In an effort to make good on my promise of writing more (and to shift some product, obvz), I’ve decided to start a “Distro Record of the Week” column. One of the coolest things about running a label is the amount of amazing music that I get to listen to and the gems I get to wrap my grateful ears around that may have otherwise remained undiscovered by me.
I don’t remember exactly how Freddy Fudd Pucker and I became acquainted, I think he hit me up looking for a show sometime in early 2014. What I do know is that he is a wonderfully talented and kind gentleman and that “Hourglass Wine” has been on regular rotation on my turntable since I got my copy at BYAF IX.
“Hourglass Wine” is Freddy’s first full-length record to be given the vinyl treatment and this release comes of classic black wax courtesy of New Zealand’s Monkey Records and the Ramones Museum in Berlin. The record also comes with a twelve page comic containing all lyrics and illustrations that accompany the songs. Vaguely a concept record concerning the evolution of our hero Momo and the stealing of time, the album contains ten tracks of thoughtful, intelligent and impeccably well-written melodic folk/punk crackers that range from the full-on raging to the sombre and introspective.
Freddy Fudd Pucker is a one-man-band so there’s a range of interesting instrumentation and arrangements on display, with equal doses of full-stomping bass drum, electric guitars and blaring moothies as quietly-picked guitar loops, soaring melodies and abstract poetic lyricism. In terms of sonics and influence, we’re pitching in somewhere between the dark-hearted romance of Alkaline Trio and The Cure and marrying it to the classic road-worn folk warmth and wisdom of Neil Young and Bob Dylan. The whole thing is crafted with a punk rock heart and both the emotional honesty and sincerity of intent bleed out all over this record.
As a piece taken together, “Hourglass Wine” is one of the most complete pieces of acoustic-based work I’ve heard in a while, taking us on an engaging journey whilst painting pictures with a smart narrative and intriguing characters throughout. The tone matches the aesthetic perfectly and the whole album flows together beautifully, featuring several stand out moments (“Don’t Fail Me Now”, “Bad Actors”, closing piece “A Gathering Mass”) whilst never detracting from the narrative whole.
In a time of saturation, it’s refreshing and reassuring to find an acoustic artist (singer/songwriter, whatever ye prefer) with a firm sense of their own identity whilst continuing to explore it through their art, music and lyrics. Bottom line, this is a great record from front to back and comes strongly recommended.
As has been well-documented, 2016 marks Ten Years of Cowpunk. As such, rather than just me banging on about all the stuff that I remember and the cool shit that has come to pass over the last decade, I thought it’d be fun (and more interesting) to ask the troops and close associates of the MTAT family to recall some of their favourite songs/moments in our shared history. It’s always very interesting for me to hear the perspectives of others, as I’m usually so (self?) absorbed with everything that’s going on that oftentimes I forget to take a step back and see the bigger picture.
We start with the picks of Jonny Domino. It feels as though Jonny and I have known each other forever, certainly since we both started getting more deeply involved in the local music scene at the turn of the century. Jonny is also a total workhorse; he did all the driving on the Uniforms tours, has driven heaps of bands around the UK, does loads of the cooking for visiting bands, has regularly had bands and total strangers kipping on his floor and his wife Michelle even baked the Burst Cow Birthday Cake for the show last Saturday. He’s a good dude with an at-times questionable taste in music and dress, but he’s got a heart of gold and this list is full of some absolute zingers and fond memories.
The first MTAT release that I personally appeared on, I was part of a bunch of MTAT all-stars that included Kev from Broken Stories that shouted “no school I don’t know!” in the bridge of this in the basement of Seagate Studios.
Billy Liar is basically my Kaddish when it comes to Book Yer Ane Fest, his streak is getting almost as good as theirs and for some reason every Sunday even though everyone is strung out from 2 days of Festing, there always seems to be a bit more energy getting dug out for Billy’s set.
The Riot Before show in The Balcony stands in my mind as one of the undiscovered gems in MTAT history, just a great night with some genuinely nice dudes and also the first night I met Christian Tollner, who played a much bigger part in the development of MTAT’s touring bands than he probably realises.
By far my favourite thing that I’ve got from 10 years of Make That A Take is some amazing friendships with great people. The chance to see all these people is what makes Book Yer Ane Fest my favourite weekend of the year and the fact that I can go all over the country or in fact the world and never be too far from some of my best friends is not an opportunity that a lot of people will get in a lifetime – QTM are the perfect example of that, I love all these dudes.
Loaded 45 are genuinely some of the weirdest, most amazing people I’ve ever met in my life. We spent a combined 6 weeks living 8 of us in one van in places that I’d only ever dream of visiting otherwise (and also Rhyl) and we all have a bastardised MTAT HxC cross with the letters MENM after this song tattooed on our stupid bodies to commemorate it, couldn’t leave it off this list!
To say I’m proud of what MTAT has achieved in the last 10 years would be a massive understatement and everything about this song is a testament to that. Franz has played in some of my absolute favourite bands of all time so to have this released on our label absolutely blows my mind. The subject matter also speaks to one of the things that I’m most proud of about the MTAT crew, which is the fact that over the past decade we’ve tried extremely hard to be as accommodating as possible to people who have come from all over the world to play for us, and I hope built a solid reputation for that in the process.
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The Walking Targets – “Circling The Drain”
Including The Walking Targets on this list is something of a bittersweet experience for me – one of my most vivid BYAF memories was watching these guys play Saturday afternoon, the first time most if not all of us had ever heard of them, with Derrick, Bunky from Question The Mark and Fraser Murderburger and just being blown away. I remember Max winning a bottle of Jager which the QTM guys made him polish off through the course of the day before he vomited all over my house and I remember thinking they were something special. Later that night I still remember the chat being “holy shit did you see that band The Walking Targets?!” and there’s no doubt they got really great, really quick. They’re still my “what could’ve been” moment.
Bangers are without doubt my favourite British band, they’re really lovely guys to spend time with – smart, funny and really patient (I know Andrew was one of Derrick’s go-tos for advice in the early days of MTAT as a functioning label and I don’t think I’ve ever said thanks) and they’re a great advert for DIY punk who I’m thankful for a few opportunities to work with. That being said, Uniforms did a few all ages shows with the DIY Rock Shop in Perth and the one time we invited Bangers I remember Roo saying “if I could give you one piece of advice it would be – always say yes to free drugs if someone offers you them, that’s what being a rockstar’s all about”.
If I was pushed (which I’m not being, but I’m gonna tell you anyway) I’d say this is the best song MTAT has ever released. Get It Together just nail the posi hardcore vibe and their energy and enthusiasm is pretty hard to match. Some of the nicest guys you’ll ever meet they’ve been nothing but a pleasure to be around and this song is pretty much guaranteed to get any room going.
From my favourite song to my favourite show, it’ll be a long time before we pull off anything that compares to hosting Dear Landlord in the basement of Drouthies and it will probably always be my favourite MTAT moment. These guys put on one of the most full on live shows you’ll see and there was sweat (and Guinness) dripping from the ceiling of Drouthies before they finished. Occasionally to this day I still wonder how they ended up there and not in some much bigger venues but I’m also really, really glad they did.
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