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Words about DIY punk; records, shows, interviews, whatever.

Tag: words

A Poem; “An Experience of Nausea”

OG photo taken in Belfast, 2017(?)


The shattered self

and an ill sense of being.

Light a faint cold purple,

accepting of penance and repentance.


Spooked by the death of god

and developing understanding

of a thousand others,

living inside of all of us

every day,

at all times.


Fall into warm familiar darkness,

cosmic sadness.

Oscillator; contentment or resentment?


Utter disgust.

Sheer hell, a construction.




The slow unravelling.


Adequately translate

thought to mouth,

words and tangible,

reality-based action.


Damn the deconstructionists,

who enabled eugenicist mind control.

Clowns weaponising meaninglessness, ignorance.

Fuck poetics.

Constant nails down the blackboard,

third eye squeegee time.


A Poem; “Pineapple Heed“

Apocalypse in satire

A parody of leadership

Kicking holes in fake hate,

you counterfeits.

Towing the line,

doing yer lines,

standing around in a race against time.

Leading the race in testosterone bro rage,

cannae get a date with people yer own age.

You won’t have a hope when the sirens go off.

It doesn’t really matter who gets the last laugh


Mercedes Benz and gold-rimmed glasses

drawing red lines over social classes.

Fuelling the hate and rage of the masses,

you fucking poisonous inbred racists.

Paving the way for more to discriminate,

“they’ve got a lot to say”

Got a fucking lot to say now, yeah?

I’ll be taking these motherfuckers out all day.


but in line you’ll stay.

We’ve got some broken politricks.


Taking bribes in poisoned gold,

a ticking bomb about to explode.

It’s doesn’t matter about yer shitty weekend,

these pineapple heeds will ensure we all end.

But that doesn’t matter to corporate,

the cops

the bigots who make the law.

They’ll never ken the power o’ just chewing yer jaw.

Break the camel’s back

and draw yer last straws.

We’ll never see the world again

the way we do right now.


a legacy of conquest.

ethnic cleansing before the words “genocide” or “crimes against humanity” existed

the Socratic oath

entry into this realm and the comedown from the ecstasy of pre-human form

the gift and the curse of both

crimes of empire, the royal british legion, standard-bearing, cub scouts

repressed assault; bullies now polis

a stolen football shirt, heroin, double-murder

chords to an old song, four bank accounts.

Duncan’s island descent in strange tongue

flag bastards screaming “progress” as the demons climb the rungs

the rapist. the metal bands. the clowns.

the blackened lungs. the hatred. the loathing. knowledge of how to

“safely use guns”.

high school biology.

that parents lie to their children

the inbreeding of fascist parasites

masquerading as the divine right of

kings. Brasso for brass, silver for blades.

how much I love purp’s face and smile

that a single bite can save a life

a boat trip back from an island to

it’s aggressive hostile neighbour and

a video of a toddler eating humous.

Price Edward Island. Geneva. Venice.

a lack of positive male role models.

the fuckin’ moonboot from Amebix

genius is merely insight, the separation of

art and artist.

church and state.

the impermanent impermanence of

all things for eternity experienced

through a youthfully underdeveloped

palette and how old cunts can

be thanked for brutal lessons.

tough love.

that the fiend club is home tomorrow

that home is where they let you in.

the existential misery of being

a lifelong dundee united supporter.

Love is real.



Plague Diaries; One

“You should keep a journal, they’ll teach this in school a hundred years from now”.

My sister is one of the most measured, prodigious and driven human beings I’ve ever known. She is very good at being an adult and a functional human being and, given that I’m the younger of the siblings, the first yardstick by which I measure myself. I’ve always felt somewhat lagging, but reassured myself in characteristically self-delusional fashion that I was the creative one. Utter bullshit, obviously, but that’s for another time. History is written by the victors.

There’s a cacophony of noise despite dead streets. I’ve barely written a word of prose since the Brexit referendum but it feels like I’ve never stopped trying to carry the message, in the parlance of recovery. It’s a pity discourse has descended into screeching at a wall in mini-sociology essays on fuckin’ facebook; a practice I detest in others and loathe more deeply in myself, yet onwards we go; riffing on addiction, capitalist alienation and attendant demoralisation, without the hope of hope; the primary cause of death by suicide.

Now may not be the time for punk rock shows, but it’s definitely time for the lessons that punk rock has taught us. In times of chaos and confusion, clarity is key or, as Mick would’ve said, “the six P’s”; prior preparation prevents piss-poor performance; I’m deeply colonised (again, for another time). Fuck knows how you’d prepare for this, eh Tories?

We’re in this for the long haul, now is time to focus thinking, to move beyond rhetoric into applied philosophy and action.

Joe Exotic is a weapons-grade roaster, by the way.


Aftermath of a cowpunk ruckus.


Behind the bar at Dundee Women’s Fest.


Word on the street…


Stage set for Dundee Women’s Festival


Oil and water on tarmac gutter canvas


Turnstile at Glasgow Garage. Great fun but GAG stole the show.


The City Is Yours


The roads have never been this silent.


Without darkness, there can be no light.


Hardcore is a source of that light.


Fourteenth Birthday didn’t feel hugely like a party, more a holding ritual.


Work biyz, miss ye.


From Donna Ramone’s column in Razorcake 115. Art by Bon3dust.


Fuck Wetherspoons, dead city or otherwise.


Moscow, 91.


Mandated at 6pm; closed by 6.05pm.


A silent and heavy load-out.




Art by unknown.


Oil has no value in an economy without consumption.


Even in blackouts.


C. Gull kens better than Boris.


Art by Yugø (?)


Despite everything, deep inexpressible fervent hope remains.


The final punk 7″ of the neoliberal capitalocene?


In half-light we float onwards into the abyss.


Energy doesn’t die, it merely transforms.


Pin-drop human silence, bird riffs for days.


Everything that is has been willed, usually by cunts.


Rad Apples is closed, for now. Make That A Take aren’t taking any bookings at the moment and, at very least, all April and May shows are off. There are likely to be more cancellations; it’s not unimaginable that we’ll be lucky to get a gig this year, let alone a festival. The AJJ show remains on, at this time, but is subject to change. MTAT will do our best to keep everyone informed of any and all developments. It’s a fucking nightmare, for sure. Sorry to folk who’ve been trying to get in touch, things have been pretty overwhelming, as I know they’ve been for most.

All things considered, I consider myself exceptionally lucky. I can’t express how grateful I am to be living through this nightmare with Purple Haze, the most loving, compassionate and radical human being I have ever known. We’re currently listening to Beastie Boys (“Paul’s Boutique”, thanks for asking) whilst screenprinting and blogging respectively, and acknowledge the deep privilege of that position. We always joked that it’d take the collapse of western civilisation before we finally took a break…

If you’d like to show us solidarity at this time, we’d love to sell you some records and music. There are 100+ releases available from the MTAT Bandcamp page and a STACK of vinyl/CDs/cassettes/swag for sale at our Bigcartel page. Ye can also download the debut single from ALLDEEPENDS here, 7″ pre-order coming this week. Rad Apples are selling gift vouchers for future dinners too. I’d dearly love to smash a Cowpunk Burger into my face right now.


Take a read of this, this, this, this, this, this and this, if ye fancy.

Mutual aid and community solidarity is more important now than ever so stay close, stay in contact but also take care of yourself. Too much social media and too much boozin’ is bad for your health, especially if ye combine the two, in my experience!

Is this The End Of History?

Perhaps the end of the end of history?

We’re through the looking glass and into the abyss that’s been staring through us since we forgot the lessons of the last hundred and fifty years. Shit is scary but we WILL get through and, together, we’ll build the new world.

Stay safe, friends.

– xdrkx

Interview – Chris Cresswell (The Flatliners)

At their recent show in Glasgow, I had scheduled an interview with Chris Cresswell, lead singer of The Flatliners. Unfortunately due to the demands of time, we were unable to complete the interview as originally planned. However, Chris suggested that I email him the questions and he’d get back to me. Now that the guys are off tour and back at home, here are his responses!

WYAZ; The Flatliners are celebrating 10 years of being a band this year. How have things changed for you as a band over the past 10 years and how has it felt to essentially “grow up” on the road?

Chris; It certainly has been interesting to see where the last 10 years have taken us. When we first started out we had no idea what we were doing, or even what we wanted out of life. All we really knew was that we were excited to go out and show people our band. While that feeling hasn’t faded, we’ve all done some growing up and have grown proud of what we’ve built together over the last decade. I can’t believe we’ve done all this shit and seen the things we’ve seen. And none of us are over a quarter century old. It gives you a pretty surreal sense of accomplishment.

WYAZ; You guys are renowned for your hard touring and hard working ethics. With touring so much, how do you keep yourself focussed and hungry for more?

Chris; A balance has to be instated for all the touring to make sense and work for everybody. It’s a big “To Do” to pick up your shit and bail for 3 months straight. We used to do that all the time. We’d basically spend most of the year on the road. While we still tour lots these days, we’ve been able to find a nice balance between being on the road, and the lives we have at home. This band is very much our lifeblood, but at the same time it’s not the only thing the collective members are involved in. I feel like if we didn’t find that balance we all would have lost our heads by now.

WYAZ; Do you have any tour horror stories? What have been the highlights and lowlights of touring for 10 years? What are the greatest challenges you face both personally and as a band with being on the road so much?

Chris; We’ve definitely had our misunderstandings in Eastern Europe involving Police over the years, but those mishaps were never events that couldn’t be smoothed over with a conversation once the large language barrier was championed. There have been a few times that we’ve had to pay off cops in Eastern Europe specifically to just let us go about doing our thing. The highlight of the whole thing is probably just getting the chance to travel and see the world you live in, rather than only read about it in a book, or watch a television program about a far-away land. It’s so much different being there, seeing it, living it. And I understand that is not an opportunity everyone gets, so while you cannot take the situation for granted, you MUST take advantage of it. The ‘lowlight’ so to speak is when you realize sometimes all your hard work means absolutely nothing to some people.

WYAZ; What are the most major differences between touring in North America and touring in Europe/the UK?

Chris; We’re lucky to have a great group of friends in Europe/UK who are hard workers and very supportive of our band, so we get to bring some of them on the road with us when we tour on that side of the Atlantic. And that’s a great thing. Instead to catching up with an old friend who lives far from you for a minute or two, you get to work alongside one another for a few weeks. Share memories. Work towards a common goal. And have a fucking good time. Touring in North America is great too, but I will admit there is an almost inexplicable allure to flying overseas to start a tour, rather than just hopping in the van you’ve got at home. It feels like more of an adventure.

WYAZ; How did you find Reading and Leeds compared to the usual shows you play?

Chris; Reading and Leeds are two great festivals where, from my experiences, the bands are all treated well and given a cool opportunity to reach some folks who may never hear their band on a regular basis. It is a monster of a festival though, that’s for sure. And that’s something we are only exposed to every once in a while. It is a much different vibe playing those festivals than it is playing a small packed club show. But that’s cool, because if you do too much of the same thing, you’re going to lose interest. Bands shouldn’t be afraid of trying new things – even if its the kind of show you’re playing.

WYAZ; Before last week (the show in August), it was 3 years since you played in Scotland. Were there any particular reasons for this? How did you find the Glasgow show this time around?

Chris; Absolutely not. We had actually tried to get a Glasgow show organized for the past 2 UK tours we had done, but for some reason it just was never in the cards. Luckily this time we were able to secure a date and return to Glasgow. And the show was fucking great! Such a great vibe and it seemed like everyone was enjoying themselves. We definitely did.

WYAZ; Where are your favourite places to play?

Chris; I must say that I’ve fallen in love with playing shows in Australia and the UK. Maybe it’s the weird subconscious Monarchy-dwelling Canadian in me. It can’t really be that of course, but there’s no real explanation for it. I tend to really enjoy myself in those two regions.

WYAZ; Have you met any bands on tour that particularly excite and/or interest you?

Chris; Always. One of the great parts about the road is that you meet many great people, and lots of cool bands. Bands that you maybe would never hear of if it wasn’t for the serendipitous touring circuit. We played some shows in Germany this year with a band from Munster called Idle Class. They’re great. Check ’em out.

WYAZ; Do you have any particular tour rituals? We’ve got a habit of getting ridiculous tour tattoos whilst on the road. Any similar ink-related ridiculousness?

Chris; We’ve definitely all got a few road tattoos. There is usually a city-to-city scramble to find weed, and a scramble to find internet so we can download the new episode of Walking Dead or Louis or something like that. We’re very simple creatures. Wake up, coffee, drive all damn day, load in to the show, do a haphazard job of making sure all our equipment works, play as many songs as we can fit into our allotted set time, load out, have a couple beers, sleep. Do it again.

WYAZFat Wreck are reissuing “Destroy To Create” to commemorate your tenth anniversary. How did your relationship with Fat Wreck come to be and do you have a good relationship with Fat Mike and company?

Chris; We’re very excited about that. Especially because we got a very nice rejection letter from Fat Wreck years ago when we originally sent them “Destroy to Create”, haha. A mutual friend of ours introduced us to a lovely woman named Melanie Kaye in Toronto. She, at the time, was the Fat Wreck Canadian rep. We hit it off and she enjoyed the new songs we showed her so much that she sent them to Mike. A few weeks later we were talking to Mike on the phone a few times a week until everything was sorted for us to record our second album, our Fat debut “The Great Awake.” Things have been a lot of fun with Fat. Mike was gracious right off the bat and invited us on many NOFX tours, where we got to play our songs for many people, and we got to meet some great folks who we’re still friends with today. It’s been a nice wing to be taken underneath.

WYAZ;  “Cavalcade” was released in 2010, was incredibly well-received and is your most cohesive work to date. Is the next album written or are you currently working on it? What can we expect (hope for?) and when will it be out?

Chris; We’ll be releasing our fourth album sometime next year. We tend to take our time writing, recording, generally working on our albums. There are a lot of bands who consistently put out records every 2 years without fail, and tour consistently on them. And that’s a great way to do it. With us, we’ve always been resigned to the theory that there’s no real rush. Even if it’s been over 2 years since our last record, we’re comfortable with touring out the rest of the year and, piece by piece, working towards our next album. It will surely sound like us, but that could mean it will sound mostly like us, to us.

WYAZ; What music are you currently listening to? Are there any artists that you are into that may surprise people?

Chris; As I type all this out, I’m listening to the self-titled album by Broken Gold. My friend Ian from the Riverboat Gamblers writes and sings all theses songs. It’s a really cool mix of big guitars and older Brit-pop influenced stuff.

WYAZ; What’s next for The Flatliners? Do you see yourself still playing punk rock 10 years from now?

Chris; If the universe allows us to do this for another 10 years, then I will say “yes.” It’s been a great decade, and we’re all really looking forward to starting this next one right.

WYAZ;  Anything else you’d like to add?

Chris; Thank you for the continuous amount of love and support to all the lovely folks in Scotland. We will not wait another 3 years to return!

Thanks a lot to Chris for taking the time to answer my mundane line of questioning. Massive kudos also again to Boab at Punk Rock Rammy for making the show happen.