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Tag: transgender

On Dialogue; Bloc and Trans Punks

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I don’t really want to be writing this post but feel I have to. Without retreading well-worn ground, MTAT and myself as an individual are very concerned about the incident, statements and subsequent fall-out pertaining the misgendering of a trans person in relation to bathroom usage at Bloc a couple of weeks ago.

I’ve been reluctant to post anything online in an “official” capacity, although must admit that I did share Chris’s (Bloc venue manager) statement on my FB page. The discussions which followed were illuminating and reinforced my feeling that there must be an open and honest dialogue about things, to use this as an opportunity for learning, less we descend into binary tribalism.

I have been in discussion with friends from the trans community, the PR staff and in-house promoters at Bloc, fellow promoters in the DIY punk scene and many others with a vested emotional interest. I believe that the only way we can move forward in a positive fashion is through dialogue, discourse and showing respect. I have spoken with Bloc and have been assured that there will be a staff training day run by the Scottish Transgender Alliance on September 29th. They are also keen to organise a meeting with the trans punks, promoters and those affected by the situation. I am grateful to all involved for their willingness to discuss the situation.

On a personal level, I’d suggest that we could all benefit from being a little more reflective and mindful of how our behaviour, acts and words can impact others.

In the interest of transparency, this is the email I sent to Bloc (with names removed);

  • I just wanted to get in touch to discuss the issues that have been raised since the unfortunate bathroom incident at Bloc last weekend. I have spoken at length with *in-house promoter* and various friends and allies within the trans community and feel that it would be inappropriate of me not to voice the concerns I’ve been feeling. MTAT have always been allies of the trans community and of Bloc. Not for one second do I believe that Bloc harbours a transphobic ideology, however, I do feel that the statement issued by *Bloc* was somewhat ill-judged, especially given the current social climate. Now, while I absolutely do feel there is merit in some of the ideas expressed within said statement (the idea of the “regressive left”, “the mob”, etc), I don’t believe that this was the time or place to express these ideas. Had the statement ended after the apology and details pertaining how Bloc was going to use the experience to further develop learning, then I don’t think there would have been nearly the fallout there has been. However, the emotive rant which constituted the lion’s share of the statement was unnecessarily divisive and really didn’t contribute positively to an already messy situation. My concerns are not merely passive; MTAT is involved in two upcoming shows at Bloc, the Scottish Indie Sampler launch night next month and the pre-Book Yer Ane Fest show on Thursday 1st December. I feel that we have a responsibility to both the trans community and Bloc to engage with this issue, rather than adopt the ostrich approach. I feel it is always better to engage in discourse so as to create greater understanding and dialogue than it is to fall into the binaries of “us vs them” or “good guys and bad guys”. MTAT has no intention of boycotting Bloc or withdrawing, but I do feel that it would be an abdication of responsibility if we were to leave these issues completely unaddressed. *In-house promoter* assured me that Bloc will be meeting with representatives from the Scottish Transgender Alliance later this month and I’d be very keen to know how that meeting pans out. Being a “big picture thinker”, I think there is a middle way here. I don’t think anyone has come out of this situation well, from “the mob” to Bloc, but we must be mindful of the fact that violence against transgender people, especially in regards to bathroom usage, is a very real life issue and should not be dismissed as simply an error. I just wanted to clue you in to my thinking as it is inevitable that questions will be asked when MTAT appears on the posters for the launch show and I have to act to protect the best interests of MTAT, just as Bloc do. As such, I shall be writing a statement outlining our position that echoes what I’ve said here.I believe that with open minds and hearts we can all engage in progressive discourse and use this as a learning experience for the betterment of all. Apologies for the long, somewhat rambling email, but I thought it prudent to clue you in on my thought process, so not to come flying out of left-field and add fuel to an already burning inferno of online noise.

    Thanks a lot, Derrick Johnston (MTAT)

As it stands, this is all a fluid situation, for which providing a running commentary has little benefit. However, I feel as though my hand has been forced as the launch night for the Scottish Indie Sampler has been announced and that is something that we are part of. I have been in contact with those involved and the announcement was made without my prior knowledge, despite my reservations. As such, I feel it important that I post something pro-actively, as opposed to adding to the dissonance of emotionally reactive “management”. Once a final decision has been made, we shall update our position.

Hopefully, through reasoned discourse, we can create a little more unity.

 

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End of Year List; Favourite Records of 2014

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End of Year Lists are becoming customary it would appear. People appear to compile their lists for many different reasons and while it may just be a piss into cyberspace, I have put together a completely non-scientific list of favourite records from 2014 taken from what I know everyone in the MTAT crew’s favourite records of the year to be. To say that “x record is better than y record” is to engage in endless nonsense, so there are no rankings or such in this list, just a whole bunch of top quality records that we’d recommend checking out. Huge thanks to everyone who continues to support DIY and underground punk rock worldwide!

Bear Trade – “Blood and Sand” (Everything Sucks / Dead Broke Rekerds)

Our favourite northern punks delivered a stone cold classic of modern UK punk rock that ranks up amongst the finest punk records that have ever come from these shores. While there is undoubtedly a big Leatherface influence there, I think it comes more from the geographic and lyrical similarities rather than any overt aping of said band, combined with a heavy dose of melodic witty cynicism as displayed by the likes of Mega City Four, Brocolli and their ilk. Most importantly though, there are songs. Bangers by the fucking bucketload. If “Dead Leg” doesn’t get stuck in your head like a terrace anthem then you have no heart and no soul. Their headline performance at BYAF VIII was just the icing on the cake for me!

The Kimberly Steaks“To Live and Die in West Central Scotland” (MTAT / All In Vinyl)

Quite simply one of the finest Scottish punk rock records of modern times. Grieg Steaks is an exceptional songwriter who manages to wrap modern day punk rock poetry around 90 second pop-punk bangers that are deceptively complex whilst narrating tales of the grim realities of live on the bleak west coast of Scotland. It’s easy to make comparisons to early Green Day, Crimpshrine and the Lookout Records cast, but there’s a depth, wit and distinct Scottishness that sets the Steaks apart from their pop punk peers, in my book at least. We were ecstatic to play a part in the release of the album on CD and the record came out on All In Vinyl with artwork from WOLF MASK. Essential listening!

Terrafraid – “Despondent” (self-released)

One of the finest and most fully realised adventures in romantic pop-art/math-rock/emo-punk to ever emerge from Dundee. In the words of Barry “The” Kydd; I predicted it would happen one day, the coveted number one slot goes to a record born, raised and recorded right here in Dundee. As with every year I need to go with the record that affected me the most during these last 12 months. It’s Despondent by miles and miles and miles. Again, I wrote every thought I have about this in a review right here.

Kaddish – “Thick Letters To Friends” (MTAT, Black Lake, Boslevan, The Ghost Is Clear)

I’d apologise for the bias if this record wasn’t so fucking incredible but I won’t as it is absolutely no secret that Kaddish are one of my favourite bands. “Thick Letters To Friends” took some time to come into existence (having been recorded back in 2012) and its release was a worldwide collaborative effort between the bands and the labels but, by fuck, was it worth it. Coming on 180g heavyweight vinyl, this record is one of the finest hardcore records that I’ve ever heard; full-on throat-scorching yet strangely accessible dischordant emo-core that is arguably one of the defining documents in the Book of Ecossemo. Quite simply stunning. There aren’t many copies left to be had so get one before they disappear.

Against Me! – “Transgender Dysphoria Blues” (Total Treble / Xtra Mile)

One of the most important punk records of the century thus far, Transgender Dysphoria Blues is another fascinating chapter in the story and evolution of Against Me! as a band and of Laura Jane Grace as an individual. As probably the most righteous “fuck you” record of the year, this album is an all out binge and purge chronicling LJC’s transition, shedding light and giving voice to those under-represented and address these issues with trademark candour. I dare say this is a life-changing record for many and the sheer balls of the record has to be admired. A watermark moment in punk history and an absolutely exhilarating piece of work. Rarely, if ever, have I seen a band so stoked as I did Against Me! at The Garage back in November.

Stay Clean Jolene – S/T (Drunken Sailor / Dead Broke)

Though only released at the start of December, Stay Clean Jolene march instantly onto the “Best of…” lists by unleashing an instant punk rock classic. With premium punk rock pedigree featuring members of The Great St. Louis and The Leif Ericsson, SCJ bring together the finest ingredients of UK punk rock and mix with a veteran’s seasoning and experience, the likes of which can’t be faked. Instantly hooky, accessible, melodic and memorable whilst being full of shred, harmonies and more than a hint of darkness, this LP blows the pretenders away. Remember where you saw them first too!

The Hotelier – “Home, Like Noplace Is There” (Tiny Engines)

Again, in the words of The Kydd; “Utterly astounding collection of music and lyrics that devastated and inspired me in equal measure. Soundtrack to 10 months of my year and by far my most cathartic musical experience of the year was hearing this played live, in full, surrounded by pals and in the highest of spirits in Florida. What a rush. OOOOOPEN THE CURTAINS……”. Brutal, beautiful, cathartic emo goodness.

The Walking Targets – “Chasing Days” (Round Dog Records)

The first and sadly only full-length album from young Edinburgh emo punks who played their last show at Fest 13 in Gainesville. They released this record back at the start of the year and it saw them pull together their finest work to date, proving once again that they have the chops and wisdom of those far beyond their tender years. In mixing Gainesville gravel with Midwest punk and the influence of the best of Scottish pop-punk, The Walking Targets created a record that owes as much to the likes of The Murderburgers as it does Hot Water Music and Dear Landlord. “Chasing Days” is a fitting epitaph for one of our most beloved bands.

Blacklist Royals – “Die Young With Me” (Krian)

Another record that was a long time in coming, “Die Young With Me” tells the story of the band struggling with and ultimately surviving their fight for life  soundtracked by some of the finest, most heartwarming Hammond-soaked American rock’n’roll that is equal parts nostalgic and anthemic. While their earlier work may have possessed a street-punk swagger, this new record displays a confidence, grace and maturity that can only be found having experienced near-death. Recorded in LA, they’ve come a long way since playing to 30 folk on a bleak Sunday night in Dundee.

The Holy Mess – “Comfort In The Discord” (self-released)

Straight ahead kick-ass gobby melodic punk rock and roll with a crust edge to the pop-punk sheen from Philadelphia three-piece who unleashed their finest work to date. With razorsharp melodies, buzzsaw guitars and an unimpeachable work ethic, The Holy Mess made it to the UK for the first time and made an instant friend in me as I grabbed this record from them on beautiful purple vinyl. Classic punk in a way that is all too rare these days, these dudes are DIY as fuck and are doing their shit the right way. Hopefully have them back over this way in 2015.

Chris Cresswell – “One Week” (One Week Records)

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One Week Records is the brainchild of Joey Cape and it sees individual punks head to Joey’s California home and spend a week recording. Simple concept, stunning execution, especially when the individual involved is Chris Cresswell of The Flatliners, one of the finest songwriters of this generation. Things are stripped back from the usual Flatliners gusto and reveal a depth to songcraft that may have been missed previously. Originals like “Little Bones” are chilling and the cover of “Arrhythmic Palpitations” by Dead To Me is absolutely gorgeous. A wee gem of a record.

Algernon Doll – “Omphalic” (Struggletown)

 

The third full-length from Glasgow-based singer/songwriter Ewan Grant saw Algernon Doll continue to evolve from multi-layered lofi acoustic experimental/soundscape artist in full-blown fuzzed-out hulking punk rock/noisemongers on an explosive LP issued by Struggletown Records. Drenched in reverb and destructive nightmare-like noise, Ewan’s knack for pop melodies shines through and shows a great 90s grunge/indie influence, like a nervous ritalin-fuelled Nirvana tearing strips from the Teenage Fanclub catalogue. Thrilling noise pop mayhem. We’ve got a few copies on green vinyl left here.

Fat Goth – “One Hundred Percent Suave” (self-released)

“One Hundred Percent Suave” is where Dundee noiseniks Fat Goth complete their transformation from spiky agit-punk noisemakers to full-on monolithic stadium-straddling ultra-rock behemoth, oozing tongue-in-cheek machismo with dark, twisted humour and rock riffs to slay a mammoth at ten paces. With Metallica-esque leads, QOTSA/FNM style experimentalism and a gothic pop-nuance, Fat Goth have crafted an album as thrilling as it is confounding. One of the finest pieces of dark art to emerge from Dundee in some time.

The Smith Street Band – “Throw Me In The River” (Poison City Records)

Our Australian pals pull another absolute blinder from the bag. Again, in the words of Barry; “Again, it’s only been out a month or so but fuck me is it good. In my recent stay in hospital I turned to this to get me through a particularly dark and challenging night of hitting rock bottom. Couldn’t have picked a better record to stick on. Utterly life affirming, jaw dropping. Cannot wait to see them again and scream my brains out to these new songs. Close 2nd on the bonniest looking vinyl of the year. Beaut.”

Ahamkara – “From The Embers Of The Stars”

Super-bleak atmospheric melodic black metal mayhem from the grim north of England that sounds like it comes from the very heart of the scorched earth. Multi-layered, complicated, orchestral and euphoric, this is an outstanding piece of work that needs to be listened to through headphones or massive speakers in order to fully appreciate the depth and majesty on display. I can imagine it soundtracking an endless trek through the tundra, cold, without end, unforgiving. Fours tracks in a little under an hour. Truly epic.

Sad and French – S/T (Black Numbers)

Absolute heartbreaker of a record. Barry wrote at length about this LP for punknews.org so I’d recommend ye check that out here. Puts it in a more eloquent manner than I could muster. Safe to say it sounds like late nights/early mornings that I myself am trying to leave behind.

The Fur Coats – “The League of Extraordinary Octopuses” (Drunken Sailor)

Utterly infectious super-bouncy upbeat melodic pop-rock goodness with tongue planted firmly in cheek from the (short) brain of Chicago queer-punk Marc Ruvolo and his band of merry gentlemen. I had the pleasure of spending the weekend in Marc’s company with The Fur Coats Scotland when we spent a weekend playing shows throughout the country in October and I grew to love the record even more after having time to pick Marc’s brains about it. We’re delighted to be working with Drunken Sailor on the forthcoming 7″ that is due to drop next summer. Keep yo eyes peeled!

 Capitol 1212 – “The Return of Rudy Nacho” (Irish Moss)

Absolutely slammin’ dancehall/reggae/dub/hip-hop mash-up madness from Edinburgh on what is a history lesson in the roots of reggae and hip-hop with a punk rock heart on Irish Moss Recordings, coming on like Jurassic 5, Afrika Bambaata and Grandmaster Flash jamming on crust-punk and hxc records from the mind of From The Cradle To The Rave/My Own Religion mastermind Kenny Dargan. Don’t take my word for it, check out the hooks and bass on that fucker!

Vamos – “More Songs About Circles” (Anti-Pop)

Ultra-hooky Beatles/Beach Boys-like melodies wrapped up in Buzzcocks-esque barbed wire fizzy pop-rock mixing wit, humour and sheer tragedy. One of the most complicated bands that I’ve had the pleasure of touring with Vamos are a band who are at their most thrilling when they’re teetering on the edge of chaos. “Hands” is undoubtedly one of the sweetest pop-punk songs ever written and a beautiful example of what these guys are capable of. The record was recorded 100% analogue to 8-track tape in a farm house in Ireland under the guiding hand of Vinny Vamos. Heartwarming and heartbreaking all at once.

Bongripper – “Miserable” (self-released)

Sludge-core/doom at its absolute pinnacle; this is over one hour of claustrophobic, suffocating doom/metal/punk misery that is as thick as it is rage-inducing. Pure hatred and misanthropy in drop B, this is some caustic, hypnotic, mesmeric shit that thumbs its nose at such silly conventions as “song” and “melody”. While there may be hardcore records of far greater depth, this is one the one doom record this year that made me want to self-immolate. Absolutely vengeful stuff, the kind of revenge you wouldn’t wish on your worst enemy.

So there ye go, there’s 20 records that we would recommend checking out from 2014. Let us know what ye think or if there’s anything screamingly obvious that we may have missed!

Cheers!