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Tag: punk rock

PMX – EU Tour Report (May 2017)

YO.

Things have been pretty quiet on this here blog recently. This isn’t for lack of anything to say or thoughts to impart, quite the opposite in fact, but things have been somewhat the grind. This isn’t a complaint but in getting shit done there is little time leftover for personal reflection, let alone pissing in the ocean of spacejunk that is the internet. I fail, of course.

All that said, there’s been HUNNERS of shit going on, including the troops in PMX tearing it up across Europe for the second time already this year. As such, I asked Matt to throw together a little tour diary about their travels.

How do?

Derrick asked me to write a few things down about our recent tour of Europe so here goes!

Fifteen days on the road. Hitting up six countries for shows whilst passing through ten. A total of 4700 miles. It’s nice to be back in the land of three prong plugs, driving on the left hand side of the road and proper toilet seats but I’d jump in the van and head off again today in a heartbeat.

Anyone that has been on tour will know the excitement and trepidation that comes with setting foot in the van on day one. The knowledge that when you leave it again on the final day you will be broken, dirty and exhausted. If you make it to the final day and you are none of these things then you are not fucking doing it right!

We left on my 34th birthday which was a pretty cool way to both celebrate that milestone and kick off two weeks of gigging and debauchery! I was hungover from our show the night before in Edinburgh so the day seemed to pass reasonably quickly. 9 hours on the road later and we were boarding the Dover to Dunkirk ferry where several pints were welcomed with open arms.

Being on tour does seem like it’s a lot of fun and although it is, I don’t think it’s as romantic as it seems to anyone who has not done it before. The daily routine is as follows;

  • You wake up early (usually hungover) in a strange place trying to piece together the previous nights goings on.
  • You jump in the van and plan your route to the next town. Some days this can take as little as 3 hours, some days it can take 16.
  • You hunt out a service station or supermarket to stock up on supplies if need be. Now if, like me, you have special dietary requirements, this can be a challenge. Luckily enough I stocked up on noodles, soya milk and 9bars before we left so was able to suck it up when the closest thing to a vegan sandwich was a BLT!
  • You arrive at the venue, usually several hours before you have to play, in order to load in your gear and sound check.
  • You sit around in the venue drinking the free beer and eating the free food (which again due to my aforementioned dietary requirements can be hit or miss).
  • You play. Always the best bit of the day. If you don’t enjoy that part then what the fuck are you doing on tour!?!
  • You pack up all your gear into the van again with Tetris-like precision. Of course, by this point you are usually soaked through with sweat and somewhat inebriated.
  • You head off to your designated sleeping spot, whether it’s someone’s floor, a hostel, a practice room floor, a shipping container or just in the venue itself.
  • Repeat daily.
  • For 2 weeks.

There might be a chance to see some other cool shit whether it be touristy or not but in general that’s about it. So now you have a better understanding of ‘tour life’ or at least as how I see it, I am not gonna bore you with the finer details of every day, every drive and every venue. Instead I’m just gonna list a bunch of stuff that I thought was fucking cool.

  • Driving through the Alps is cool as fuck! Your not gonna see as beautiful scenery as that every day of the week. Just don’t stop for food or drink, you need a bank loan.
  • Slovenia is a rad country. Everyone there is super nice and it is real beautiful. We washed in a river one day and it was proper cold but unforgettably cool at the same time. When I say cold I mean painfully cold. I’m gonna fucking die cold. Colder than witches tit as they say.
  • Italy is a fuckover for tolls, kinda like France. Other than that, we played three shows that were all awesome. Every single person we met there was friendlier than the last and they couldn’t do enough for us. If I get the chance I will head back to both Livorno and Remini for a holiday again.
  • I’ve always liked Germany. I went there a few times in my youth and remember everyone being real nice and the place itself being pretty sweet. I can now report that nothing’s really changed. We went and saw a giant hole in the ground that was home to the world’s biggest moving machine. I have seen it before but it still managed to get my geekier side moist again!
  • The Netherlands and Belgium were once again great fun. Got compared to Belvedere who had played the venue we played in Naaldwijk, NL a good 15 years earlier. Nice to know we keep our music current and relevant haha!
  • Some cool bands to check out that we met along the way are Tear Them Down from Sweden, The Peterlees from The Netherlands, Bare Teeth from France, Start At Zero from Slovenia, Struggling For Reason from Belgium, United And Strong from Germany, Deadends from Austria and Danger Jerk from Germany.

There was probably a bunch of other stuff that I thought was cool but it’s either just stupid shit that no one else would ever find cool or I was too drunk/hungover to remember it. It could equally be a fine combination of both!

Anyways, I hope I didn’t bore the tits off you or you are sitting there thinking “what a wanker!”. Being on tour to me is just like a holiday. A free all-inclusive holiday with my best mates. And I hate hearing folk going on about their holiday when they get back!

We’ve got a few more shows lined up here and there in the coming months but we will be mainly concentrating on writing and recording a new record between now and my wedding in August. Aim is to have it out before the end of the year and get touring again as much as possible next year. I will endeavour to produce an equally shite blog post for you when that comes around if you so desire!

Peace and Fucking. Believe.

Matt xXx

PMX are back in Dundee on Friday 26th May with the troops in Get It Together plus MTAT first-timers Hopes Up High (new school pop-punk/hxc from Arbroath) and Us Versus Them (teeth-rattling old school hxc from Fife). Should be a suitably radge hardcore punk tear up of a Friday night.

If ye don’t have a copy of the “Dark Days” EP, remedy that in short order. It’s moich.

Be radical, spread joy.

 

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LUCK AND COURAGE; An Essay by Jonny Domino

jonny

The following is the latest in the current series of guest essays, this time written by Jonny Domino, latterly of Uniforms and long-time member of the MTAT collective. Jonny is one of my best friends and am grateful to have had him by my side during some of the most difficult periods of my life, even when he’s been on the receiving end he remains (mostly) a paragon of zen-like calm. One of the true believers, I’m very pleased to share Jonny’s essay concerning punk rock and mental health through WYAZ.

As ever, all comments/shares/discussion welcome.

 

LUCK AND COURAGE

For a long time I’ve been fascinated by the piece that mental health plays in the creative process. As much as it’s more prevalent in punk rock, and in my time in the punk scene I’ve noticed that issues of mental health can be as much an inspiration for musicians as punk rock can be a tool for confronting a variety of mental health issues, there is a long-standing relationship between the arts and mental health. I should preface this by saying that I count myself lucky to have had a very plain sailing life mental health-wise, but I have watched some of my closest friends and family try to cope with various problems in their own ways and I’d like to think that my position, outside looking in, has provided me a chance to look at things in a more unique way.

At this point it’s hard to avoid being derailed because I could vent all day about how I feel that frontline healthcare professionals are almost universally not doing their part. At the time of writing, the NHS remains one of the finest healthcare systems in the world but it definitely has its failings, and one of the main problems I have with it is this – in the winter of 2010 I broke my collarbone in a snowboarding accident (the “accident” in question being that I said ‘yes’ when the guy in the hire shop asked me if I knew what I was doing when what I actually meant was ‘I’ve never done this before and I hardly even know which way up this goes’, if you’re curious). I got treated by some very nice people in Accident and Emergency very quickly, I grudgingly went along to Fracture Clinic appointments fortnightly for the first 6 weeks and I grumbled my way through follow-ups at my GP for 3 months after that. The point of this story is not to sound ungrateful for the help I got but this – up until very recently there was no maximum waiting time limit for mental health referrals within the NHS. I have seen friends wait months, bordering into years, to see a psychologist. I knew what I was doing was dangerous and I did it anyway. I got all the help I asked for and more straight away while people who were desperate to see someone for something that they have no control over were left hanging on for months. To this day, if an NHS administrator had stopped me in the A&E department and asked if I could never darken their doorstep again so they could use the time and resources they devoted to me to try and clear some of the backlog, my answer would’ve been an unequivocal yes. It still would.

The lack of time to devote to dealing with referrals is something there’s no control over, I get that, but I also think that in the first instance people who raise concerns about their mental health are poorly treated by the healthcare system. The prevailing method seems to be for a GP to write a script for the hottest anti-depressant and get people out with the quickest turnaround, which I have always thought does more harm than good. It’s a short-term fix which, like all drugs, all too often becomes a long term problem. Increasingly people who have never wanted to rely on anti-depressants long term find themselves doing exactly that, purely because they know they can go back to it and it’ll work, plus it’s much easier than getting any other help. Even once you’ve been through the wait for a referral, getting any kind of treatment or therapy from the NHS can be an uphill struggle, and quite often the people who need it most are not equipped for the fight. Again, if I need medical assistance and I think the person delivering it isn’t up to the task, I would have no problem saying “take this doctor away and get me a real one”, but someone who has mustered all their courage to overcome the anxiety they feel about just going to their appointment in the first place is much more likely to just accept whatever calibre of help that they’re offered, and more often than not they’re drastically undersold.

The difficulty in obtaining professional help for these issues, I guess brings us to the idea of how the creative process is so appealing. From Van Gogh to Cobain, there’s nothing more exciting than the idea of the tortured artist, and for some reason the punk scene has always seemed to have that in spades. Maybe it’s the idea that you’re encouraged to speak your mind and share your feelings, the fact that no-one has any hangups about just being themselves, or the raw energy associated with the scene, but punk has always grabbed the attention of people struggling to get comfortable in their own minds, their own bodies or society at large. It’s one of the things I love about the punk scene, but I’ve come to realise that it can sometimes be dangerous. There’s a feeling building recently that it’s almost like a great last hope, that there’s some kind of all-or-nothing approach to punk rock and that it had better work. This has never sat well with me and I’m glad that anyone who I hold dear has so far managed to avoid this kind of attitude, but it’s punctuated with sadness as more and more frequently we see people who subscribe to that idea and come back to earth with the hardest of bangs when they don’t find the salvation they expected.

This isn’t to say that music, art, film or any other outlet that anyone has isn’t an overwhelmingly healthy idea – sometimes screaming down the walls and a punk rock show can be exactly what you need. Sometimes a quite night of doodling can have the same effect. A much wiser man than me (my dad actually, so maybe not that much wiser…) likes to say “extremism in any form is not a good way to live” and it’s something that I have always thought is a very reasonable worldview. When you let something take over your life, you are often setting yourself up for a fall, and that’s something that’s always dangerous. Ever since my early teens I’ve always been a part of the punk scene, but I’ve always been able to remove myself and I never expected it to be able to solve every single problem I encounter. Maybe some day I’ll find something that can, but I doubt it.

I guess what I’m trying to say is that there’s no “magic bullet” that can solve all your problems, be they anxiety, depression or something else entirely, but that doesn’t mean stop trying. You might (you probably will) have to fight tooth and nail to get the help you deserve from the professionals. When you get it, it might not even help. Don’t be disheartened by that, don’t stop trying. Shouting until your hoarse at a punk rock show or in a punk rock band might help you for a night, or a year, or longer. It might not though, and that’s okay. Filling in a whole adult colouring book (or a children’s colouring book, I bet you love the Turtles) might relax you for long enough that you can think clearly about something that you couldn’t focus on all day and that’s great, if it doesn’t though then something else will. Find what works for you and do it, if everything works then do them all. I hope that punk rock helps for everyone though, we’ll see you all down the front.

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Make That A Take Records; Label FAQ

Preface; We are a small independent DIY label based on the east coast of Scotland. Our label formed at a house party show in 2006 and has evolved over the last decade into something we never anticipated. We are very grateful for the increased level of interest we’ve been receiving recently and are very excited about the possibilities that the future may hold.

However, the volume of emails and inquiries we are receiving has increased massively from even where we were a couple of years ago and we are getting to the point where it’s very difficult to reply to all messages in a constructive manner. Everyone in our collective works full-time jobs and have personal responsibilities and lives that need taking care of. We are not part of “the music industry” and we can’t do anything to “make you famous”. There are many other labels out there who may be able to do these things for you, however that label is not Make That A Take.

The absolute best way to get involved is to come down to a show and introduce yourself. Those who participate in the local music community and support the wider scene will always take precedence over bands/artists who merely see the DIY scene as a stepping stone to “better” things or to further their “career”. That’s not to say that we’re anti-career as such, many good friends of ours have gone onto great things in the music industry, but that has been as a result of years of hard work, not in spite of it. We are always keen to hear from more local bands and to grow our community. This is best achieved in person at shows.

This FAQ will be augmented, added to and expanded upon as required and is by no means exhaustive, although may be a little boring for some. As stated, this isn’t something that we’ve been desperate to put together but given their sheer volume of correspondence of late, it’s something that we feel is necessary. Apologies and thanks in advance for understanding.

We are a progressive secular anti-fascist, anti-racist, anti-sexist, anti-homo/transphobic DIY punk collective. If you have any issue with any of these things, please do not contact us.

How do I get in touch?

For all enquiries pertaining MTAT bands, gigs, bookings, merch, distro, trades or antyhing else related to the label/collective, please email info@makethatatakerecords.com

For all enquries relating to Conroy’s Basement and the third party use thereof, please email kenny@makethatatakerecords.com

Please send all enquiries by email only.

Please DO NOT send messages to our Facebook page as these are very easy to miss and a response is by no means guaranteed. Also, please DO NOT message or add our personal FB profiles looking for shows. This is something that has become unmanageable recently and any breach of this request will be counter-productive. We realise this may seem harsh but you are far more likely to receive a reply in you contact us via email.

Can we get a show?

Possibly. Again, please email info@makethatatakerecords.com

Some general points; we get many gig enquiries and while we do our best to respond to each one, we cannot guarantee getting back to all bands at all times.

We DO NOT put on “showcase” gigs and are not particularly interested in “growing the audience” or “conquering new markets”. We have very little interest in demographics or creating rock stars and/or mainstream “successes”. There are plenty of avenues for this type of thing, we are not one of them.

If you are a small UK band, we think it’s highly unlikely that you actually need a booking agent. While some bands may feel that they do (to “lighten the load” or whatever), we much prefer to deal with bands directly. Your booking agent may want what’s best for your band but he/she also wants their 10/15%. Some of the “biggest” bands you know still book their own shows, you should too. However, that decision is yours alone.

International touring bands are different; we prefer to work with bookers/agents that we know and trust. However, we also like to keep an open mind so if you’re looking for a potential tour date, please do get in touch. We while do what we can but can make no promises.

Bands who support and contribute to the local music community will always be offered support slots with touring bands first. Don’t expect to be offered shows with “bigger” bands if you never come out to the “small” shows.

Do you accept demos?

Yes. We accept physical demos at shows and are happy to get them in the mail too. If you wish to send physical demos, please email us first (info@makethatatakerecords.com) and we’ll be happy to pass you an address.

We also accept LINKS to demos via email. We don’t need a thousand word biography of your band, just a short and simple introduction and a link to some recordings is fine.

Please DO NOT send mp3 or WAV files, videos, large attachments or promo photos as these take up huge amounts of space and will be discarded.

We love hearing new music of all kinds but are fundamentally a DIY punk rock label, so please take a moment to consider whether your band and our label are complimentary. Recently we’ve had enquries from everything from an American Christian pop-rock band to a Chilean right-wing black metal band. Safe to say that we’ll be working with neither so please be mindful of this before emailing so as not to waste your time or ours.

Will you put our record out?

Being honest, probably not. Most of the records we release are by bands/artists that we know and love, who we’ve worked with for years and who have been part of our wider musical community. We always have a variety of projects in the pipeline and are always keeping an eye out for what our next release may be.

While we are not restricted geographically, the artists from further afield with whom we work are those with whom we have already developed relationships in one form or another. While we do love hearing from new bands, the likelihood of us putting out a 7” EP for a French punk band we’ve never met or heard of before is very, very slim.

While not being overly harsh taskmasters, if we do put your record out, we’d expect you to do some touring and help spread the word. Putting a record together can be an expensive and time-consuming enterprise so if we were interested in vanity projects, we’d probably start with one of our own.

We’re a new band and have never toured before; can you give us all your contacts?

Yes and no. We are always keen to help support new bands, especially those who are getting out on the road for the first time, but there are many things that new bands can do for themselves. We are happy to try and provide guidance and assistance but many of our contacts are friends who may or may not appreciate bands getting in touch.

We’ve spent almost 20 years playing in bands and toured before the internet was as key a tool for tour booking as it is today; do some of the groundwork yourself and it’ll be far more rewarding. That said, if you’re a hard working and dedicated band, word gets around and people in the punk scene will know about you. We are happy to help where we can, especially for local bands, but there are limits to what we can do.

Your own hard graft will bring its own rewards!

Do you trade records? Can I carry your records in our distro?

Yes. Please email info@makethatatakerecords.com with your enquries and trade lists.

Will you carry our records in your distro?

Possibly. Please email info@makethatatakerecords.com with any/all trade suggestions and/or wholesale prices.

Can I have a promo copy of the (insert band) LP/7” for review purposes?

Highly unlikely. Records are very expensive to produce so I’m afraid we are unable to send vinyl records for promo purposes. If you’d like a digital promo copy of any release for review/blog/radio/whatever purposes, please email us and we can hook you up.

Anyone who would like added to our mailing list, please just email.

I work for XYZ major label/magazine/blog/radio station; can I get into your show for free?

No.

I work for XYZ music industry/web optimization/financial services/whatever; would you be interested in working with (being exploited by) us?

Highly unlikely but if you’re genuinely interested in working with us/something we do, feel free to fire us an email. A response cannot be guaranteed.

Who does your artwork?

Most gig posters are done by Jamie with the cut’n’paste jobs being done by Derrick. We are happy to help with artwork if we can, although by no means are we professionals or take commissions. That said, please fire us an email if you feel you need our services.

Can I get your music on iTunes/Spotify/etc?

Yes and no. All of our releases are available for streaming and download from our Bandcamp page. However, distribution to digital services are handled by the individual bands/artists as there is no uniform view on these matters, so we leave those decisions in the hands of the acts we work with. This may change in future but for now all releases can be found on Bandcamp.

Will the “Thick Letters To Friends” LP by Kaddish be re-pressed?

Possibly in future but not right now. There’s a new LP on the way.

Where can I buy your music/merch online?

All releases are available for streaming/download (the majority are free/pay-what-you-want) from http://makethatatakerecords.bandcamp.com/

All records/distro/merch/e-tickets are available from http://makethatatakerecords.bigcartel.com/

Why is Derrick so grumpy?

He’s getting long in the tooth, there aren’t enough hours in the day and he dislikes writing FAQs.

2016; Ten Years of Cowpunk (Mailshot!)

This is a copy of the Tuesday 19th January email newsletter to the MTAT mailing list. Sign up here.

We at MTAT hope that everyone had a good time over the festive period and is looking forward to what the new year brings. 2016 marks ten years since MTAT put on our first show as a collective and we are very excited to be kicking off Ten Years of Cowpunk with another step in our evolution; we have a new HQ!

We have come to an agreement with the good people at Conroy’s in Dundee and will now be hosting shows in the basement of the pub. Conroy’s used to be The Beat Bar/Satchmo’s/The Saltire in years gone by and was one of the first venues we ever used back in Dundee, first hosting Frank Turner and Even In Blackouts there on November 15th 2006. An intimate basement space in the city centre, it’s pretty much perfect for small DIY shows and we’re very excited about the possibilities this arrangement may afford us.

february 27th

The inaugural show at Conroy’s Basement will happen on Friday 27th February and is a collaboration with Oh No! Not Another Wild Goat that brings together Bear Arms, Get It Together, Robot Doctors, Lachance and Polar Bears In Purgatory to kick things off with a bang. We shall then be celebrating the tenth anniversary of our first show on Saturday 12th March, ten years removed from hosting Glass and Ashes / I-Farm at Dexter’s with The Try Hards and 15 Minutes. Full details of the birthday show will emerge soon.

Some other show dates for the diary;

show dates

Book Yer Ane Fest X will take place at Buskers, Dundee from Friday 2nd through Sunday 4th December. The original BYAF took place in 2008 and we did two in 2009, hence why the years don’t align, so it’s serendipitous that in coincides with our tenth anniversary. We’ve already got some plans in place and we look forward to seeing what develops over the course of the year!

Before then, we are very proud to be part of the forthcoming split single release from Billy Liar and Paper Rifles in support of Refugee Survival Trust. A collaborative project alongside Anti-Manifesto and Struck Dum Records, the split single will be released on CD and as a digital download accompanied by a series of short films by Steve Cardno documenting the project.

refugee single launch

The single will be launched at a benefit show at The Southside Social in Edinburgh on Saturday 30th January featuring a host of multi-discipline talent. The RST was set up in 1996 as a reaction to the problem of refugees and asylum claimants being made destitute in Scotland. Grants made by the RST either alleviate poverty and destitution, or help refugees and asylum claimants to overcome obstacles in accessing educational and employment opportunities. We are proud to show solidarity in this endeavour. Thanks also to For The Love Of Punk for covering the story.

To help in the combat against the winter blues (and to help us clear some space for new stuff), we are keeping our End Of Year Sale going until the end of January. We’ve got loads of cool stuff from as little as three quid, although we are down to our last one or two copies on a many records, so please do act fast if there’s something specific you’re looking for!

Season Ticket

2016 MTAT Season Tickets are also currently available for £100 and are limited in numbers. A Season Ticket gives for entry to ALL SHOWS (including BYAF X) and physical/digital copies of ALL RELEASES this year, plus a welcome pack with a MTAT HXC shirt and cool free shit. Knowing some of the plans we have in the works, it’s the bargain of the year for sure!

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Cheers to everyone who has picked up a copy of the excellent “Swells/Repels” EP by Stonethrower thus far. The EP was released on the Sunday of BYAF IX and we still have some copies left. We’d recommend checking out Minimal Media for a series of tremendous live videos from the weekend too. For our full recap of all things BYAF-related, check this story. Keep your eyes for new videos on Cowpunk TV too!

Right, that’s enough banging on for now. There is much to look forward to this year and loads of incredible new music coming your way. Thanks to everyone who has bought records/season tickets recently and everyone that continues to support what we do. The last ten years have been a continual evolution and we look forward to seeing how things develop further in 2016.

Thanks for the continued support, as always!
Make-That-A-Take Records

BOOK YER ANE FEST IX; FIRST TIMERS

byaf2

Book Yer Ane Fest IX is only a couple weeks away and we are beginning to get mad stoked (and freaking out!) about spending a weekend in the company of some of the finest DIY punk bands and best people we know. BYAF has grown into something we’d never envisaged when we started in the back room of Mucky Mulligans in Perth way back in 2008 and for that we are truly grateful. This year marks another step in the BYAF evolution and we’ll be hosting it in Buskers and The Vestry for the very first time. Dougie and the troops have been very understanding and accommodating of us, so hopefully everyone has an awesome time. This will also be the first BYAF with a proper stage (no barrier!) so please behave accordingly and look out for one another!

Thank you also to everyone who has picked Weekend E-Tickets thus far, it’s always a massive stress reliever when you know that people are stoked on what you’re doing. If you haven’t got one yet, you can grab one RIGHT HERE (cheap pop, right?). Ye can check out the day splits on the MTAT website. Also, both Pre-BYAF and Post-BYAF in Glasgow and Edinburgh on Thursday 26th and Monday 30th November respectively are pay-on-the-door and all early shows at Cerberus Bar are free on a first come, first served basis as it’s tiny.

For updates as they occur, keep your eyes on the event page and our twitter.

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One of the best things for us about BYAF is the opportunity to bring new and interesting bands to Dundee and to catch up with friends that we may otherwise seldom see. As such, we’d like to extend a very warm welcome to the following bands to shall be playing BYAF for the first time over the weekend;

Make War (USA)

Formerly known as Sad and French, Make War are a three piece melodic punk rock band from New York who will play their first and only Scottish show of their debut European tour on the Friday night at Buskers. They’re touring in support of their new self-titled LP that is out now on Black Numbers / Gunner Records. The band shall also be playing an exclusive acoustic show on Friday evening at the pre-show/weekend ticket collection gathering at Cerberus Bar from 4-6pm.

FFO; Lucero, The Bouncing Souls, Gaslight Anthem

When; Friday 27th November at Buskers.

Above Them (ENG)

After many years of trying, we are absolutely thrilled to finally be able to welcome one of the greatest UK punk rock bands of recent times to Dundee for the very first time. Veterans of the UK DIY scene and venerated throughout the worldwide punk scene, these Yorkshire punks released their new “Water Lane” LP through the wonderful Specialist Subject Records earlier this year and will join us for an exclusive Scottish show.

FFO; The Weakerthans, Hot Water Music, Jawbreaker

When; Sunday 29th November at Buskers.

The Spook School

Currently setting the world on fire with their infectious and vital “Try To Be Hopeful” LP, these Edinburgh queercore indie pop punks join us at BYAF for the first time and play their first Dundee show since playing a packed Cerberus show with ONSIND and Spoonboy way back in February. The Spook School have had an incredible year, playing all over the world and we’re very excited to be hosting them in Dundee.

FFO; The Buzzcocks, The Slits, The Vaselines

When; Saturday 28th November at Buskers.

Good Grief (ENG)

Upbeat bittersweet fizzy bangers from these witty and intelligent Liverpool fuzzy melodic indie punks who will be bringing their lo-fi pop jams to Dundee for the very first time. Well traveled and with releases out on the esteemed Boss Tunage and Drunken Sailor Records and splits with BUZZorHOWL and Eureka California to their name, we’re very excited for a late afternoon sugar rush.

FFO; Superchunk, Dinosaur Jr, J Church

When; Saturday 28th November at Buskers.

Forever Unclean (DK)

Full blast bouncy gobby melodic Europunk from these three piece punkers from Copenhagen, Denmark who visit Dundee for the first time as part of their UK tour around BYAF. Bringing together slacker indie and tight 90s skate punk, their new EP “Shreds” does exactly that and was mastered by Jason Livermore at The Blasting Rooms in Colorado. They’ll be reunited with their old touring buddies Terrafraid, who will themselves be returning from their own three month European odyssey!

FFO; Kid Dynamite, Smoke Or Fire, Broadway Calls

When; Sunday 29th November at Buskers

Will Wood (NZ)

Kick-ass boot-stompin’ countrified punk blues murder balladeer from New Zealand joins us in Dundee for the first time on his UK tour with fellow one-man-band compatriot and partner in crime Freddy Fudd Pucker. Will Wood brings a wild-hearted whisky-soaked punk rock fire in his belly and a glint of wickedness in his eye.

FFO; Steve Earle, Murder By Death, Nick Cave

When; Saturday 28th November at The Vestry.

Great Cynics (ENG)

Another band that we’ve long hoped to play, we are delighted to welcome Great Cynics and their wonderful heart-warming melodic folk/punk bangers to BYAF for the first time. The band released their inspiring “I Feel Weird” LP on Specialist Subject earlier this year and have just returned from having everyone in Gainesville at Fest fall in love with them all over again. Excited to have them in Dundee again after last being seen with The Smith Street Band at Mini-Fest in 2013.

FFO; The Lemonheads, Billy Bragg, The Get Up Kids

When; Saturday 28th November at Buskers.

Chrissy Barnacle

From the “grimy side of the Clyde” comes nylon-stringed acoustic-wielding Glasgow singer/songwriter Chrissy Barnacle who brings her sharp-witted and heart-warming feminist political folk-pop to BYAF for the first time. We’ve been fans of Chrissy and her songwriting for a long time and we’re very pleased to finally be able to play host.

FFO; Kate Bush, Joni Mitchell, Ghost Mice

When; Saturday 28th November at The Vestry.

Rational Anthem (USA)

Life-affirming fist-in-the-air old school gobby melodic pop punk three piece straight outta Sarasota, Florida and out on the road on a European tour with kindred spirits The Murderburgers, Rational Anthem are an explosive fireball of punk rock power and will joining us in Dundee for the very first time. Their “Emotionally Unavailable” LP came out on Bloated Kate Records last year and is rammed full of bittersweet pop punk zingers. Guaranteed to be a fun time!

FFO; Lipstick Homicide, Dear Landlord, Screeching Weasel

When; Saturday 28th November

Lenin Death Mask

Aberdeen indie noise-poppers wrap up their ten day UK tour in celebration and support of their debut “Three Hits” 7″ that is released on November 16th through Fitlike Records, Allende Records and Dingleberry Records in Europe. As part of an active Aberdeen DIY scene, we are very pleased to welcome our east coast comrades to BYAF for the first time.

FFO; Husker Du, Titus Andronicus, The Cribs

When; Sunday 29th November at Buskers.

Veto

Glasgow Young Team emo/pop punkers shall be opening BYAF IX with their youthfully energetic take on classic emocore and modern pop punk. These troops have been super active in their local Glasgow scene and have organised a heap of benefit shows as well as touring the UK for the first time this year in support of their split EP with Brightr. One of the best young bands to emerge in Scottish punk in recent times.

FFO; Modern Baseball, Gnarwolves, Spraynard

When; Friday 27th November at Buskers.

Stonethrower (EP Release Show)

 Dundee’s latest Ecossemo punks of weel’ kent faces play their first BYAF and celebrate the release of their new “Swells/Repels” CDEP on MTAT by bringing us their angular and agitated take on alt/punk rock, combining math-y time signatures with an undeniable taste for the ferocious punk banger. Stonethrower are one of the spiciest Dundee bands to emerge over the last year and we’re very proud to be working with them to release the EP.

FFO; Faraquet, Kaddish, Future Of The Left

When; Sunday 29th November at Buskers.

PMX

It’s crazy to think that this is the first time that PMX have played BYAF but the band were already on hiatus when we started this shindig back in 2008. Reunited and refreshed, PMX have blazed back into action in 2015 with the release of the incredible “Dark Days” EP that we’re super proud to have been involved in and they’ve been absolutely shredding it since their return to action. BYAF will be their first Dundee show in over seven years. PMX also play Pre-BYAF at Nice N Sleazy, Glasgow on Thursday 26th November with Murderburgers, Rational Anthem and Dead Neck.

FFO; Propagandhi, Lagwagon, A Wilhem Scream

When; Friday 27th November at Buskers.

Edgarville (ENG)

Tour mates of Terrafraid throughout their three month European tour and veterans of the DIY punk underground, Lancashire two-piece Edgarville bring their folk-ish acoustic indie/pop punk to Dundee for the very first time to conclude their tour. These guys have faced almost every challenge imaginable throughout their time as a band and have lived to tell the tale. Hopefully we’ll be able to provide a happy ending for them at BYAF.

FFO; The Front Bottoms, Apologies I Have None, The Smith Street Band

When; Sunday 29th November at The Vestry.

Bettie Akkemaai (NL)

Bettie Akkemaai is a feminist folk punk singer/songwriter from Den Bosch, Netherlands who joins us in Dundee for the first time as part of a series of shows with her kindred spirit and Different Circle Records comrade Dave Hughes. Inspired by the global DIY anarcho-folk scene, Bettie plays acid tongued witty acoustic folk with bite and intelligence.

FFO; Even Greer, Mischief Brew, Kimya Dawson

When; Sunday 29th November at The Vestry.

The Exhausts (ENG)

These London born, Glasgow based super spiky gobby melodic punks started their European tour in October before playing as Misfits at our Halloween Party and have been on the road ever since with tour concluding at BYAF. The band has just released the awesome “Leave The Suburbs!” album through the excellent Everything Sucks Music and will bring a hefty dose of tongue-in-cheek garage rock’n’roll madness to night one of BYAF.

FFO; Misfits, The Shitty Limits, Bikini Kill

When; Friday 27th November at Buskers.

Paper Rifles

Skyscrapingly melodic beautiful acoustic folk/punk rock from the former Curators man now ploughing the field solo and knocking it completely out of the park. With a busy year behind him, we’re involved in a special little project to be announced soon that will precede the forthcoming 7″ coming soon on Struck Dum Records. One of the strongest voices in Scottish music, we’d highly recommend not missing this.

FFO; Manic Street Preachers, Chuck Ragan, Deacon Blue

When; Saturday 28th November at The Vestry.

Elk Gang

Hard hitting passionate punk rock/post-hardcore from the capital from the troops behind the Anti-Manifesto collective featuring the engine room of Shields Up, these fiery Edinburgh punks will play BYAF for the first time and will bring their lung-bustin’ melodic hardcore and scissor kicks to light a fire under your Sunday afternoon. One of the dark horse bands to watch out for over the weekend for sure.

FFO; Small Brown Bike, Iron Chic, Lifetime

When; Sunday 29th November at The Vestry.

Tim Loud (ENG)

Foot-stompin’ hard-rocking virtuoso country/punk/folk/pop masterclass from Leeds based one man band/singer/songwriter who plays BYAF for the very first time and joins us in the midst of his UK tour with the equally eccentric Tim Holehouse. Last year’s “Born To Lose” album is an under-rated pop masterpiece and was released on MTAT in conjunction with TNS and Gin House Records. Very pleased to finally get Tim up to BYAF.

FFO; The Levellers, Gram Parsons, The Beatles

When; Saturday 28th November at The Vestry.

Salem Street

Dundee Youth Crew wrap up an exceptional 2015 that’s taken them across the UK for the first time and seen them play some massive festivals including Nice N Sleazy. They’ll be bringing their first generation 77 inspired punk with deep reggae/ska grooves to the Sunday afternoon and will be the perfect band to ease your hangovers as ye get started for the last day of festing.

FFO; Stiff Little Fingers, Operation Ivy, One Man Army

When; Sunday 29th November at The Vestry.

Benny Monteux

Edinburgh based acoustic folk/pop punk singer/songwriter joins us at BYAF for the first time as part of his Scottish tour in support of his new single. Benny joined us in Dundee at Cerberus Bar earlier in the year and we are delighted to welcoming this charming, forthright and honest young man back.

FFO; Kris Roe, The Gaslight Anthem, The Wonder Years

When; Saturday 28th November at The Vestry

Brendan Dalton

Bruised and introspective lo-fi acoustic singer/songwriter from rural Perthshire playing solo at BYAF for the first time having played BYAF III with his former pop punk band Versailles many moons ago. Brendan in a talented and intelligent writer who’s had a great year including putting out his first single “Medium” through the emergent indie label Meraki Records. No stranger to Dundee, we’re delighted to welcome Brendan to BYAF.

FFO; Bon Iver, Belle and Sebastian, Ryan Adams

When; Sunday 29th November at The Vestry.

Please, Believe!

From the ashes of Ecossemo stalwarts Bonehouse comes Please, Believe! Ploughing a similar field as their predecessors in terms of emotive DIY post-hardcore/punk rock, PB bring an added sense of urgency and chaos to proceedings, creating a cathartic and noisy expulsion of emotion. No recordings yet but with such pedigree, we can guarantee some prime cuts of east coast Ecossemo goodness.

FFO; At The Drive In, Sinaloa, Life At These Speeds

When; Sunday 29th November at Buskers.

Phew!

Can’t wait, bring it on yo!

Incoming; PMX “Dark Days” EP, September Vistors, Dundeemofest + More

Once again, apologies for the lack of WYAZ posts recently. Between work, running the label and everything else that I’ve got going on, I simply haven’t had much time to write. Miss it though I do, there are times when something has to give. I’ve been spending quite a lot of time working on new Tragical History Tour material for my forthcoming LP, which I’m hoping to release sometime during the first half of next year. If any other labels wanted to get on board with a co-release, do please hit me up! I’ve also been working away diligently in the background on the upcoming MTAT releases and Book Yer Ane Fest IX, which is pretty much fully booked now. We’ll have the “official” poster and full line-up to announce very shortly.

Our first order of business for September is the release of the long-awaited new “Dark Days” EP from reunited Perth punks PMX. The band’s last release was the incredible “Rise and Shine” album way back in 2004 and the first release of any sort since “The Ballad of Tony Montana”, a 25 minute progressive punk rock epic that many people may have missed. “Dark Days” is also the first release featuring the new line-up of Scott Henderson on lead guitar and Kev Henderson on drums. The EP was self-recorded/produced with the drums being tracked by Bruce Rintoul at 45-A-Side Recordings in Glasgow, before being mixed by the band in Perth. The EP was then mastered by Jason Livermore at The Blasting Rooms in Fort Collins, Colorado and it sounds absolutely incredible. To say that we are excited for this release is a considerable understatement.

There’s a lot of history in this record too; I first met Chic sometime in the late 90s when we’d spend our time moshing down the front at the all ages shows put on at the Lesser City Hall in Perth by the Youth Enquiry Service. I remember one time we smashed our heads together while Threshold Sicks were playing; it was the start of a beautiful friendship. PMT, as they were at the time, played the last ever Humus Kife show at the launch of the “Eye of the Storm” CD at Perth City Hall in August of 2000, when there were 10 bands set up individually, Jools Holland style, all around the City Hall. We then played loads of shows together when I was in 13 Broken Fingers (with Craig from Get It Together no less) while I was at university before eventually living together in the “flat of doom” above Domino’s in Perth some years later. I’ll never forgot walking down the line outside a sold-out Curly Lloyd’s handing out anti-war propaganda before the beginning of the Iraq War way back in 2003. I’ll also never forget some people looking at me like I had two heads while I did so. I remember manning the fort with bookings at Barcode/Angry Mic’s whilst PMX were away touring with Randy in Canada and I skipped out on going to Taste of Chaos with them as I had a show of my own somewhere that night (I’m pretty sure that’s right anyways!). Abbie and I lived in Matt’s house, Chic played drums in both Joey Terrifying (replacing Kev no less!) and Uniforms, we were the Asbo Brothers; the connections go on and on.

Needless to say, there is considerable personal emotional investment in this EP and there were times when we thought that it’d never happen. MTAT never work with artists without whom we have personal resonance and connections, with the release of this EP following perfectly in line with this tradition. To put one’s energies and resources into something with which one has no emotional connection, for the purposes of financial gain or some other motivation, is an exercise in futility, at least as far as I’m concerned. The EP itself is, to my mind, an absolute masterclass of modern melodic hardcore punk; taking everything that we loved about the “old” PMX and marrying it to a greater darkness and maturity that comes with age and experience. It also fucking rips.

The record is currently streaming in full at DyingScene.com and is available for digital and physical pre-order with an instant download of the track “Brave Face”. The EP is officially released tomorrow morning and will go live at 9am. The initial pressing of the CDEP is limited to 300 copies worldwide and all orders from MTAT come with stickers. All pre-orders will also have a link to the full release emailed first thing on Saturday morning.

Following the release of “Dark Days”, we have a couple of absolutely cracking shows coming up in the following week.

Billy Joe September

We are very excited to welcome back Scotland’s finest guitar-slinging angry young punk rock poet Billy Liar and Richmond, Virginia’s Joe McMahon of Fat Wreck Chords’ punks Smoke Or Fire back to Dundee as part of their ongoing UK/Ireland tour. Billy and Joe were last seen in Dundee back in April, although I’m looking forward to actually seeing this show as I was in Europe on tour with Get It Together when they played Cerberus Bar last time.

This show will see the Billy/Joe tour crossover for one night only with that of Kate’s Party. Kate’s Party are a “female fronted” (I’m no fan of writing that shit ‘cos, y’know, gender is over, if you want it) power-pop/punk rock band from Dublin, Ireland and I’m very pleased that we were able to make something work at pretty much the last minute. They’re a hard-grafting bunch who have put out releases on Dublin’s Toast Office Records and are one of the most acclaimed indie/punk bands to emerge from the Emerald Isle in recent years, so we’re very excited to be able to host them in Dundee.

These touring parties shall be ably supported by Dundee’s finest indie/emo-punks (not sure they like being referred to as such) Robot Doctors, who shall be stripping things back and performing acoustically for us, and Edinburgh’s finest history-teaching soulful acoustic punk rock balladeer Paper Rifles, who just dropped the 3-track “Songs For Ophelia” single through Aberdeen’s Struck Dum Records. It’s a cracker of a mixed bill for a Monday night and it’ll cost ye five bones for the pleasure. It’d be great to see things get nice and cosy in Room at the Top of a Monday evening.

dundeemofest (2)

The following Friday, 11th September, sees the inaugural DUNDEEMOFEST happening at RATT and it will be the first and only Scottish show from Nashville, Tennessee emo punks Free Throw as they make their way around the continent on their first European Tour. These dudes are on Count Your Lucky Stars Records and are firm favourites of us in the MTAT camp, so we’re very happy to be hosting them for their only Scottish show. If you haven’t heard these guys before, then I’d recommend checking out the wonderful “Those Days Are Gone” LP for a heart-warming slab on midwestern emo that falls somewhere between the sepia-tinged landscapes of American Football, The Weakerthans and Dikembe; some may call it “emo revival”, I just call it honest, heart-on-sleeve earnest American emocore stripped free of pretense and played with heart, passion and soul.

They’ll be joined on the UK leg of tour by Holy Pinto, who come with great acclaim and shall be playing Dundee for the very first time. These guys have been making a lot of noise recently and have been plying their trade across the UK, Europe and the US so we’re delighted to welcoming them to Dundee. Holy Pinto play a quirky, danceable style of emo/punk not a million miles removed from the likes of Tigers Jaw/The Wonder Years and their “Stenography” EP out on Get This Right Records is a little cracker that I look forward to picking up at the show.

Joining the touring party will be a foursome of Ecossemo’s finest. It’s always a pleasure to host the gentlemen of Carson Wells, who have delivered one of the albums of the year in the form of “Tread A Northern Path”, an utter spellbinding journey and a tour de force that encapsulates everything we love about the Aberdeen three-piece. They’ll be joined by fellow north-east soul punks Min Diesel, who released an incredible LP on their own in the form of “Mince” through Cool Yer Jets and Struggletown Records earlier this year.

It’s only fitting that Dundeemofest features a couple of Dundee bands and we’re very excited about the prospect of hosting the first home town show from Please, Believe! You’ll reckon this band of weel ken’t faces from their previous projects that include the likes of Bonehouse/Gone Wishing/Pensioner/The Fall of Boss Koala/Little Anchors and countless more. These troops take the templates laid by their former projects and inject it with the fire that only being a three-piece can bring, creating a fragile yet chaotic emo/punk rammy that is universally understood while retaining a distinctly north-eastern Scottish identity. With a band of such fine calibre, we expect nothing less than emo fireworks.

Opening the show will be our very own Lachance, who continue to knock it out of the park with their emotionally-charged melodic punk rock, coming over like Latterman being given a solid skate punk kicking for spending too long with their poetry books. Lachance absolutely destroyed it at the Songs For Mum CD release show last month and the addition of Maxwell’s Dead’s Russell Broon on drums has lit a firecracker under them, adding a healthy dose of punk rock fire to the brooding emo flames. Make no mistake, hearts will be bursting out of chests all night long and it’s shaping up to be one of the most emotionally intense nights of what has already been an incredibly emotionally intense year.

There are a limited number of e-tickets remaining that are available for £6, otherwise it’ll be £8 on the door please. We shall also be hosting a hostile MTATakeover of Kage Nightclub after the show and will be spinning the finest in punk/hardcore/emo in the club until the early hours. The show itself is open to all 16+ although I’m afraid that the club night is only open to those 18+. Such are the limitations of Scottish licensing laws I’m afraid. Physical tickets are also available from Groucho’s and cost £6 plus booking free.

Finally (for now), we have an absolute BEAST of a last minute hardcore show happening at Cerberus Bar on Saturday 19th September. This show has come together in the last couple of days and we are still awaiting confirmation from a couple of bands so don’t yet have a poster, but we can promise you that it’s going to be an absolute face-ripper.

Nothing Clean are an absolutely uncompromising powerviolence/hardcore/thrash band from Leicester who had a show fall through in between their Aberdeen and Glasgow shows, so we were more than happy to step into the breach and help them out with a show. I’m compelled beyond my will to lend I hand when I know that I’m in a position to do so and, having spent a fair amount of time out on the road, know that there is nothing worse than having a day off on tour when you were planning on raging!

They’ll be joined to Fife’s newest gnarly instrumental hardcore band God Never Did Anything For Us who will be playing their first ever show. They’ll be joined by another two bands although it’s probably wise to await 100% confirmation before divulging names. Either way, the show will be kicking off at 8pm on Saturday 19th September at Cerberus Bar, Bell Street, Dundee and donations upon entry to support the touring band would be very much appreciated. Please keep your eyes peeled on the MTAT facebook page for futher developments.

Shirt HXCFinally, thank you so much to everyone who picked up merch and records during our Summer Vinyl Sale, the support is very much appreciated. We have limited numbers of these cracking MTAT HXC shirts left in a variety of sizes in both black and white, so please head over to our merch page and grab one if you’re keen. We also still have a handful of tote bags left. Thanks so much to our pals BW/WB for hooking this up and we wish them the very best of luck in their future endeavours.

See ye in the pit, punx!

Review; Bangers – “Bird” LP (Specialist Subject)

Artwork

“Bird” is the third “proper” LP from Cornwall punks Bangers and is quite possibly their finest piece of work to date. Bangers have long been one of the most interesting bands in the country, eschewing trends and “coolness” in favour of being true to themselves and their inherent oddities as a punk rock band from one of the rural outbacks of the UK. In coming from the north-east of Scotland, I feel kinship there and it’s this refusal to engage with current trends and notions of “cool” that makes Bangers one of the most irresistible and joyous bands in UK punk.

The first thing that is clear as soon as opener “No!” blasts through the headphones is that the band’s first time in a “proper” recording studio has done nothing to temper their boisterousness and sense of fun. Instead, where some bands feel panicked in a “professional” environment, Bangers have turned this new-found luxury to their advantage and have created a record that is equal parts “pro” and unequivocally “punk”. While not recorded in a shed, the studio environment serves to enhance everything that we already love about the band; the hooks, the stories, the sing-a-longs; amplifying the size and further developing their sonic subtleties, of which there are many on this record.  Thankfully, the studio doesn’t wash Bangers clean of their grime.

“I Don’t Feel Like I’ll Ever Be Clean Again” is the first “single” taken from the record and it’s an impeccable slice of pop-punk that’s easy to picture on heavy rotation on MTV2 back in the day, like Sum 41 playing a Weezer cover. There’s a knowing sense of fun in the stomp and the chorus is glorious, made even better by the fact the song is literally about getting covered in shit. It’s classic songwriting married to irresistible hooks that will stick for days. I dare you not to sing along. The ever-present mischievousness remains, especially in the playfulness and lyricism of Roo’s surrealist storytelling, as evidenced in the likes of “Mannequin” and  “The Trousers of Time”. Even when exploring themes of worthlessness and emotional detachment, the sound is one of joyfully defiant.

“Oh, I feel like someone else’s satellite”.

There’s always been a part of Bangers that reminds me of the genius of Thin Lizzy; the subtle intricacies of Roo’s guitar lines, the knack for knocking out poetic sing-a-long classics with seeming ease, that driving bass sound, the sense of serious play; that classic rock influence shines through even more throughout this record. Hamish and Andrew are one of the tightest rhythm sections in UK punk, you don’t get to be eight years in and not be, but they bringing an elasticity that allows space for Roo’s creative guitar work to add depth and texture throughout the record. There’s a lot going on in the songs beyond simple melodic three-chord punk jams.

That’s not to say that the boys can’t get down and dirty (literally), they’ll never escape their grubby skate punk and hardcore roots, but there’s a sense of assured confidence in the band’s abilities. Bangers have never been a band afraid to take risks, as evidenced by the brilliant yet audacious “Mysterious Ways” project that was written, recorded and available to buy for only 48 hours. That’s not to say that this record is a radical sonic shift but takes all the best parts of Bangers, amplifies and refines then blends them together to create a delicious wholly satisfying whole; there is cohesion in sound and narrative; “everything will fall into place”.

Thematically, Bangers seem to be dealing with some shit, both literally and figuratively, with the the refrain of “I’m so tired of being someone else” from “Stressful Festival” speaking volumes; showing a band that are comfortable with their own identity as a unit but still wrestling individually and collectively with a sense of “self” and “place”. There is desperation, acceptance and hope amongst the metaphysical grappling and self-loathing.  There aren’t many bands that could write a song about a Russian American biochemist/author and turn it into a demented almost Devo-esque robotic punk stomper, as evidenced on “Asimov”. There is also a healthy slice of piss-taking, as “Vibrate” indicates with it’s cry of “I’mma break like a atom”. Science rarely possesses such swag.

Overall, this is Bangers’ most complete and assured body of work to date. “Bird” marries classic Bangers punk (scuzzy, gobby, brilliant) with the ever-present classic rock influence; the sound of a band unburdened by expectations allowing themselves to be themselves. Ironically, amidst identity struggles and trying to find their place in the world, Bangers seem to have found what it is they’ve been looking for and used it to create a record that is everything a fan could want from the band; thoughtful, driving, powerful, thought-provoking intelligent punk rock across the board. It’s also undoubtedly one of the best punk rock records of the year.

“It’s getting better, so much better than it was”.

Stream the record at Punknews.org here.

Buy the record from Specialist Subject Records here.

Bangers kick off their UK tour on Friday 8th August and play Glasgow on Wednesday 12th August with The Kimberly Steaks and Lost Limbs at Nice’n’Sleazy.

 

Incoming; June Visitors!

Firstly, thanks to everyone who has been in touch this month, bought records from us and that came out to our only show of May with our friends Sweet Empire, Irish Handcuffs, Terrafraid and Shatterhand. Things pick up a notch with the arrival of summertime and things get pretty busy between now and Book Yer Ane Fest IX at the end of November. We’ll be announcing the first batch of bands and releasing a limited number of Earlybird Weekend Tickets for £20 on Monday 15th June, so keep your eyes peeled for that.

Lastly on the shill front, we still have some MTAT Half Season Tickets available for £50 which gives you entry to ALL SHOWS and ALL DIGITAL RELEASES this year. Bargain of the year. Grab one now before they disappear.

Before all of that though, we have some incredible shows coming up in June;

the scandals final2

The Scandals are a four piece punk band from New Jersey in the finest tradition of their home state, combining gritty street punk with street-wise rock’n’roll poetry, coming over like The Bouncing Souls/Lifetime getting down and dirty with Ted Leo and Bruce Springsteen. These dudes are a blue-collar band that live in the van and on the road, with lead vocalist Jared often taking to the road acoustically during band downtime. The band formed in 2004 and they’ve spent most of that time on the road, developing the kind of intrinsic tightness that only a life lived in close quarters can bring.

It’s testament to their character that they’re coming to play the only Scottish headline show of their European tour on an off-night from their UK dates with The Gaslight Anthem, and are driving from Peterborough en route to Belfast in order to do so. Our man on the scene Billy Liar has assured us that The Scandals absolutely killed it at the Rotterdam Riot last week and I’m very excited that the band will be playing their first ever Scottish show in Dundee this coming Saturday.

They’ll be joined by a premier league supporting cast of locals too. Maxwell’s Dead are celebrating their eleventh (11!) year as a band and will be on suitably riotous form when they hit the stage for their first Dundee show in a while, alongside Robot Doctors who will be marking almost one year to the day since the launch of their “Time Will Tell” album (which ye can get for free download right now). Opening the show will be Fife Young Team street/dubpunx Salem Street who bring their wise-beyond-their-years reggae/punk jamz to Buskers from fresh blowing Nice’N’Sleazy Festival away.

This should be an absolute banger of a sweaty Saturday night rock’n’roll show. E-Tickets are available for a fiver and it’ll be six quid on the doors, which open at half 7. Please get down early to cut loose for all the bands!

Gab De La Vega

The following Friday (June 12th) sees us return to Cerberus Bar for the first time since hosting Wank For Peace back in April and we’re delighted to welcoming Italian straight-edge vegan punker Gab De La Vega for his first visit to Dundee. Gab is a veteran of the European DIY scene, the founder of Epidemic Records and full-time punk rock activist and educator. In recent times, Gab has stepped away from fronting his long-time hardcore band The Smashrooms to take up arms with an acoustic guitar, taking a rootsy Chuck Ragan/Tim Barry-esque stripped down approach and uniting it with his uniquely poetic punk rock philosophy.

Gab will be joined in Dundee by the wonderful Paper Rifles, who continues to grow as an engaging and powerful performer with every show, seldom-seen Dundee emo-punks Lachance who will be playing a super-rare acoustic show, and by Tragical History Tour. THT will also be joining Gab at the preceding Scottish shows in Glasgow and Edinburgh on June 10th/11th respectively.

This show is entry by donations on the door please with the first act (THT) kicking off at around 8pm.

Fur Coats front_1000

Friday June 12th is also NEW RELEASE DAY!!!

We are mad stoked to be involved in the release of the brand new “Short-Brain” 7″ EP from Chicago pop-punks The Fur Coats in collaboration with two of the coolest punk rock labels around in the shape of Drunken Sailor Records (UK) and Rad Girlfriend Records (USA). The record comes on beautiful translucent green vinyl with awesome full colour artwork from the wonderful WOLF MASK as well as lyric sheet, digital download code and free MTAT stickers!

The record is currently streaming exclusively and in full at New Noise Magazine. Check it out here!

ajj2

Rounding out our hat-trick of bad ass shows this month is one that we’ve been waiting for for quite some time. We are absolutely overjoyed to finally be bringing the wonderful Andrew Jackson Jihad to Dundee. Sean Bonnette has long been one of our collective favourite songwriters and they are personally a band that I have long admired. I had the pleasure of playing with AJJ during one of their first UK tours a good few years ago (playing the 13th Note in Glasgow) and it’s been incredible to watch them grow into one of the most essential bands in punk rock.

It’s extremely heartening to see a band grow organically whilst retaining everything that made you fall in love with them in the first place, only even more so. They’re one of the biggest punk rock bands in the world right now and it’s our absolute pleasure to be hosting them in Dundee for the first time. This one kinda feels like a home team win!

AJJ are joined on this UK tour by Hard Girls from San Francisco. Signed to Asian Man Records, Hard Girls are a kick-ass indie/punk three-piece in their own right as well as comprising the backing band from Operation Ivy’s Jesse Michaels in the seminal Classics Of Love. One of the most accomplished bands around, Hard Girls provide perfect foil to AJJ and their coming together should make for one of the most exciting tours of the year.

Furthering the Asian Man connection, The Murderburgers will also provide support at what will be their first Dundee show since the annual Book Yer Ane Fest rammy. Opening the show will be the mesmerising Terrafraid who will be playing tracks from their new record “Suadade” as well as prime cuts from last year’s classic “Despondent”.

There are still a limited amount of e-tickets available for £8 here. Please note that no physical tickets will be sent out and that your name will be added to the WILL CALL list at the door of the venue. All ye need to is give your name at the door of the gig and your name will be scored off the list and your hand will be stamped.

If you would like a physical ticket, please grab one in person or over the phone from Groucho’s Records in Dundee. Tickets are £8 also but will be subject to booking fee. Alternatively, physical tickets can be bought directly from us in person at any forthcoming show so just come grab one at the distro table.

It’ll be a tenner on doors so we’d encourage ye to grab an e-ticket if ye want to save a couple of quid for drinks. Of note, all shows at Buskers are 14+ so do please bring ID if you intend to purchase alcohol. Anyone found purchasing alcohol for those under 18 will be kicked out of the venue, so please don’t do that!

Finally, please note that TINS FOR TUNES will be in operation in support of Dundee Foodbank at all shows!

Should be a great month. We’d be stoked if you’d come join us!

European Tour Report (April 2015)

The Get It Together / Tragical History Tour “Rebuild, Recover” UK/EU Tour kicked off for me on Wednesday 1st April when Craig came to Dundee to pick me, my guitar and the MTAT distro up. We took the short ride in our hired banger of a van (who was a workhorse despite appearances) to Redd in Dundee, where my friend Dave Hughes was playing a show, to borrow a PA and load it into the back of the van. Years of touring with the likes of Papa Gain and Jonny Domino has taught me that you’re definitely better “looking it at than looking for it” and this tour proved to be no exception. After loading, we headed from Craig’s place in Alloa where we met Graham, played a few games of FIFA (at which I was awful), drank some tea then fell asleep to the hypnotic sounds of water flowing through the fishtank. Awaking around 6am with a desperate need to pee, we left to gather Mark and Fraser before hitting the road for our first stop in London; All Ages Records.

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Once we’d dropped off some MTAT releases (grab your copies of the Franz Nicolay 7″, Get It Together 7″, Kaddish LP and Bonehouse LP now) and collectively spent a shitload of cash on records (I finally found a copy of “Everything Sucks”, on tangerine vinyl no less), we headed up to The Unicorn where we met up with our pals in Mug and met the dudes in Waco and Demon Smiles, with whom we’d spend the next two shows. The Unicorn is a great little spot where I played last year and the show was fun with a very attentive crowd, especially for a roaster armed with an acoustic guitar. I also met my old uni friend Bundy of Chi Weapon, who I hadn’t seen for a couple of years, and all the bands killed it. Mug are, to my mind, one of the most under-rated punk rock bands in the country and are definitely due some kudos. Thanks also to Mark for hooking us up with the show and looking after us after such an early start and long drive. Once the show was over, we packed and went to my sister’s house that we used as home base for the next couple of nights.

Day two saw us playing in Brighton and we headed south after taking our time getting ready. We went for a walk throughout the city and paid the obligatory visit to Punker Bunker, where we dropped off some more MTAT releases and spent some more cash on records. Buz is one of the good dudes of UK punk and I can’t back PB enough; a quality little store. We then had our first burrito of tour and I have to say that I was left disappointed. While it certainly filled a hole, it lacked kick even with hot sauce. Bummer. The show was upstairs in an old boozer called The Quadrant and was quality. The room was tiny and quickly filled up with bodies. The assembled crowd were super respectful while I was playing and it was one of the more emotionally intense shows of the tour. It felt like we were connecting on a very cerebral level with punk rock the great unifier.

A local band called Barriers were up next playing on their third show and they showed great promise with their thoughtful metallic-edged hardcore before hometown troops Demon Smiles took to the floor. I enjoyed their set far more than I had the previous evening and they were very emotionally engaging as well as being in possession of some fizzy pop punk bangers that reminded me of Tilt. Good shit indeed. We spent a little time repositioning gear ahead of the Get It Together set, knowing fine well what was about to occur; utter madness. From the moment the band kicked in, the crowd kicked off and it was chaos throughout the entirety of the set, with circle pits, slam dancing and a fucking wall of death when the band were hollered back for an encore. Utter bedlam in the best possible way.

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We loaded out down the tiny stairwell and packed the van, experiencing the only potential beef of tour when some roaster decided it was a good idea to repeatedly try and hit the bass drum as I was carrying it towards the van. I told said roaster in no uncertain terms that such actions were unacceptable, to which he replied “I do what I want”. Being the zen motherfucker that I am, the bass drum didn’t end wrapped upside his head but in the back of the van, despite the strong temptation. We headed back to London to crash out at Lisette’s for a few hours before getting our shit together and heading for the Channel Tunnel first thing in the morning.

The morning started in the usual haze of coffee and sleepyheads. Before we knew it we were driving onto the train and through the tunnel then driving through France. I slept all the way through Belgium, waking only to smoke at the service station where we shared knowing nods with another touring party of punk rock roasters. We reached Beverwijk, Netherlands in the early evening and went for a cup of coffee before loading into the venue and meeting our hosts in Sweet Empire. It was great to catch up with those dudes again and they absolutely nailed it with their set. They seemed to be having a lot of fun at their hometown show and played a quality cover of “Paranoid” by Black Sabbath. Sweet Empire are themselves back in Dundee on Monday 18th May with German punks Irish Handcuffs plus Shatterhand and Terrafraid at what should be a peach at Redd Suite. Thanks so much to Jort for sorting us out with the show and to Rowald for accommodating and providing us with a wonderful breakfast. Also, I don’t often get vinyl envy but I did on this occasion. Rowald has a wonderfully extensive collection of quality records and we all had a pretty good time flicking through them and being jealous!

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3am in Beverwijk, Netherlands.

The next show was in Heerlen, Netherlands and we’d been told that was this Dutch bat country, so we were all pretty excited to check it out. I’ve always loved playing shows in smaller towns that perhaps don’t have the chance to host too many punk rock shows and we were all pumped when we rocked up to Cafe Bluff. The venue was pretty much perfect for a punk rock show and after loading in and setting shit up, went spent some time talking to venue owner Andre and the dudes in Superhero Status who we were sharing the bill with. We met some crazy locals too who we seemed to connect with, especially after we played, and we had a great time talking and hanging out with everyone. At the end of my set, Mattias of Superhero Status came up to me full of compliments, declaring that I’d “blown my (his) fucking mind, man” and that Get It Together played “the true hardcore”. Cannae argue wi that!

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A warehouse on fire somewhere between Heerlen and Nijmegen.

We’d met up with my good friend Graham who lives in Njimegen and he had an empty flat for a couple of days so we headed south and spent the night there before heading up to Amsterdam the next day. This show was one that we were scrambling for before we left for tour and information was pretty scant going in, but there was an address and a gig poster so we figured that we’d deal with whatever came our way. We parked up the van and went for a wander through the city as it was the first time for a couple members of our touring party but, given our lack of proclivities in such directions, the Red Light District held very little interest and we spent our time just having a walk around the heart of the city. We took the ferry back to the other side and made our way back towards the venue, which was a car garage that doubled as a squat.

We met our host Goiz, a Zapatista from Mexico who had been living in the squat for the last year. He explained to us that they were facing eviction and harassment from the police, all the while apologising for the lack of people at the show, for which we assured him that there was no need. He was a sound guy and pretty much the only person that spoke to us while we were there, with many of the rest of the folk present absolutely burst oot their nuts. Fair play to them likes. There was no electricity in the venue so the gig was run off a generator at half-power so we set up the PA (better looking at it than for it!) plus backline and waited until showtime to fire things up. Fraser and I killed some time outside by filming some acoustic songs in the back of the van. Ye can check out “What Would Vinnie Mac Do?” below;

We also met the dudes from Black Volvo and it soon became apparent that the other two bands on the bill weren’t showing up and with them, the crowd of people who’d planned on coming with them. As such, I took to the floor and blasted through a quick set before Get It Together proceeded to blow out the power of the generator with their first note. We managed to kickstart the genny, which then blew out another couple of times before managing to maintain life for both the GIT and Black Volvo sets. Mark got screamed at by a feral punk for playfully blowing out a candle and I thought for a moment that he may get his eyeballs clawed out. Once the show was wrapped, Graham pointed out some unsavoury ongoings, at which point we packed the van and took our leave. It wasn’t quite The Warzone but it wasn’t a kick in the arse off it!

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We headed back to Njimegen for a quick sleep at Graham’s before heading south to Freiburg, Germany and one of Europe’s oldest and most well-renowned punk squats in the form of KTS, an amazing space with living quarters, kitchens, artist studios, accommodations and a fully spec’d up performance space. We met my friend Laurin from the band Casually Dressed and were introduced to the wonders of Club Mate, a German caffeinated malt drink that was pitched to me as the equivalent of Irn Bru. I’m a no-sell on that idea but the stuff itself was magnificent and I must’ve drank at least a dozen bottles of it by the end of the tour. We also met the dudes from Daylight, a pop punk band from Barcelona who were charming and super keen. Mark talked to them about Catalonian independence (a cause that we all support) and football. We didn’t get a chance to go outside and have a kick about though, which was a bit of a bummer. They were really eager beavers but musically weren’t really my cup of tea but they were super-tight and full of saccharine sweet harmonies, although there was a little too much sugar washing down the medicine for my taste buds I’m afraid. I’d imagine the kids today would lap it up *ho hum, old punk grumble*

I really can’t say enough about how amazing I found KTS as a place and the warmth of the people who come together to make such places work. It was truly a privilege to play there and to be their guests for the evening, so thank you so much to Laurin and everyone involved for welcoming us so warmly. After the previous gnarly evening in Amsterdam, it was great to feel re-connected with like-minded individuals and morale in the camp was certainly lifted after some great food and a great show. The dudes in Daylight were also great for a banter too and seemed to appreciate our slightly off-kilter sense of humour; “sounds great, songwriting could be doing with a wee bit work though”.

KTS, Freiburg, Germany

KTS, Freiburg, Germany

We were up early the next day for a cross country drive to Leipzig so after a quick Club Mate and check-up that things had gone well at home with the Joe McMahon/Billy Liar/Broken Stories/Gone Wishing show the night before (I’m assured it went well even though I’m gutted to have missed it), we were all back in the van. We made good time, something that was a theme of the tour so kudos to all involved, so had some time to relax and gather our thoughts before loading into Kulturecafe Manfred. Leipzig is a very interesting place and the venue was in an autonomous zone in the city where all of the buildings are owned by the occupying anarchists. Sindy and everyone at the venue couldn’t have done more to make us feel welcome and invited us to join the community at the weekly supper club before we loaded in for the show. The street is full of different venues all catering to the various sub-genres and movements within punk rock, every scene active and full of activists.

The show turned out to be one of the rowdiest of the tour. Mark ended up getting busted open hardway after taking a beer bottle to the nose in the pit and concluded the set by hanging upside down from the rafters. The only slight bummer of the night was when I noticed an old crust punk helping himself to a couple of CDs from the distro table while I was performing, but we dealt with that in a quiet manner rather than making a public fuss about things. There is no call to steal from us. If you are so strapped for cash that you feel you need to steal music, I’d implore you to talk to us and there’s every likelihood that we’d just give you the CDs that you’re looking for. However, one bad apple need not spoil the harvest and I’d like to extend a personal thanks to everyone for the warmth of their welcome and for enjoying the show to the fullest. It’s nights like that that can remind us of just how vital and invigorating punk rock can truly be.

After making use of the showering facilities, having another great breakfast and talking punk, pop and politics, we piled back into the van and made our way towards the Czech border. We were all very excited to the heading towards Prague and were awestruck as we found ourselves winding our way through the narrow streets of this beautiful city. We parked up outside of what I thought was a pretty suspicious looking hotel and had to load the gear up a steep and winding cobbled street and down a tiny stairwell into the basement of the venue, a small punk rock pub called Sběrné Suroviny. Like in Leipzig, we were the only two acts on the bill so we both played slightly longer sets than we usually would and, in what would prove to be somewhat the trend, I found the people to be much more open, receptive and communicative once we had performed. As I’ve said before, punk rock can be a great unifier and it was heartening to see this being repeated night after night. There’s a power in the music, something in the ideas and delivery that transcends the limitations of language; the fractured English of the Czech punks being far better than my non-existent Czech skills, that brings indescribable joy. The Bohemians FC firm seemed into the Scottish hardcore anyways. It was great also to see my friend Ben, also of the aforementioned Chi Weapon, who these days lives and plies his trade in Prague. It seems that the cowpunk connections extend to all reaches of the continent.

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Making friends with Bohemians FC fans

After the show, we made our way to the home of our hosts Arnie and Jonas, a squatted house on the hills overlooking the city of Prague just below the near-derelict former Czechoslovakian national stadium. Jonas has lived in that house for over twenty years and for the brief hours that we were there, it seemed like one of the greatest places on earth. After some tea, we bedded down for the night before waking up early to go and see the sights in one of the most beautiful and amazing cities on earth. Arnie and Jonas were absolutely exquisite hosts, giving us a guided tour of the city and sharing stories about punk, anti-fascism and football whilst walking in glorious sunshine. I’m always so grateful to be able to spend some time in the places that I play and I’m sure I can speak for all of us when I say that we had an amazing time in Prague. Thank you especially to Arnie, Jonas and Anita for sorting us out with the show and making us feel so at home. Once we said our farewells to Arnie, Jonas and Boogie the dog, it was back out on the road and into Germany, where we were immediately pulled over and questioned by the German Border Patrol. Thankfully, they were fairly sound individuals and seemed frankly unimpressed when they questioned our rock’n’roll credentials for having no cocaine or marijuana in our possession. Punk’d by the polis, seick!

Roasters in Prague

Roasters in Prague

Next stop was Dresden and it was great to finally meet Gruni in person. Gruni is a punk that I met online a couple of years ago after we got talking about Uniforms. We were booked to play in Dresden on our tour that didn’t happen last year so it was great to finally meet and we seemed to get along straight away. Gruni fed us and took care of all our human needs before introducing us to our sleeping space for the evening upstairs in the squat. Luther 33 is quality spot on three levels, with the venue/bar in the basement, apartment upstairs and guest accommodation above that. As was the case in many of the squats that we visited, they exist under constant threat of eviction and harassment from the authorities, but the guys in Dresden definitely have their wits about them. Many of the punks in attendance at the show also shared a distinctly dry wit with the show being one of the most “banterful” of tour, with a great deal of back and forth between performing roasters and audience. I had some kind of strange out-of-consciousness moment during my set when I doubled-over laughing at the very thought of what was going on; I was ringleader in a room full of Germans singing along to “Smoke Weed Every Day” at the top of their lungs in an anarchist space in Dresden; in that moment it struck me as the most surreal yet beautiful thing on earth.

Once again, we arose early and left Gruni asleep as we tidied up after ourselves and left him some records as a token of our appreciation before heading to Berlin. I’ve been looking forward to playing in Berlin from almost as long as I can remember and felt like a little kid when we pulled up into the city and parked outside the Ramones Museum. We went inside and met Flo and his staff, gazing round the place in awe. This was another show about which we had scant details but had been set up by my friend Freddy Fudd Pucker, who is currently on tour in the southern hemisphere. We arranged a plan with Flo and it was set that I’d play at 8pm in the evening and that we were welcome to leave the van parked where it was. Absolutely perfect. We then spent the afternoon visiting some of the historic sites around Berlin and took in the panoramic Berlin Wall exhibition before talking a walk up to the wall itself, then walking down to the Brandenburg Gate. We then went for some amazing Mexican food (German burrito 1, English burrito 0) before heading back to the Ramones Museum. We were joined by our friend and Berlin resident Craig Dickson of Taking Chase/Elk Gang as well as drummer Graham’s brother and fiance, so we had a nice little crew assembled for the show. For me, it was an absolute joy and a very deep honour to play in such a prestigious place that has been visited and performed in by a great many artists I admire. To be asked to sign my name on the wall alongside some of the names that are there is humbling and something for which I am eternally thankful.

Ramones Museum, Berlin

Ramones Museum, Berlin

Post-show, we jumped in the van and headed for the East Side Gallery, a part of the Berlin Wall that remains standing and has been preserved as an art gallery. To be at the wall in the dark of night across the street from a massive O2 arena was slightly surreal and the darkness cast an ominous shadow over “The Death Strip” between the two parts of the wall, where trespassers or those trying to cross would be shot on sight. To be standing there for the first time, at night, with all the sounds of a metropolis around me set my heart racing. It was equal parts awe-inspiring, humbling, sickening, eye-opening and heartbreaking all at once, a feeling that I don’t think I’ve fully experienced since visiting Auschwitz many moons ago. To spend time considering the savagery of our species over the past century and, indeed, every century that preceded is a necessary exercise in humility.

East Side Gallery

East Side Gallery

We headed back to Craig’s, had some ginger tea then bedded down for the night as we had another gnarly drive for the last show of tour in Leiden, Netherlands the next day. We thanked Craig for his hospitality, loaded up on breakfast and set the SatNav homeward as everyone settled in for a seven hour drive. We rolled up in Leiden and met Jaap from Black Volvo at the home he shares with his wife and son where we were fed and watered before heading for the show. Black Volvo played with us again and absolutely destroyed it. We’ll be looking forward to having them up in Dundee at some point this year with their manic Dangerfields/Zeke meets Beastie Boys gonzo stomp. That shit is so good and I’d recommend checking out their new LP on Round Dog Records. The show itself was fairly quiet but was a uniquely intimate affair in another functioning squat that is facing closure. The European use of existent resources seems so much smarter than our austerity measures and it seems counterproductive to my mind that the authorities would want to close places that actually benefit the community. Money to be made, I guess!

After the show wrapped, we loaded out for the final time, said our goodbyes to the Black Volvo dudes and headed back to guitarist Roy’s place where we slept for around 5 hours before getting up and straight back into the van to drive through The Netherlands, Belgium and part of France to catch our train from Calais to Folkestone, where Fraser took over the wheel and slammed us back up the road to Stirling in around 8/9 hours. By the time we arrived at the Granada services outside Stirling, we’d covered somewhere in the region of 4000 miles and played 11 shows in 12 days. Papa D was kind enough to agree to come and pick me up so we unloaded the van for the final time, loading all of my and the MTAT shit in the back of Papa D’s motor and had a big group hug.

Get It Together are an incredible band and an incredible crew of dudes who I am proud to call my friends. It truly was a pleasure to share this adventure with you gentlemen, so thank you very much for sticking by your boy. To Mark Bell, Steve Todd, Cat Goodman; Jort, Rowald and the rest of the Sweet Empire dudes; Andre at Bluff, Goiz at Auto Control, Laurin and everyone in Freiburg, Sindy and crew in Leipzig; Arnie, Jonas and Anita in Prague, Gruni in Dresden; Flo and crew at the Ramones Museum and Craig in Berlin and the dudes in Black Volvo, thank you so much for an amazing time.

Cheers!

Cheers!

Tour was incredible and another wonderful experience, so thank you all. Thank you also to Abbie for being my eternally understanding better half and the MTAT crew for keeping things locked down while I was away.

Ye can download the THT “Live in Dundee” EP here.

Check out the Get It Together “Rebuild, Recover” 7″ here too!

Solidaritat Catalana per la Independència!

100th Post – New Release; Tragical History Tour – “Live in Dundee” EP

Today we celebrate the release of the Tragical History Tour “Live in Dundee” EP recorded by Russell Brown of Maxwell’s Dead live at Buskers, Dundee at the Franz Nicolay 7″ launch show with Billy Liar and Broken Stories on Saturday 14th March 2015. The EP is available for free/pay-what-you-want download with all donations being greatly received and going towards the EU Tour fund for the forthcoming jaunt with Get It Together.

This post also marks the 100th post on Write Yer Ane Zine, so what better way to commemorate such an occasion than with some fresh live acoustic cowpunk jamz?

liner notes

Tragical History Tour will be “headlining” a hometown show at Cerberus Bar, Dundee this coming Thursday night at the last MTAT show of the month alongside an hat-trick of Edinburgh singer/songwriters in the form of Paper Rifles (Jon of Curators fame), Benny Monteux and James Johnson (ex Shields Up, current Elk Gang). The show kicks off around 7.30pm and entry is by donations please.

tht march

The Get It Togther and THT UK/EU Tour then kicks off next Thursday in London. We are still looking to fill one final date on Thursday 9th April somewhere between Leipzig and Dresden. We are willing to play anywhere within reasonable (6/7 hours maybe?) drive of both of these cities and are just looking for some place to play as days off on  tour suck. If anyone out is keen to help us out at all and/or can point us in the right direction, please do give us a shout and email makethatatakerecords@gmail.com

Thus far our schedule is looking as such;

Thursday 2nd April; The Unicorn, Camden, ENG
Friday 3rd April; Quadrant, Brighton, ENG
Saturday 4th April; Cafe Asgard, Beverwijk, NL
Sunday 5th; Cafe Bluff, Heerlen, NL
Monday 6th; Auto Control. Amsterdam, NL
Tuesday 7th; KTS, Freiburg, GER
Wednesday 8th; Kulturcafé Manfred, Leipzig, GER
Thursday 9th; ***Free To Book***
Friday 10th; Luther 33, Dresden, GER
Saturday 11th; Ramones Museum, Berlin, GER (afternoon)
Saturday 11th; Venue TBC, Berlin, GER (evening)
Sunday 12th; Sub071 Leiden, NL

Get It Together continue to support their incredible “Rebuild, Recover” 7″ EP and I very much look forward to slamming down with these boys every single night across tour. I’ll be the hype man jumping into the pit and getting y’all fired up! As I said previously, any donations for the new THT EP will go straight into the tour fund to keep the show on the road, so please give generously if you can.

THANKING YOU FOR EVERYTHING.