how things develop further in 2016.

Thanks for the continued support, as always!
Make-That-A-Take Records